<?xml version="1.0" encoding="UTF-8" standalone="yes"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/"><responseDate>2026-07-0Z</responseDate><request verb="ListSets">http://credo-oai.library.umass.edu/oai</request><ListSets><set><setSpec>muph057</setSpec><setName>Jeff Albertson Photograph Collection, ca. 1966-2005</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Born in Reading, Mass., on Sept 13, 1948, Jeff Albertson was still a student at Boston University, working on the staff of the BU News, when he was hired as a photographer by the Boston Globe. Reflecting the youth culture of the late 1960s and early 1970s, his photographs earned him positions with several prominent Boston alternative media outlets. Covering news, music, and the political interests of his generation, he served as photo editor for the Boston Phoenix and associate publisher for the Real Paper, and his work appeared regularly in mainstream publications such as Rolling Stone, People, and Boston Magazine. After becoming photo editor for the Medical Tribune News Group and moving to New York City in the 1980s, he met and married Charlene Laino. In later years, he became involved in early efforts to create websites devoted to issues surrounding health. Albertson died in 2008. As a photographer, Albertson covered a wide range of subjects, with particular focus on music and social change. The many thousands of prints, slides, and negatives in the collection include stunning shots of Bruce Springsteen, Bonnie Raitt, Neil Young, Elvis Presley, Frank Sinatra, and John Lee Hooker, activists such as Abbie Hoffman, politicians, and public personalities. The collection also includes several photographic essays centered on poverty, old age, fire fighting in Boston, and prisoners in Massachusetts (among other issues) along with a wide array of landscapes and street scenes.
	</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph001</setSpec><setName>Frances and Mary Allen Collection of Photographs of Deerfield, 1900-1910</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Influenced by the arts and crafts movement, Frances and Mary Allen began taking photographs of their native Deerfield, Mass., in the mid-1880s. Displaying a finely honed pictorialist aesthetic, the sisters specialized in views of Deerfield and surrounding towns, posed genre scenes of life in colonial times, and the local scenery, earning a reputation as among the best women photographers of the period. The Allen sisters photograph album contains ten gelatin developing out prints of street scenes in Deerfield, ca.1900-1910. Among these are two shots of the house they inherited from their aunt Kate in 1895, which thereafter became their home and studio.
	</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums788</setSpec><setName>The American Revolution Documentary Collection, ca. 1968-2010</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    On March 15, 1968, a failing classical music station, WBCN-FM, was reinvented as Boston’s first voice in radical underground radio, and its influence quickly spread nationally. Its characteristic blend of cultural chaos, including rock, folk, blues, and jazz, interspersed with news, radical politics, and community programming, provided a soundtrack for a generation fighting to remake its world. WBCN earned its nickname, “The American Revolution.” The station’s eclectic and unpredictable broadcasts included music from little-known performers who would emerge into the biggest acts of the day; regularly scheduled live musical performances from local clubs; trenchant political analysis and newscasts of the major events of the day; interviews with legendary cultural figures; and innovative new shows including one of the first women’s programs and the Lavender Hour, the nation’s first regularly broadcast LGBT radio show. Music, politics, culture, and community were intensely interconnected through WBCN, while its “listener line,” which took calls and answered questions on any subject, helped make it a virtual two-way hub for countercultural Boston. While producing a documentary film about WBCN, and the music, politics, and social change during the period 1968-1974, former WBCN newscaster and announcer Bill Lichtenstein recognized the importance of archiving the wealth of primary materials that told the story of WBCN, its community and the dramatic changes of the era. The American Revolution Documentary Collection is the product of Lichtenstein’s energy, serving as an umbrella for a suite of interrelated collections focused on the impact of underground media in the Boston area and the profound social, political, and cultural changes of that time. These collections include the work of photographers, journalists, and writers who would go on to prominence, as well as activists, artists, and everyday people who witnessed and took part in an extended public conversation on the direction of our nation during the period of profound social, political, and cultural upheaval and who used media to help change it.
	</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums292</setSpec><setName>James Aronson - W.E.B. Du Bois Collection, 1946-1983</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Materials written by or pertaining to W.E.B. Du Bois, collected by James Aronson, who was executive editor of the "National Guardian" from 1948 to 1967. Includes correspondence, speeches by Du Bois in published form, articles by Du Bois, biographical sketches and tribute articles about Du Bois, photographs, and newspaper clippings.
	</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murb004</setSpec><setName>Association for Gravestone Studies Book Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>

	</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums834</setSpec><setName>James Baker Free Spirit Press Collection, 1969-2005 (bulk 1969-1974)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          James Baker was a member of the Brotherhood of the Spirit commune (later the Renaissance Community) in the early 1970s, and a key contributor to the Free Spirit Press, the commune's publishing operation. Part promotion, information, and entertainment, the Free Spirit Press magazine ran for four issues in the winter and spring 1972-1973. The Baker collection consists of the surviving materials from the production of Free Spirit Press concentrated heavily in the period between winter 1972 and summer 1974. Accumulated mostly while preparing a brochure for the commune, the manuscript material contains copies of the commune's by-laws and membership rolls, comments from community members on how they wished to be represented, and a story board for the brochure and series of quotes from community members to be included. The second half of the collection contains hundreds of images, mostly 35mm negatives, taken of or by the commune and its residents. The images depict the production and distribution of Free Spirit Press and the commune band (Spirit in Flesh, later called Rapunzel), but they also include several rolls of film taken by commune members of major rock and roll acts of the era, including the Grateful Dead, Taj Mahal, Jethro Tull, Santana, Chuck Berry, Hot Tuna, and Fleetwood Mac.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums429</setSpec><setName>Katherine Bell Banks Papers, 1926-1960</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Consists of letters from Du Bois to various members of the Bell family, the earliest written in September 1926 to Katherine Bell and the latest written in December 1960 to Thomasina Bell Fitzroy. These letters offer a unique perspective of Du Bois's personal life.        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph004</setSpec><setName>Felice Beato Photograph Collection, ca. 1863-1871</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A pioneer in war and documentary photography, the Anglo-Greek photographer Felice Beato was an important chronicler of late-Edo and early-Meiji era Japan. Between 1863 and 1877, Beato took a stunning array of views, portraits, ethnographic images, and genre scenes and helped train the first generation of Japanese photographers. he Beato Collection includes ten images taken by Felice Beato in Japan between 1863 and 1871, including his famous view of Daibutsu, the Great Buddha at Kotokuin Temple, Kamakura; his view of one of the residences of the Shimabara clan; two very scarce views of a farmhouse and agricultural laborers, probably taken along the Tokaido Road; two views of Yokohama; and a fine view of a naval fleet at Nagasaki.    
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums804</setSpec><setName>David M. Berke Collection of Nuremberg Trials Depositions, 1944-1945</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          During the latter months of the Second World War, Edmund F. Franz served with the U.S. Army's War Crimes Branch in Wiesbaden, Germany. Part of the team involved in war crimes investigation, Franz processed hundreds of pages of first-hand accounts by perpetrators, eye witnesses, concentration camp survivors, political prisoners, and prisoners of war that ultimately served the prosecution during the Nuremberg trials. At the war's end, he returned home to Aurora, Ohio, eventually bequeathing a collection of depositions from his wartime work to a friend, David M. Berke. The Berke Collection contains copies of approximately 300 pages of material gathered by U.S. Army investigators in preparation for the Nuremberg trials. The depositions, affidavits, and reports that comprise the collection are varied in scope, but most center on German maltreatment of prisoners -- both political prisoners and prisoners of war -- with a handful of items relating to larger issues in intelligence and counter intelligence. Gathered originally by the Office of Strategic Services, the Counter Intelligence Corps, and other Army units, the materials offer chilling insight into the brutality of the concentration camp system, "labor reform" prisons, and police prisons, and the sheer scale of wartime inhumanity.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums411</setSpec><setName>Horace Mann Bond Papers, 1830-1979 (bulk 1926-1972)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Educator, sociologist, scholar, and author. Includes personal and professional correspondence; administrative and teaching records; research data; manuscripts of published and unpublished speeches, articles and books; photographs; and Bond family papers, especially those of Horace Bond's father, James Bond. Fully represented are Bond's two major interests: black education, especially its history and sociological aspects, and Africa, particularly as related to educational and political conditions. Correspondents include many notable African American educators, Africanists, activists, authors and others, such as Albert C. Barnes, Claude A. Barnett, Mary McLeod Bethune, Arna Bontemps, Ralph Bunch, Rufus Clement, J.G. St. Clair Drake, W.E.B. Du Bois, Edwin Embree, John Hope Franklin, E. Franklin Frazier, W.C. Handy, Thurgood Marshall, Benjamin E. Mays, Kwame Nkrumah, Robert Ezra Park, A. Phillip Randolph, Lawrence P. Reddick, A.A. Schomburg, George Shepperson, Carter Woodson and Monroe Work.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph037</setSpec><setName>Summer Scenes, Brooke Farm, Amherst, Massachusetts, 1922-1923</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          In 1922, the Commonwealth of Massachusetts appropriated $15,000 for the Massachusetts Agricultural College to purchase sixty acres of land lying immediately north of the existing Experiment Station. Known as the William P. Brooks Experimental Farm, the property was intended as a site for experimental work devoted to the dominant crops of the Connecticut Valley, tobacco and onions.  This small homemade photograph album documents a picnic and group outing at the Brooke (i.e. Brooks) Farm at Massachusetts Agricultural College in September 1922. Although the participants -- over thirty of them --are unidentified, they took part in standard picnic activities, including a tug of war, three legged race, and rope jumping. The album contains labeled snapshots pasted onto thick brown paper, tied with a brown ribbon, and includes images of haying on the farm (with Stockbridge Hall in the background) and the homes of William P. Brooks and Prof. Arthur N. Julian.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph060</setSpec><setName>Burt V. Brooks Photograph Collection, 1889-1934</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The artist Burt Vernon Brooks was one of the outstanding chroniclers of daily life in the Swift River Valley before it was inundated to create the Quabbin Reservoir. Born in Brimfield, Mass., in 1849 and raised in Monson, Brooks moved to Greenwich with his family in the 1870s, where he worked on the family farm. At some unclear point before he turned 40, Brooks became active as an artist, painting local homes and scenery and taking photographs of the landscape, residents, and daily life in the Quabbin region. A prolific photographer, he was, in the words of historian Donald W. Howe, "hardly ever seen without his camera strapped to his back," remaining active for decades. Three years after following his second wife to the west, Brooks died in Los Angeles in 1934. The great majority of the 92 photographs in this collection are 5x7" dry plate glass negatives taken by Brooks in the earliest years of the twentieth century, documenting the houses and people of Greenwich. Brooks' work includes landscapes, houses, and a significant series of images of the Hillside School, but some of his best works are studio portraits, images of people at home or with their carriages, and posed scenes of children at play or at work. The collection also includes eight images by Brooks at Enfield, Greenwich, and Dana that are the property of the Swift River Valley Historical Society, and six images taken by Chetwynd and Pike in the Quabbin region to document properties slated for removal.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg003_1_b76</setSpec><setName>William Penn Brooks Papers, 1863-1939 (bulk 1863-1896)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Brooks entered the Massachusetts Agricultural College in 1871 and graduated in 1875. In 1877, he accepted an invitation from the Japanese government to continue the work begun by Clark to establish the Sapporo Agricultural School. His papers consist of correspondence, photographs, newspaper clippings, an account book, and translations. The letters describe in rich detail life in Japan from the perspective of an American teacher trained in agriculture.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph011</setSpec><setName>Daniel A. Brown Photograph Collection, 1968-2003</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Having joined the the Brotherhood of the Spirit commune in 1973, Dan Brown remained a member for a decade as it evolved first into Metelica’s Aquarian Concept and then into the Renaissance Community. Throughout his time as a member, he photographed his fellow communards as they moved through a variety of localities, including Turner’s Falls, Gill, and Warwick, Mass. Since leaving the community in 1983, he has written and lectured regularly on its history for audiences throughout the region. One of the principle photographers of the Brotherhood and Renaissance Community during the period 1973-1983, Brown preserved an archive of approximately 450 photographs documenting the commune from its founding in 1968 through the time of Michael Metelica’s death in 2003. In addition to his own work, he collected and preserved images of many other photographers, most notably Gary Cohen.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums605</setSpec><setName>Burgett-Irey Family Papers, 1832-2012</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Born in 1908 to Louis and Sarah Kessel Burgett, Katherine grew up on the family farm outside of Oquawka, Illinois. In 1924 her parents purchased their own farm in Monmouth, which they later lost due to the devastating impact of the Depression on agriculture, and it was there that she first met her future husband, Kenneth Monroe Irey, a student at Monmouth College. The newlyweds moved to New Jersey in 1931 where Kenneth was transferred for work. As a chemical engineer, Kenneth enjoyed a successful career and comfortably supported his wife and two children. Retiring in 1970, he and Katherine spent their later years pursuing two passions: traveling and bird-watching. Kenneth and Katherine's eldest daughter, June Irey Guild, spent most of her adult life in Massachusetts where she has married twice, raised six children, and operated her own business. During her retirement years, June focused on preserving her family's history by collecting letters and recoding family narratives. The Burgett-Irey Family Papers chronicle the changes that many twentieth-century American families experienced as the nation descended into an economic depression, entered into a world war, and emerged as one of the most powerful countries in the world. The collection, which will continue to grow, includes approximately 70 letters between Katherine Burgett Irey and her family. There are approximately 250 letters dated between 1834 and 1936 written between various family members and friends as well as June Irey Guild's correspondence from 1978-2012. Most of the letters exchange family updates, particularly precious after Katherine relocated to New Jersey. Among the earliest letters is an account of Katherine and Kenneth's first meeting described as "fast work," since he asked her out on the spot. Also included are some ephemera, photographs, genealogical information and other documents. A notable early document dated 1803 acts as a character reference for Abraham and Rebecca Holmes from their church. Autobiographical writings by Kenneth describing his cross-country trip to California in 1927 and a brief history of his life and career are also included.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums865</setSpec><setName>Gloria Xifaras Clark Papers</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Gloria Xifaras Clark was working as an elementary school teacher in her home town of New Bedford in 1964 when she answered the call to enlist in the Mississippi Freedom Summer Project. A recent graduate of Wheelock College, she was assigned to teach in the Benton County Freedom School in Holly Springs for several months, and stayed on to help organize the Mississippi Freedom Democratic Party and to teach literacy and Negro history in Benton, Tippah, and Union Counties. She continued on the activist path after returning to Massachusetts, devoting her energies to economic justice initiatives and work with the Friends of SNCC and the NAACP, and diving headlong into the antiwar movement as head of the Greater New Bedford Draft Information Center. After spending three years in England with her family in 1972-1975, she resumed her civic and educational work in New Bedford, eventually earning appointment as head of the Commonwealth’s Office for Children under Michael Dukakis in 1983. With a keen awareness of the historical importance of the civil rights struggle, Clark became a key organizer of an oral history project during the 1990s that included her fellow veterans of the civil rights movement in northern Mississippi. The results are available digitally through the University of Southern Mississippi.
          
          Documenting the evolution of one activist’s career, the Clark Papers offer valuable information on the Freedom Summer and Freedom Schools in northern Mississippi, particularly in Tippah and Benton Counties, and civil rights activism more generally. The collection includes communiques among civil rights workers in the region, a variety of correspondence, pamphlets, newsletters, and ephemera, plus a small, but noteworthy collection of photographs. Of particular significance among the later materials is a thick body of material from the Draft Information Center in New Bedford (1967-1968), the Vietnam Summer project (1967), and relating to Clark’s role in the Harvard Strike of 1969.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums763</setSpec><setName>Gabriele D'Annunzio Collection, 1919-1920</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          An Italian poet, journalist, novelist, and dramatist, Gabriele D'Annunzio enjoyed a flamboyant career in international affairs after the First World War when he raised a small army and seized the port of Fiume (now Rijeka, Croatia). Failing in his attempts to annex his territory to Italy, D'Annunzio reigned as Duce over the micro-state for over a year before being forced to relinquish control. The fifteen imprints comprising this collection of scarce broadsides, all printed in the short-lived Free State of Fiume. During the brief period of his reign in Fiume, D'Annunzio issued propagandistic broadsides, proclamations, and leaflets almost daily, often distributing them by airplane drop over the city. Included is a rare first edition of D'Annunzio's most famous piece from the Fiume period, Italia e vita.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums578</setSpec><setName>Susan Dalsimer Papers, 1969-1970</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Famous Long Ago launched the literary career of Raymond Mungo with a splash, but even before the book had reached the shelves, he turned to his next project. In October 1969, Mungo began planning for a memoir of his life at the Packer Corners commune. Soon titled Total Loss Farm, the book would become a classic in the literature of the 1960s counterculture. Signing a contract in November with E.P. Dutton, he worked with a young and sympathetic editor, Susan Stern (later Susan Dalsimer). This small, but rich collection consists of a series of letters between Raymond Mungo and his editor at E.P. Dutton, Susan Stern, regarding his ideas on writing and life. Beginning in October 1969 with editorial commentary on Famous Long Ago and Mungo's additions, the Dalsimer Papers offer insight into the development of Total Loss Farm from concept to printed page.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums012</setSpec><setName>Dana (Mass.) Collection, 1800-1939</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Incorporated from parts of Greenwich, Hardwick, and Petersham in 1801, the town of Dana, Massachusetts, was situated in the northeastern reaches of the Swift River Valley. A fairly sparsely populated town (695 residents in 1890), Dana benefited from a relative abundance of flat and arable land that resulted in an economy centered on farming and pasturage, but the availability of water from the Swift River promoted the development of manufactures as well. In addition to the cottage industry of weaving palm-leaf hats, particularly in North Dana, the town supported factories that produced pianos, wood products (the Swift River Box Company), sawmills, gristmills, and textiles. Quarrying of granite and especially soapstone added to the employment. The Dana Collections include a comprehensive records of town meetings from incorporation through disincorporation (1801-1938), plus rich records for the Congregational Church and its affiliate organizations, the Ladies Aid Society, the Orthodox Congregational Society, and the Young People's Society of Christian Endeavor. This finding aid includes both materials held by SCUA and those held at the Swift River Valley Historical Society in New Salem, Mass., that were part of a cooperative digitization project centered on the records of the Quabbin towns.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums760</setSpec><setName>Bill Duesing Politics of Food Collection, 1997-1998</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A pioneer in organic agriculture in New England, Bill Duesing has been as an environmental educator, writer, artist, and lecturer over for four decades. After graduating from Yale University (1964), Duesing worked as a Cooperative Extension agent before turning to organic principles in the early 1970s. Emphasizing sustainability and greater local food sufficiency, he has been instrumental in developing organic standards for gardening and land care and he has served as both founding president and later executive director of the Northeast Organic Farming Association Connecticut and president of the NOFA Interstate Council. During the 1990s, Duesing produced two radio shows, “Living on the Earth” (WSHU) and “The Politics of Food” (WPKN), and he is author of Living on the Earth: Eclectic Essays for a Sustainable and Joyful Future (1993). 
          The Duesing collection consists of fourteen recordings of The Politics of Food radio program, which was broadcast monthly over WPKN (89.5 FM) in Bridgeport in 1997-1998. Each half hour segment included news, a fifteen minute interview, recipes, and tips, with interviewees including Mel Bristol, Jac Smit, Vincent Kay, John Wargo, Hugh Joseph, Joseph Kiefer, Julie Rawson, Michael Sligh, Kathy Lawrence, Lee Warren, and Elizabeth Henderson.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums312</setSpec><setName>W. E. B. Du Bois Papers, 1803-1999 (bulk 1877-1963)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Scholar, writer, editor of The Crisis and other journals, co-founder of the Niagara Movement, the NAACP, and the Pan African Congresses, international spokesperson for peace and for the rights of oppressed minorities, W.E.B. Du Bois was a son of Massachusetts who articulated the strivings of African Americans and developed a trenchant analysis of the problem of the color line in the twentieth century. Includes over 100,000 items of correspondence (more than three quarters of the papers), speeches, articles, newspaper columns, nonfiction books, research materials, book reviews, pamphlets and leaflets, petitions, novels, essays, forewords, student papers, manuscripts of pageants, plays, short stories and fables, poetry, photographs, newspaper clippings, memorabilia, videotapes, audiotapes, and miscellaneous materials.
	</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums756</setSpec><setName>Audrey R. Duckert Quabbin Valley Oral History Collection, 1966-1980</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Trained as a linguist, Audrey R. Duckert was a pioneer in the study of American regional English. Born in the small town of Cottage Grove, Wisconsin, Duckert took up the study of dialect while a student at the University of Wisconsin during the 1940s, and after completing her doctorate in linguistics at Radcliffe College in 1959, she joined the faculty at UMass Amherst, where she remained until her retirement forty years later. Among the highlights of her career, Duckert was a founding member of the Dictionary of American Regional English in 1965 and she became the first UMass woman admitted to Phi Beta Kappa. In addition to her linguistic work, Duckert developed an avid interest in local history and she was involved with a number of local historical organizations, including the Swift River Valley Historical Society in New Salem. On September 6, 2007, Duckert died in Hadley, Mass., at the age of 80. The Duckert oral history collection consists of a series of 53 audiocassette tapes containing oral history interviews with persons displaced when the Swift River Valley was flooded in 1939 to create the Quabbin Reservoir. The histories include rich recollections of life in the towns of Greenwich, Enfield, Dana, and Prescott, with village life, education, family, and the changes that accompanied the inundation of the region. The original cassette tapes are the possession of the Swift River Valley Historical Society, which has allowed us to digitize the contents.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums570</setSpec><setName>Otto F. Ege, "Fifty Original Leaves from Medieval Manuscripts", 12th-15th century</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The scholar of book history Otto F. Ege disassembled works from his personal collection of medieval manuscripts to create forty portfolios of fifty leaves each, offering these sets for sale to individuals and institutions under the title "Fifty Original Leaves From Medieval Manuscripts." Marketing his portfolios as a resource for study of the history of the book, book illustration, and paleography, Ege justified his biblioclastic enterprise as a means of sharing the beauties of Medieval books with a wider audience. The majority of the texts scavenged for Otto Ege's "Fifty Original Leaves From Medieval Manuscripts" (all but one in Latin) are liturgical in origin -- Bibles, psalters, missals, breviaries, and Books of Hours -- however Ege also included a few less common works such as the 15th-century manuscript of Livy's History of Rome and a version of Thomas Aquinas's Commentary on the Sentences of Peter Lombard. The leaves range in date from the late twelfth to the early sixteenth century and represent a number of distinctive regional styles in paleography and illumination from throughout western Europe, including Italy, France, Germany, the Low Countries, Switzerland, and England. The UMass Amherst copy is number six of 40.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums010</setSpec><setName>Enfield (Mass.) Collection, 1800-1939</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Situated at the confluence of the east and west branches of the Swift River in western Massachusetts, Enfield was the largest and southernmost of the four towns inundated in 1939 to create the Quabbin Reservoir. Incorporated as a town in 1816, Enfield was relatively prosperous in the nineteenth century on an economy based on agriculture and small-scale manufacturing, reaching a population of just over 1,000 by 1837. After thirty years of seeking a suitably large and reliable water supply for Boston, the state designated the Swift River Valley as the site for a new reservoir and with its population relocated, Enfield was officially disincorporated on April 28, 1938. The records of the town of Enfield, Mass., document nearly the entire history of the largest of four towns inundated to create the Quabbin Reservoir. The core of the collection consists of records of town meetings and of the activities of the town Selectmen, 1804-1938, but there are substantial records for the Enfield Congregational Church. The School Committee, Overseers of the Poor, the town Library Association, and groups such as the local chapter of the Daughters of the American Revolution and the Bethel Masonic Lodge.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph005</setSpec><setName>Roy Finestone Photograph Collection, 1969-1990</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A wave of experimentation in communal living crested in New England in the late 1960s and early 1970s, with dozens of communities spread across the landscape of western Massachusetts and Vermont. Nina Finestone joined the Johnson Pasture community in Guilford , Vermont, in 1969, however after the main house there went up in flames on April 16, 1970, killing four people, she joined a number of its residents who moved to the nearby Montague Farm in Montague, Massachusetts. Nina married a fellow Montague farmer, Daniel Keller, and the couple moved to Wendell in 1980. Providing exceptional visual documentation of life at Johnson Pasture, the Montague Farm, and Wendell Farm between 1969 and 1990, the Finestone collection is centered on the lives and family of Daniel and Nina Keller. All images were taken by Roy Finestone, Nina's father, with a medium format camera using color transparency film.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph054</setSpec><setName>Britta Fischer, U.S.-China Peoples Friendship Association Photograph Collection, 1978</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A sociologist of science and engineering and member of Science for the People, Britta Fischer traveled to the People's Republic of China in 1978 as part of a tour arranged by the U.S.-China Peoples Friendship Association. Organized in 1974 to foster people-to-people diplomacy and a vision of veteran civil rights activist Unita Blackwell, the USCPFA sponsored speakers, seminars, and cultural exchanges with the PRC, and became one the first groups to organize tours to China from the United States. The 449 color slides (35 mm.) that comprise the U.S.-China Peoples Friendship Association collection document a tour to the PRC undertaken at the height of agitation over the Gang of Four. Beyond simple touristic scenes, the collection depicts a state-sponsored version of everyday life in China during the early post-Mao era.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums011</setSpec><setName>Greenwich (Mass.) Collection, 1734-1940</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Granted in 1737 and incorporated in 1754, Greenwich, Mass., was the first town in the Swift River Valley settled by Europeans. Sitting astride the East and Middle branches of the Swift River and forming the eastern boundary of Hampshire County, Greenwich was primarily an agricultural town with light manufacturing and, beginning in the later nineteenth century, an active tourist trade. The town's population peaked at over 1,100 early in the nineteenth century, declining slowly thereafter. The records of Greenwich, Mass., offer a long perspective on the history of the region inundated to create the Quabbin Reservoir. The core of this collection consists of the records of town meetings and the Selectmen of Greenwich from the Proprietary period in the 1730s through disincorporation in 1938, but there is some documentation of the town's Congregational Church, a local school, the library, and the Greenwich Improvement Society. This finding aid reflects both materials held by SCUA and materials digitized in partnership with the Swift River Valley Historical Society in New Salem, Mass.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums797</setSpec><setName>Aldin Grout Papers, 1833-2002 (bulk 1833-1894)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Aldin Grout was among the first American missionaries to the Zulu nation. After experiencing a religious conversion in his early twenties, Grout dedicated his life to the ministry, studying at Amherst College (1831) and Andover Theological Seminary (1834) before accepting an appointment from the American Board of Christian and Foreign Missions. In Nov. 1835, Grout and his new wife Hannah sailed for South Africa, arriving in Port Natal in June, and building their first outpost among the Zulu, who were in a temporary lull in their long war with Boer settlers. Although Hannah died barely a year later, Grout and his second wife Charlotte remained at the mission station at Umlozi for over thirty years. After settling into retirement in Springfield, Mass., in 1870, Grout took part in the ABCFM effort to translate the Bible into Zulu (1883) and wrote about his missionary experiences for a general audience. Aldin Grout died in Springfield on 1894. In nearly fifty letters to his in-laws, Grout provided a remarkable commentary on his missionary activities in colonial South Africa, his personal religious convictions, and the lives of the Zulus to whom he ministered. The collection also includes a handful of fragmentary autobiographical and historical sketches written after Grout's retirement, a handful of letters from his wives and fellow missionary workers, Hannah and Charlotte, and some photographs of Groutville, S.A., and other materials from Grout's great-great-granddaughter Norine Lee (formerly Phillips).
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums783</setSpec><setName>Carl Halpern Papers, 1920-1986 (bulk 1950-1965)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Born in 1902, Carl Halpern grew up in the Bronx where he attended elementary school. Upon leaving school, he took several jobs, including shoe salesman and accounting clerk, before he was hired as an errand boy in 1917 at the Electro-Chemical Engraving Company. Halpern stayed with the company for more than 40 years, retiring as an Executive Vice President. The collection consists chiefly of materials relating to Halpern's tenure at Electro-Chemical Engraving Company, including company reports and inter-company memos, advertisements for products, and other materials related to the business. Of singular importance is Halpern's memoir, which intertwines his personal history with that of the company during the nearly five decades he was associated with the business.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs001</setSpec><setName>Joel Martin Halpern Papers, 1932-2009 (bulk: 1948-2008)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The anthropologist Joel Martin Halpern (1929- ) has worked in regions from the North American arctic (meaning Canada and Alaska) to tropical Laos in Southeast Asia, but he has concentrated on Southeast Europe, principally, Yugoslavia. He is perhaps best known for his studies of social modernization in the Balkans. Following undergraduate study in history and anthropology at the University of Michigan (BA, 1950), Halpern studied at the renowned anthropology department and Russian Institute, (renamed the Harriman Institute in 1982) at Columbia University. He received his doctorate in 1956 for a study of the village of Orasac in Serbia in the former Yugoslavia. The resulting work became the basis of his Ainsley award winning book, A Serbian Village (N.Y., 1958). He began his career with the Human Relations Area Files office at the American University in Washington, D.C. working on a Laos handbook. Subsequently, he went to that country as a Field Service Officer with the Community Development Division of the U.S. International Cooperation Administration. He served as chair of the Mekong Seminar of the Southeast Asia Development Advisory Group of the Asia Society which advised the U.S. Aid program. Halpern was a member of the faculty at UCLA, Brandeis, and the Russian Research Center at Harvard (1965-1967) before coming to UMass Amherst in 1967. Throughout Halpern's career visual materials have been central to his anthropological research. Since retiring from UMass in 1992, Halpern continues to live in Amherst. He has also been a multi-year visiting professor in the Southeast European Studies Center at the University of Graz in Austria. A massive collection documenting the long and varied career of a prolific ethnographer, the Halpern Papers include a wide range of textual and visual materials documenting the anthropological study of modernization, ethnicity, rural life and urbanization, the economy, and cultural change.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums704</setSpec><setName>Hampshire Council of Governments Records, 1677-1961</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The Hampshire Council of Governments is a voluntary association of cities and towns and the successor to the former government of Hampshire County, Massachusetts, that was abolished in 1999. A body politic and corporate, its charter ratified by Massachusetts General Law 34B, S20(b), the Council oversees roadways, the electricity supply, building inspection, tobacco control, cooperative purchasing, and other services for member communities. The Hampshire Council collection contains a dense record of county-level governance in western Massachusetts from the colonial period through the mid-twentieth century with extensive documentation of the actions of the County Commissioners, and before them the Court of Common Pleas and Court of General Sessions. Rich in documenting the development of the transportation infrastructure of western Massachusetts, the collection offers detailed information associated with the planning and construction of highways, canals, ferries, and railroads, but the early records offer a broad perspective on the evolution of the legal and cultural environment, touching on issues from disorderly conduct (e.g., fornication, Sabbath breaking) to the settlement of estates, local governance, public works, and politics.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph051</setSpec><setName>Diana Henry Mara Collection, ca. 1930-2012</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Recognized for her coverage of historic events and personalities, the photographer Diana Mara Henry took the first steps toward her career in 1967 when she became photo editor for the Harvard Crimson. After winning the Ferguson History Prize and graduating from Harvard with a degree in government in 1969, Henry returned to New York to work as a researcher with NBC News and as a general assignment reporter for the Staten Island Advance, but in 1971 she began to work as a freelance photographer. Among many projects, she covered the Democratic conventions of 1972 and 1976 and was selected as official photographer for both the National Commission on the Observance of International Women's Year and the First National Women's Conference in 1977, and while teaching at the International Center for Photography from 1974-1979, she helped develop the community workshop program and was a leader in a campaign to save the Alice Austen House. Her body of work ranges widely from the fashion scene in 1970s New York and personal assignments for the family of Malcolm Forbes and other socialites to political demonstrations, cultural events, and photoessays on one room schoolhouses in Vermont and everyday life in Brooklyn, France, Nepal, and Bali. Widely published and exhibited, her work is part of permanent collections at institutions including the Schlesinger Library, the Library of Congress, Smithsonian, and the National Archives. The Henry collection is a rich evocation of four decades of political, social, and cultural change in America beginning in the late 1960s as seen through the life of one photojournalist. This diverse body of work is particularly rich in documenting the women's movement, second wave feminism, and the political scene in the 1970s. Henry left a remarkable record of women in politics, with dozens of images of Bella Abzug, Elizabeth Holtzman, Shirley Chisholm, Liz Carpenter, Betty Friedan, Jane Fonda, and Gloria Steinem. The collection includes images of politicians at all levels of government, celebrities, writers, and scholars, and coverage of important events including demonstrations by Vietnam Veterans Against the War, the Women's Pentagon Action, and marches for the ERA. The many hundreds of exhibition and working prints in the collection are accompanied by the complete body of Henry's photographic negatives and slides, along with an array of ephemera, correspondence, and other materials relating to her career.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums782</setSpec><setName>W. L. Holland Papers, 1907-2008 (bulk 1930-1990)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Born in New Zealand in 1907, Bill Holland first traveled to Japan at the age of 21 to take part in the conference of the Institute of Pacific Relations, beginning over thirty years of association with the organization. During his time at IPR, Holland held a number of leadership positions, including Research Secretary (1933-1944), Secretary-General (1946-1960), and editor of its periodicals Far Eastern Survey and Pacific Affairs. He took leave from the IPR twice: to study for a MA in economics under John Maynard Keynes at Cambridge (1934) and, during the Second World War, to become acting director of the Office of War Information in Chungking, China. Founded on an internationalist philosophy as a forum to discuss relations between Pacific nations, the IPR was targeted under the McCarthy-era McCarran act during the 1950s, accused of Communist sympathies. After political pressure led the IPR to disband in 1960, Holland accepted a position on faculty with the newly created Department of Asian Studies at the University of British Columbia (1961-1972), helping to lead that department to international prominence. He remained in BC until the death of his wife Doreen in 1990, after which he settled in Amherst to live with his only child, Patricia G. Holland. Holland died in Amherst in May 2008. The Holland Papers are a dense assemblage of correspondence of Bill Holland, his wife Doreen, and their family, from his first trip abroad in the 1920s through the time of his death. Although largely personal in nature, the letters offer important insight into Holland’s travel in pre-war Asia, his work with the IPR, the war, and the of the 1950s. The collection also includes a wealth of photographs, including two albums documenting trips to Japan, China, and elsewhere 1929-1933.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums564</setSpec><setName>Indusco Bailie School Collection, 1940-1952</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Following the Japanese invasion of China in 1937, the New Zealand expatriate Rewi Alley threw his considerable talents behind the war effort. Building upon knowledge acquired over a decade of living in China, Alley helped organize the Chinese Industrial Cooperative Movement (CIC). The CIC coordinated the creation of industrial cooperatives throughout unoccupied China to keep industrial production flowing, and it sponsored a series of industrial schools named after Alley's friend Joseph Bailie to provide training and support. The Indusco Bailie School Collection includes documents and photographs relating to the establishment and operation of the Bailie Schools in China during and immediately after the Second World War. Probably associated with the Indusco offices in New York City, these documents include a model constitution for industrial cooperatives, typewritten reports on Bailie Schools, and published articles describing the schools' efforts. The reports extend through 1949, and include three mimeographed newsletters from the Shantan Bailie School for the months immediately following the school's liberation by Communist forces. Also included are printed works by Alley and eighteen photographs taken between 1942 and 1944 of students and scenes at Bailie Schools.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs033</setSpec><setName>David Rittenhouse Inglis Papers, 1929-1980 (bulk 1965-1980)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          David R. Inglis enjoyed a distinguished career in nuclear physics that ranged from theoretical work on the structure of the nucleus in the 1930s to the development of the atomic bomb in the 1940s and work on renewable energy in the 1960s and 1970s. A Professor of Physics at UMass from 1969-1975, Inglis was a founding member of the Federation of American Scientists and from the mid-1940s on, he dedicated himself to informing public policy on the dangers of nuclear technologies. The Inglis Papers offer a perspective on the life and career of a theoretical physicist who grew from an early involvement in the Manhattan Project to becoming a committed critic of nuclear weaponry and nuclear power. Although the collection is relatively sparse in unpublished scientific work, it includes valuable correspondence relating to Inglis's efforts with the Federation of American Scientists and other organizations to influence public policy on issues relating to disarmament and nuclear power.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph013</setSpec><setName>Stephen Josephs Photograph Collection, 1972-1978</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The Guru Ram Das Ashram was founded in Montague, Massachusetts, in 1972 by Steve Josephs under the inspiration of Yogi Bhajan. Affiliated with the 3HO (Healthy Happy Holy Organization) and the Sikh Dharma Brotherhood, the ashram provided instruction in Kundalini Yoga and Tantric meditation, and at one point, there were as many as 21 residents of the house. United in an arranged marriage by Yogi Bhajan in 1972, the Josephs (then called Gurushabd Singh and Gurushabd Kaur) left the ashram in 1983. The thirteen digital images in the Stephen Josephs Collection document the early years of the Guru Ram Das Ashram, and its founders Stephen and Alice Josephs (Gurushabd Singh and Gurushabd Kaur). The collection includes images of Yogi Bhajan, the Josephs, and their infant son Sean (Sat Narayan Singh).
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph046</setSpec><setName>Edward Judice Photograph Collection, 1973-2010</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Raised on Long Island, Ed Judice embarked on a path in photography at the age of 13 when he took a job sweeping floors in a local photo studio. After picking up work photographing locally and a stint in the army, he moved to New York city, Judice began doing commercial work for ad agencies and magazines and eventually with Polaroid. Through Polaroid, he began developing contacts in western Massachusetts, eventually moving to Wendell in the early 1970s. He maintains an active studio in Northampton. The Judice collection consists of a series of 59 digital images relating to a photo documentation project at the Rodney Hunt factory in Orange, Mass., in 1973 and 1974; a series of photographs documenting the bicentennial of Wendell in 1981; and two video documentaries of the Three County Fair, Northampton, Mass., 2007, and "Benny and Joe: A friendship," 2010.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums611</setSpec><setName>Lillian Hyman Katzman Papers, 1952-1989</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          When Lillian Hyman Katzman volunteered to work with the Democratic Party in New York City in 1948, she was sent over to the office of W.E.B. Du Bois to assist him with some secretarial work. From that beginning, she was hired as a secretary, remaining in Du Bois's employ for several years until she, regretfully, left for higher pay. Hyman later earned her masters degree and taught in the public schools in New York, starting the first class for children diagnosed with brain injury. The Katzman Papers contains a series of letters and postcards sent by Du Bois during the early 1950s when Katzman worked as his secretary. Friendly and informal, they concern lecture tours by Du Bois and his wife, Shirley Graham, out west, and arrangements for his home at Grace Court in Brooklyn. The collection also includes a handful of publications by Du Bois, newspaper clippings, and some congratulatory letters to Katzman on her marriage.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph019</setSpec><setName>Mill River Flood Stereographs, 1874</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The Mill River flood of 1874 was one of the great man-made disasters of late nineteenth century western Massachusetts. Following the collapse of an earthenwork dam on May 16 of that year, 600,000,000 gallons of water coursed through Williamsburgh, Skinnerville, and Leeds, destroying factories and homes, bridges and roads, and leaving 139 deaths in its wake. The nineteen images in the Mill River Flood collection are a small sampling of a series of 110 stereographs taken by the Knowlton Brothers of Northampton to document the devastation caused by the flood of May 1874. The collection also includes one view taken by F. J. Moore of Westfield, who issued his own series of 21 stereographs, and one by an unidentified photographer.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums637</setSpec><setName>Coralie Guertin Lajoie Collection, 1950-1951</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          When Capt. Henry Guertin, a native of Leominster, Mass., was ordered to active duty with the 24th Infantry Division during the Korean War, his wife Rita relocated to Japan to raise their growing family in Kokura (Kyushu), Japan. Just 13 at the time and already used to the regular relocation of a military life, the eldest daughter, Coralie Ann ("Coco") spent the next two years attending the Kokura Dependent School. As an adult, Coco married golf pro Ray Lajoie and settled in central Massachusetts. The collection contains ephemera and photographs from young Coco Lajoie's two-year sojourn on Kyushu. These include a copy of her school yearbook for 1951, a bill for a folk dance performance, and a series of letters from Japanese schoolchildren she met on a visit.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums796</setSpec><setName>Winston Lavallee Collection, 1937-2005</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A native New Englander, Winston Lavallee grew up in the Berkshires and attended UMass Amherst where he received his Ph.D. in entomology. He served as a professor for more than 35 years at Holyoke Community College and as a life-long advocate for the stewardship of natural resources and ecological sustainability. Lavallee is the author of several short stories and two novels: Tempest in the Wilderness and Dancing in the Dark, a novel about the Civilian Conservation Corps. The collection consists of research notes, publications, photographs, and the recollections of men who Lavallee interviewed about their service in the Civilian Conservation Corps. These materials were first accumulated to record the conservation and plant pest control techniques employed in New England during the 1930s-1940s, but were later used during the preparation and writing of Dancing in the Dark. Altogether they offer rich historical background on the CCC and the men who were employed in the various jobs, such as road building, fire hazard reduction, and the development of recreational space, which constituted the program.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums790</setSpec><setName>Bill Lichtenstein Collection, 1965-1976</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          In 1970, just fourteen years-old, Bill Lichtenstein began working as a volunteer on the listener line at WBCN-FM in Boston, moving up to become a newscaster and announcer and helping to pioneer the station’s innovative on-air sound with montages of actualities, music, and comedy. As his media career developed over the next forty years, Lichtenstein built a wide reputation as a journalist and documentary producer for ABC News, working as an investigative producer on shows such as 20/20, World News Tonight, and Nightline, and since 1990, he has operated as president of his own production company, Lichtenstein Creative Media. With LCMedia, Lichtenstein has received more than 60 major broadcast honors including a Peabody Award, U.N. Media Award, eight National Headliner Awards, the Cine Golden Eagle, and a Guggenheim Fellowship, and his documentary West 47th Street was selected as winner of the Atlanta Film Festival. A graduate of Brown University and the Columbia Graduate School of Journalism, Lichtenstein has served on the faculty of the New School University (1979-2005) and he writes regularly on media, politics, and health for publications ranging from the Huffington Post to the New York Times, the Nation, Newsday, Boston Globe, Village Voice, Entertainment Weekly, and TV Guide.  The Lichtenstein Collection consists of a growing array of materials gathered in preparation of the documentary film, The American Revolution, which explores the cultural and political impact of WBCN. These include audio tapes of WBCN broadcasts, news reports and stories, photographs and ephemera of social change in Boston during the late 1960s and early 1970s, and two WBCN documentaries: Danny Schechter’s Jamaica: An Island in Crisis (1976) and What Is News (1973), produced by Schechter and Lichtenstein.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph056</setSpec><setName>Sandy Lillydahl Venceremos Brigade Photograph Collection, 1970-2005 (bulk 1970)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A 1969 graduate of Smith College and member of Students for a Democratic Society, Sandy Lillydahl took part in the second contingent of the Venceremos Brigade. Between February and April 1970, Lillydahl and traveled to Cuba as an expression of solidarity with the Cuban people and to assist in the sugarcane harvest. The 35 color snapshots that comprise the Lillydahl collection document the work of during the New England contingent of the second Venceremos Brigade as they worked the sugarcane fields in Aguacate, Cuba, and toured the country. Each image is accompanied by a caption supplied by Lillydahl in 2005, describing the scene and reflecting on her experiences, and the collection also includes copies of the file kept by the FBI on Lillydahl, obtained by her through the Freedom of Information Act in 1975.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph044</setSpec><setName>Arthur Mange Photograph Collection, 1958-2013</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Arthur Mange taught in the Biology Department at University of Massachusetts Amherst for 31 years before retiring in 1995. A co-author of numerous works in human genetics, Mange served on the chair of the Conservation Committee in Amherst, and currently serves on the Burnett Gallery Committee. In 1983, his New England images were featured in Across the Valley (from Cummington to New Salem) held at the Burnett Gallery. This exhibition was followed at the Hitchcock Center in 1984 with Delight in Familiar Forms (celebrating some well-known plants and animals), with Ring Bell to Admit Bird at the Jones Library and Net Prophet at Cooley Dickinson Hospital. Architectural Sights -- Big and Small, Mange's most recent show (2002), appeared at the Burnett Gallery. In addition to exhibitions, Mange has also donated collections for fund-raising auctions at New York University, the Cooley Dickinson Hospital, the University of Massachusetts Fine Arts Center, the Amherst Historical Society, Jones Library, and the Amherst Community Arts Center. His photographic collection spans more than half a century of subjects reflecting his varied interests in animals, plants, our region, gravestones, what he calls "whimsical signs," and attention-grabbing shadows.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums812</setSpec><setName>Michella Marino Oral History Collection, 2011-2012</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Michella Marino received her doctorate from the Department History of at UMass Amherst in May 2013. Her dissertation, Sweating femininity: women athletes, masculine culture, and American inequality from 1930 to the present, drew on extensive oral historical and archival research to examine how feminist women negotiated the cultural boundaries surrounding gender to carve out identities as women, athletes, and mothers. Focusing on women's participation in two sports, basketball and roller derby, Marino wrote that her goal was to "explain the tension between women’s representation and agency, between cultural constructs and women's lives, between images of women and their individual identities." The Marino Collection consists of 23 oral historical interviews with female and male participants in roller derby and basketball.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph043</setSpec><setName>Massachusetts Governmental Activities Exposition Photograph Album, 1930</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          To celebrate its tercentenary in 1930, the Commonwealth of Massachusetts organized over two thousand events in 253 communities, drawing over eleven million visitors. One of the most elaborate of these events was the Exposition of Governmental Activities held at the Commonwealth Armory in Boston between September 29 and October 11. A celebration more of contemporary governmental activity than the historical precedents, the exposition featured displays representing nearly every branch of government, from the Department of Education to the state police, mental and public health, public welfare, transportation, agriculture, labor, and industry. P.E. (Paul) Genereux (1892-1977), a commercial photographer from East Lynn, was hired to document the exhibits and displays in the Exposition of Governmental Activities, producing commemorative albums containing silver gelatin prints, carefully numbered and backed on linen. This disbound album includes 88 of the original 175 prints, including interior and exterior shots, with an additional image by Hildebrand.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums700</setSpec><setName>Mark H. McCormack Papers, ca. 1920-2008 (bulk: 1957-2003)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Once hailed by Sports Illustrated as “the most powerful man in sport,” Mark Hume McCormack directly engineered the growth of money and media in modern professional sport. After graduating from the College of William and Mary with a B.A. in French and receiving a law degree from Yale, McCormack joined the Cleveland-based law firm of Arter, Hadden, Wykoff, and Van Duzer in 1957. An accomplished golfer in college, McCormack remained close to the game, qualifying for both the British and U.S. amateur championships and the U.S. Open in the 1950s.  While working as a lawyer and entrepreneur, he leapt to prominence by striking a deal with a legendary handshake to represent Arnold Palmer in 1960. With that auspicious start, McCormack soon added golfers Gary Play and Jack Nicklaus to his roster of clients, followed by a long succession of notable international sports figures and celebrities from Formula-1 driver Jackie Stewart, Olympic skier Jean-Claude Killy, tennis stars Billy Jean King and Pete Sampras to Margaret Thatcher, Pope John Paul II and models Kate Moss and Gisele Bundchen.  McCormack quickly added corporations and sporting events such as Wimbledon, the Royal and Ancient Golf Club of St. Andrews, and Rolex as clients in sponsorship, licensing, event management, and media deals. These clients became the basis of IMG Worldwide, Inc., forming one of the largest management, media, and marketing companies in the world. The author of a dozen books on management and sport, McCormack became a famous figure himself as a business man, negotiator, and deal-maker before passing away in 2003. With a growing collection of approximately 2,500 boxes of records that represent the personal life of Mark H. McCormack and the intertwined corporate records of IMG, the McCormack Papers provide an inside look at the last 50 years of the business of professional sport. The collection contains correspondence, memos, drafts, reports, contracts, research files, marketing materials, and memorabilia. The collection is arriving in stages and is currently being processed. Some materials are restricted.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph042</setSpec><setName>Mountain House Photograph Collection, ca. 1865</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A popular tourist destination during the post-Civil War years, the Mountain House hotel was built on the summit of Sugar Loaf Mountain, in South Deerfield, Mass., by Granville Wardwell in 1864 on property owned by his father-in-law Dwight Jewett. Positioned near the southern end of the mountain, the hotel provided tourists with a stunning panoramic vista of the Connecticut River Valley. This small collection consists of three scenic cartes de visite from a larger series featuring views from the Mountain House. The images include No. 6, a view of five persons perched on the southeast promontory of Sugar Loaf with a view to the northeast across the Connecticut River to Mt. Toby; No. 10, Mountain House with a group of nine men and women posed on the lawn with telescope and tripod; No. 18, view of barns at the southern base of Sugar Loaf Mountain.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums659</setSpec><setName>Raymond Mungo Papers, 1966-2008</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Born in a "howling blizzard" in February 1946, Raymond Mungo became one of the most evocative writers of the 1960s counterculture. Through more than fifteen books and hundreds of articles, Mungo has brought a wry sense of humor and radical sensibility to explorations of the minds and experiences of the generation that came of age against a backdrop of the struggles for civil rights and economic justice, of student revolts, Black Power, resistance to war, and experimentation in communal living. Consisting of the original typescripts and manuscripts of ten of Raymond Mungo's books, along with corrected and uncorrected galleys and a small number of letters from publishers. Among the other materials in the collection are thirteen photographs of Mungo taken by Clif Garboden and Peter Simon during and immediately after his undergraduate years at Boston University; a DVD containing motion pictures of life at Packer Corners in 1969 and 1977; and an irate letter from a writer regarding the status of poems he had submitted to Liberation News Service.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums592</setSpec><setName>David Ledbetter Nanney Papers, 1946-2008</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The experimental ciliatologist David L. Nanney spent much of his career studying the protozoan Tetrahymena. Under Tracy M. Sonneborn at Indiana University, he completed a dissertation in 1951 on the mating habits of Paramecium, but soon after joining the faculty at the University of Michigan, he turned his attention to Tetrahymena. During his subsequent career in Ann Arbor (1951-1959) and at the University of Illinois (1959-1991), Nanney made a series of fundamental contributions to the cytology, genetics, developmental biology, and evolution of ciliates, influencing the work of other biologists such as Joe Frankel, Janina Kaczanowska, Linda Hufnagel, and Nicola Ricci. Since his retirement in 1991, Nanney has remained in Urbana. The Nanney Papers include a dense run of professional correspondence with ciliatologists, geneticists, students and colleagues regarding his pioneering research on ciliates and other professional matters. Of particular note is an extensive correspondence with Sonneborn, accompanied by several biographical essays written after Sonneborn's death, and a large body of correspondence of the controversial reorganization of the biological sciences departments at the University of Illinois in the 1970s. The collection also includes a selection of Nanney's writings and a handful of photographs.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums686</setSpec><setName>National Endowment for the Arts Collection, 1970-2013</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Established by Congress in 1965 as an independent agency of the federal government, the National Endowment for the Arts has awarded more than $4 billion to support artistic excellence, creativity, and innovation for the benefit of individuals and communities. The NEA extends its work through partnerships with state arts agencies, local leaders, other federal agencies, and the philanthropic sector. In contributing to the National Arts Policy Archive and Library (NAPAAL), the NEA has authorized SCUA to digitize nearly forty years of publications on the arts and arts management. The collection reflects the impact of the arts (including music, literature, and the performing arts) on the everyday lives of Americans and include materials intended to support individual and classroom education, information on arts management, and reports on the status of the arts, along with several histories of the organization. The collection has been organized into fourteen categories reflecting the programs and priorities of the NEA, and some titles cross-listed. All titles are catalogued in the UMass Amherst Libraries online catalog and are included in the Internet Archive, where they are available for full-text searching.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums757</setSpec><setName>National Organization for the Reform of Marijuana Laws (U.S.) Records, ca. 1970-2008</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Founded by attorney Keith Stroup in 1970, the National Organization for the Reform of Marijuana Laws (NORML) is the nation’s oldest and most prominent organization advocating for an end to cannabis prohibition. A nonprofit public-interest advocacy group based in Washington, DC, NORML has lobbied at the state and federal levels for the elimination of penalties for the cultivation, possession, and responsible use of cannabis, and it has met with success in state-level efforts at decriminalization. Over the years, NORML has led a wide variety of educational initiatives and coordinated its activities with other organizations working for cannabis reform. More recently, NORML has become a significant voice in the struggle. The records of NORML offer a perspective on more than forty years of grassroots advocacy in cause of drug policy legislation. Highly varied in nature, the records include organizational records, research files on marijuana and marijuana use, promotional materials prepared by NORML, and letters from persons incarcerated for possession. The collection is currently being received by SCUA with new additions expected in the near term.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph053</setSpec><setName>New York Farm Bureau Photograph Collection, 1915-1916</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Founded as a non-governmental, volunteer organization in 1911, the New York Farm Bureau offers resources to support and enrich rural life and encourages farmers to work collaboratively for better marketing and production. This small collection of photographs documents inspection tours conducted by the New York Farm Bureau of farms, apparently in the Mohawk River Valley, in 1915-1916. The intent, as the caption of one photograph suggests, was to bring "science into the field."
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs170</setSpec><setName>Marie Phillips Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          For many years, the UMass Amherst campus was home to several colonies of feral cats that took up residence in its barns and outbuildings, and beginning with Leo V. Robinson in 1945, a succession of individuals were moved to feed and care for the cats. An alumna and employee in Human Relations, Marie Phillips (BA '78, MPA '91) took over as feral cat caretaker between 1991 and 2007, joined by her colleague Meg Caulmare of the English Department, and together they supported the colonies along the Cat Corridor stretching from the rear of Munson Hall to the Queen Anne Horse Barn. With increasing construction on campus and careful rehoming, the feral cat population was gradually reduced on campus until 2014, when the last cats to live in the Horse Barn, Mr. Junie Moon and Rusty, were given a home by Caulmare. Phillips wrote about her experiences with two of the more notable cats on campus, Dadcat and Ashes, in her book Dadcat University (2007). 
          
          The Phillips collection offers a visual records of the lives of the feral cats on the UMass Amherst campus. A strong supporter of efforts to preserve the declining Horse Barn, Phillips also accumulated photographs, reports, and research materials on the barn and horses at the university.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs020</setSpec><setName>Robert A. Potash Papers, 1930-1991</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Professor of history, University of Massachusetts (1950-1986), Haring Professor Emeritus (1986-); internationally-recognized scholar of Argentine military history and politics. Includes correspondence, audiotapes and transcriptions of interviews, 1961-90, with Argentine military and political figures (interviews restricted until 2010); documents obtained from private Argentine sources relating to politics and the military, 1943-90; photocopies of U.S. State Department records, 1940s and 1962-73, regarding Argentina; selected materials from the papers of General Alejandro A. Lanusse, 1962-73; Argentine political ephemera, 1930-74; photocopies of Argentine official documents pertaining to various presidencies and regimes, as well as materials, including newsclippings, regarding petroleum, political parties, and trade unions; papers from externally funded projects and programs pertaining to Latin America in which the University participated.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums021</setSpec><setName>Prescott (Mass.) Collection, 1822-1952</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Rural and sparsely populated, Prescott, Massachusetts, was founded in 1822 along the ridge separating the West and Middle branches of the Swift River. Its three villages (North Prescott, Atkinson Hollow, and Prescott Hill) never amounted to more than a few houses each, and the town's total population never exceeded 500. Prescott became the first of four towns to vacate after the Swift River Valley was ordered cleared and dammed to create the Quabbin Reservoir, ceding its administration to the state in 1928 before formally disincorporating in 1938. The records of Prescott, Mass., document the history of the smallest of the four towns inundated to create the Quabbin Reservoir. Held by the Swift River Valley Historical Society, the materials in this collection consist of records of town meetings and of the activities of the town Selectmen, 1822-1938, as well as sparser records of the School Committee, the Treasurer, and Overseers of the Poor.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murb000</setSpec><setName>Rare Book Collections, ca. 1100-2014</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The Department of Special Collections and University Archives houses approximately 30,000 volumes reflecting an evolving history of collecting at UMass Amherst. Beginning in the late 1860s with a focus on agriculture and the natural sciences, SCUA has developed into a resource for the study of regional and local history in New England, emphasizing our varied cultural, social, religious, and political histories. Beyond New England, SCUA has built strength in several distinct areas, ranging from the history of social change to the extraordinary collection of Japanese rarities collected by the geologist Benjamin Smith Lyman during the 1870s. Other noteworthy collections include those pertaining to the culture of the Cold War era: a growing collection of books printed in East Germany and one of the largest collections of materials in the United States from the Solidarity movement in Poland.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph050</setSpec><setName>Barbara Rotundo Photograph Collection, ca. 1970-2004</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        A long-time member of the English Department at the University of Albany, Barbara Rotundo was a 1942 graduate in economics at Mount Holyoke College. After the death of her husband, Joseph in 1953, Rotundo became one of the first female faculty members at Union College, and after earning a Master’s degree in English at Cornell University and a doctorate in American Literature from Syracuse University, she served as an associate professor of English at the University of Albany, where she founded one of the first university writing programs in the United States. Avocationally, she was a stalwart member of the Association for Gravestone Studies, helping to broaden its scope beyond its the Colonial period to include the Victorian era. Her research included the rural cemetery movement, Mount Auburn Cemetery, white bronze (zinc) markers, and ethnic folk gravestones. Her research in these fields was presented on dozens of occasions to annual meetings of AGS, the American Culture Association, and The Pioneer America Society. In 1989, after residing in Schenectady for forty-six years, she retired to Belmont, NH, where she died in December 2004. Consisting primarily of thousands of color slides and related research notebooks, the Rotundo collection is a major visual record of Victorian grave markers in the United States. The notebooks and slides are arranged by state, with an emphasis on the eastern states, and white bronze (zinc) markers also are represented in photographs and a separate research notebook. The collection also includes several rare or privately published books.
      </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murb012</setSpec><setName>Rural Massachusetts Imprint Collection, 1797-1897</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Although printing requires a substantial capital investment in equipment before any hope of profitability can be entertained, there have been numerous attempts over the years to set up printing houses in communities with astonishingly small population bases. In even the most remote Massachusetts towns, people like John Metcalf (Wendell), Ezekiel Terry (Palmer), and John and Solomon Howe (Enfield and Greenwich) operated as printers during the nineteenth century, specializing in a quotidian array of broadsides, song sheets, almanacs, toy books, and printed forms, hoping to supplement, or provide, a decent living. This small, but growing collection consists of materials printed prior to the twentieth century in small Massachusetts towns, defined as towns with populations less than about 2,500. Although few of these houses survived for long, they were important sources for rural communities. Typically simple in typography, design, and binding, even crude, the output of such printers provides an important guage of the needs and tastes of New England’s smallest and often poorest communities.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph014</setSpec><setName>Stephen L. Saltonstall Photograph Collection, 1962</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          In the summer 1962, future Harvard student Steve Saltonstall was one of the early wave of white northerners who went into the Jim Crow south to work for civil rights. During that summer, he worked with SNCC to organize public accommodations in Cairo, Ill., and with an AFSC crew to help clear brush from a drainage ditch near Circle City, Missouri, encountering local resistance in both places. Saltonstall later became an attorney and currently practices in Vermont. The Saltonstall collection consists of approximately sixty photographs taken by John Engel during his tour with an AFSC crew during the summer of 1962. While most of the images depict the crew's work near Circle City, Missouri, six photos document a civil rights rally in Cairo, Ill. The images are available in digital form only.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums845</setSpec><setName>Sentinel (Belchertown, Mass.), 1915-2003</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>

        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums795</setSpec><setName>Blake Slonecker Oral History Collection, 2008</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          An historian at Waldorf College, Blake Slonecker has written frequently on the intersections between the varied social movements of the 1960s and 1970s, including the civil rights and student movements, gay and women's liberation, environmentalism and pacifism. Building from his University of North Carolina dissertation (2009), Slonecker's first book, A New Dawn for the New Left (2012), examined the utopian thread that runs through the political and cultural radicalism in the 1960s and 1970s, focusing on the intertwined histories of the Liberation News Service, the Montague Farm and Packer Corners communes, and the antinuclear movement. In June 2008, Slonecker conducted oral historical interviews with four individuals who were part of the extended community centered on the Montague Farm and Packer Corners communes during the late 1960s: Tom Fels, Charles Light, Sam Lovejoy, and Richard Wizansky.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph002</setSpec><setName>John Thomson Photograph Collection, 1863</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The Scotsman John Thomson is considered one of the fathers of social documentary photography and a pioneer in the photography of southeast Asia. Between 1861 and 1872, he traveled extensively in Asia, documenting the scenery and people of modern day Malaysia, Cambodia, Thailand, Indonesia, and China. The collection includes eight albumen prints from wet-plate collodion negatives taken early in Thomson's photographic career. The images of Penang, Malaysia, are all signed by John Thomson, with five dated November 1863. Subjects include Malay people, a native infantry regiment, sugar mill, temple, and Thomson's widely reproduced image of tree ferns.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums870</setSpec><setName>Tom Behrendt Papers, 1978-2003</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The attorney Tom Behrendt has worked for years in the cause of civil rights for people with mental disabilities. A past president and long-time member of the Board of Directors of the National Association for Rights Protection and Advocacy, Behrendt served previously as Legal Director of the Connecticut Legal Rights Project and he was a founding member of the Special Litigation and Appeals Unit of the Mental Hygiene Legal Service in New York. Behrendt’s involvements have included work with organizations such as Project Release, the Free Association, Advocacy Unlimited, and PAIMI (Protection and Advocacy for Individuals with Mental Illness). The collection consists of a wide array of publications and documents relating the psychiatric survivors movement and Behrendt’s advocacy work. In addition to materials relating to NARPA conferences and a long run of NARPA’s newsletter, The Rights Tenet, the collection includes newsletters and other materials relating to the movement and issues such as electroconvulsive therapy.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums374</setSpec><setName>Sidney Topol Papers, 1944-1997</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          An innovator and entrepreneur, Sidney Topol was a contributor to several key developments in the telecommunications industries in the latter half of the twentieth century. A graduate of the University of Massachusetts (1947) and an engineer and executive at Raytheon and later Scientific-Atlanta, Topol’s expertise in microwave systems led to the development of the first effective portable television relay links, allowing broadcasts from even remote areas, and his foray into satellite technologies in the 1960s provided the foundation for building the emerging cable television industry, permitting the transmission of transoceanic television broadcasts. Since retiring in the early 1990s, Topol has been engaged in philanthropic work, contributing to the educational and cultural life in Boston and Atlanta. The product of a pioneer in the telecommunications and satellite industries and philanthropist, this collection contains a rich body of correspondence and speeches, engineering notebooks, reports, product brochures, and photographs documenting Sidney Topol’s forty year career as an engineer and executive. The collection offers a valuable record of Topol’s role in the growth of both corporations, augmented by a suite of materials stemming from Topol’s tenure as Chair of the Electronic Industries Association Advanced Television Committee (ATV) in the 1980s and his service as Co-Chair of a major conference on Competitiveness held by the Carter Center in 1988.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg050_6_1960</setSpec><setName>UMass Amherst Class of 1960 Photograph Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>

        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg050_6_1965</setSpec><setName>UMass Amherst Class of 1965 Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg1_207</setSpec><setName>UMass Oral History Collection, 1974-2014</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          To commemorate its 150th anniversary in 2013, UMass Amherst authorized an oral history project to record and preserve our unwritten recent history. Coordinated by the Libraries' Department of Special Collections and University Archives and under the guidance of a committee drawn from long-time members of the faculty and staff, the project set the goal of recording 150 interviews representing a broad cross-section of the university committee, including administrators and faculty, alumni, students, staff, and members of the local community. The 150 interviews that comprise the Sesquicentennial Oral History Project are organized into seven series: Academics, Administration, Alumni and students, the Libraries, Marching Band, Staff, and University Press. Interviews range in length from roughly half an hour to over three hours: all are available in audio format with some also available in video.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg186_100</setSpec><setName>University Films and Videos</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg110_176</setSpec><setName>University Photograph Collection, ca. 1867-2007</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The archives of UMass Amherst contain tens of thousands of photographs and other works of art documenting the history of the University of Massachussets Amherst community from its founding in the 1860s to the present. The photographs in this collection come from a myriad of different sources, including alumni and faculty as well as from official university chorniclers and publications.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg002</setSpec><setName>Board of Trustees Records, 1863-2010</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Massachusetts Governor John A. Andrew incorporated the Board of Trustees for the Massachusetts Agricultural College on April 29, 1863. The first board of fourteen trustees was charged with the task of creating a new agricultural college. The following year, members of the Board were established as overseers for the college, and Charles L. Flint, secretary, became college secretary as well. The Board of Trustees (including student trustees), governs the University, and meets regularly to act on University-wide matters of policy, mission, finance, and campus maintenance. Governance responsibilities in some areas (e.g., tuition, academic program review and approval) are shared with the statewide Board of Higher Education. The Board of Trustees maintains a Chair and six standing committees: Executive, Administration and Finance, Academic and Student Affairs, Athletics, Audit, and External Affairs. The President and the Five College Chancellors administer board policy. The bulk of the Board of Trustees records consists of meeting minutes (1906-2007) and Trustee Documents (1963-2007). Trustee Meeting Minutes (1863-1981) and Trustee Documents (1963-1981) are also available on microfiche. Comprehensive lists of all trustees serving the college and university since 1863 can also be found in this record group. Some of the individual trustees have extensive files, which contain correspondence, publications, and news clippings. Additional materials can be found in Trustees Photographs. Of note are the records of the significant undertaking by the Trustees' "Commission on the Future of the University of Massachusetts" (1988-1989), which resulted in the state's five public university campuses being consolidated under a single President and Board of Trustees.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg17_3_1</setSpec><setName>UMass Amherst School of Nursing Oral History Collection, 2013-2014</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Founded in 1953 as the first baccalaureate nursing program in the Commonwealth, the College of Nursing at UMass Amherst has prepared candidates to enter the nursing profession for over sixty years. Under the direction of Dean Mary Maher, the college early on established a reputation for academic rigor and intellectual achievement. Offering its first masters degrees beginning in 1967, the College earned the distinction of offering both the state's first publicly-supported doctoral program (1994) and the first Doctor of Nursing Practice (2009). To celebrate its 60th anniversary in 2013, the College of Nursing collaborated with the University Libraries' Department of Special Collections and University Archives to conduct an oral history project designed to capture the experiences and memories of nursing alumni and faculty throughout the years. Under the guidance of a committee headed by long-time professor Ann Sheridan and alumna Winona Moeller, the project thus far has resulted in 18 interviews with 26 participants.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg25_M9_6</setSpec><setName>UMass Amherst Dept. of Music Oral History Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg11_15</setSpec><setName>University Museum of Contemporary Art</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg45_40_s4</setSpec><setName>University of Massachusetts Science Fiction Society Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg185_1</setSpec><setName>University of Massachusetts Singing Clubs Records</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg045_00</setSpec><setName>UMass Student Publications Collection, 1871-2011</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Since almost the time of first arrival of students at Massachusetts Agricultural College in 1867, the college's students have taken an active role in publishing items for their own consumption. Beginning with the appearance of the first yearbook, put together by the pioneer class during their junior year in 1870 and followed by publication of the first, short-lived newspaper, The College Monthly in 1887, students have been responsible for dozens of publications from literature to humor to a range of politically- and socially-oriented periodicals. This series consists of the collected student publications from Massachusetts Agricultural College (1867-1931), Massachusetts State College (1931-1947), and the University of Massachusetts (1947-2007), including student newspapers, magazines, newsletters, inserts, yearbooks, and songbooks. Publications range from official publications emanating from the student body to unofficial works by student interest groups or academic departments. Links to digitized versions of the periodicals are supplied when available.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg171</setSpec><setName>University of Massachusetts Amherst Photo Negative Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>

        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg015_8</setSpec><setName>Cooperative Extension Service Records, ca. 1867-2012</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Born from a $10,000 state appropriation from the Smith-Lever Act of 1914, the Cooperative Extension Service at Massachusetts Agricultural College brought practical, modern agricultural techniques into farms, homes and schools. The Extension Service grew and evolved under the leadership of MAC President Kenyon Butterfield, becoming the first Extension Service in the country be administered in large part by the local community. After World War II, the Cooperative Extension Service grew dramatically, expanding its services beyond just farming to topics including natural resource management, environmental science, and marketing. In addition to these changes, the Extension Service took an international view, bringing both information and guidance on building local extension programs to Japan, Vietnam, and Africa. Now part of the Center for Agriculture, Food and the Environment, UMass Extension has continued its traditional focus on farmers while also providing resources for green building and sustainable agriculture. The Cooperative Extension Service Records consist of annual, directors', and project reports; histories; committee records; course materials; subject files; bulletins, leaflets, circulars, newsletters, newsclippings, and press releases; and other published materials.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums531</setSpec><setName>Valley Women's History Collaborative Records, 1971-2008</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          During the early phases of second wave feminism (1968-1978), the Pioneer Valley served as a center for lesbian and feminist activity in western Massachusetts, and was home to over 400 hundred, often ad hoc, groups, such as the Abortion and Birth Control (ABC) Committee, ISIS Women's Center, the Mudpie Childcare Cooperative, and the Springfield Women's Center. The records of the Valley Women's History Collaborative document the activities of these groups as well as the efforts of the founders of the Women Studies program and department at UMass Amherst to preserve this history.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs088</setSpec><setName>Frank A. Waugh Papers, 1881-1993 (bulk 1905-1943)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Born in Wisconsin but raised and educated in Kansas, Frank Waugh got his first teaching job at Oklahoma State University. He went on to teach at the University of Vermont and finally settled down in Amherst, as a professor at Massachusetts Agricultural College. While at Mass Aggie, he became well know for establishing the second landscape gardening department in the country, later the department of landscape architecture. At a time when the field of landscape architecture was still taking root, Waugh's influence was significant in shaping the profession. His contributions include numerous articles and books, the designs he planned and implemented, and the many students he taught and mentored. A natural offshoot of his work as a landscape architect, Waugh pursued other artistic avenues as well, most notably photography and etching. He served at MAC, later Massachusetts State College, for nearly forty years before retiring in 1939. The collection includes an extensive representation of Waugh's published articles along with biographical materials. The centerpiece, however, is the large number of photographs, lantern slides, and etchings. While his publications reveal the mind of a pioneer in his field, together these images portray the heart and soul of Waugh as an artist.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums762</setSpec><setName>Wendell Post Collection, 1977-2001</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The Wendell Post Collection contains nearly every issue of a community newspaper for a small, rural New England town. Beginning in April 1977 with volume 1, number 2 (there was no number 1), the Postpublished continuously for 24 years, covering local events from a local perspective. Most issues include reports on town meetings and elections, the schools, and public works, but the Postalso carried news of the stuff of daily life such as births and deaths, high school graduations, anniversaries and Old Home Day, profiles of town residents and town history, and the crime report.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums799</setSpec><setName>Westhampton (Mass.) Town Records, 1779-1901</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          Originally settled by Europeans in 1762, the town of Westhampton, Massachusetts, was separated from adjacent Northampton and incorporated in September 1778. Situated in the western reaches of Hampshire County, it was principally an agricultural town, producing apples, other fruit, and maple sugar, with only minor industry. The town still retains its rural character: a century after incorporation, the population had grown to just over 500, and nearly 1,500 a century later. The Westhampton collection provides an extensive record of public life and local governance in a typical small Hampshire County town. Spanning from 1779, just after the date of incorporation, through the turn of the twentieth century, the collection includes extensive records of town meetings, including warrants, agendas, and summaries; records of the Overseers of Poor, the schools, militia service, and the Congregational parish; materials on roads and highways; and a large quantity of financial records.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums806</setSpec><setName>Westhampton Congregational Church (Westhampton, Mass.) Records, 1817-1970</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The Congregational Church in Westhampton, Mass., was formally organized on Sept. 1, 1779, with the installation of a young graduate of Yale, Enoch Hale, brother of the patriot Nathan Hale. At the end of Hale's fifty years in the Westhampton pulpit, the church experienced a crisis that resulted in the separation of a portion of the membership as the Union Church, led by the charismatic evangelical preacher John Truair. The churches were reunited in 1850. The records of the Westhampton Congregational Church document nearly two hundreds of religious life in a rural western Massachusetts community. Beginning with the founding of the church in 1779, the collection include a nearly unbroken record of church activities including thorough records of membership, transfers, marriages, baptisms, deaths, and church discipline, and for the latter century, a complete record of church finances. Of particular note is a volume recording the activities of the secessionist Union Church, 1829-1849.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums741</setSpec><setName>WFCR Radio Broadcast Collection, ca. 1954-1987</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The first public radio station in western New England, WFCR Five College Radio has provided a mix of high quality, locally-produced and nationally syndicated programming since May 1961. In 2012, the station reached over 175,000 listeners per week, with a mix of classical and jazz music, news, and entertainment. The WFCR Collection contains nearly 4,500 reel to reel recordings of locally-produced radio programs, reflecting over fifty years of the cultural and intellectual life of western Massachusetts. Drawing upon the talents of the faculty and students of the Five Colleges (Amherst, Hampshire, Mount Holyoke, and Smith Colleges and UMass Amherst), the collection offers a remarkable breadth of content, ranging from public affairs to community and national news, cultural programming, children's programming, news and current events, scholarly lectures, classical music, and jazz.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums074</setSpec><setName>Norfolk Prison Colony Collection, 1932-1934</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          In the late 1920s, the sociologist and prisoner reformer Howard Belding Gill proposed building a "model community prison" at Norfolk, Mass., that would represent a radical new approach to dealing with crime and punishment. Integrating social work and sociological theory into the workings of the prison system, Gill reasoned that it would be possible to diagnose and treat the root problems that led to crime and redirect inmates toward constructive behaviors. Built by inmates themselves, the prison opened in 1932, but with opponents decrying the experiment as a "country club" that coddled prisoners, Gill was forced from the superintendency within just two years. The collection consists of several drafts of a manuscript by a supporter of Gill's, Thomas O'Connor, that was intended for publication in The Survey magazine, along with associated correspondence and photographs. Although The Survey's editor, Arthur Kellogg, was sympathetic enough to pass through several drafts and seek opinions widely, the manuscript appears to have been rejected so as not to cause the governor undue political problems.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg25_m6_3</setSpec><setName>Wind Energy Center (UMass Amherst) Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>

        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph003</setSpec><setName>Walter B. Woodbury Photograph Collection, 1865-1866</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          In the late 1850s and early 1860s, the pioneering British photographer Walter Woodbury captured images of Java, and especially its capital city Batavia (modern day Jakarta). Working in partnership with James Page, the two established a photographic firm that continued to produce and sell images long after Woodbury's return to England in 1863. Consisting of 42 albumen prints, the Woodbury Collection includes numerous images of the landscape and colonial buildings in Batavia, Buitenzorg (Bogor), and Surabaya. A few photographs capture images of the European community in Java, and local Javanese residents.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums732</setSpec><setName>Yankee Publishing Incorporated Records, 1920-1922</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          An independent, family-owned corporation based in Dublin, N.H., Yankee Publishing Incorporated is widely known as publisher of Yankee Magazine and Old Farmer's Almanac, two of the most enduring sources of New England's image of itself. First published in 1935, Yankee has adapted creatively to changing tastes and market demands to remain vital for over seventy-five years, while Old Farmer's Almanac enjoys the distinction of being one of the oldest continuously published periodicals in America. Since the 1980s, Yankee has branched out into other regional and specialty publications, though its flagships remain the heart of the business. The records of Yankee Publishing detail the founding and growth of a notable family-owned corporation and its remarkable survival in age of media conglomeration. The collection includes two boxes of materials relating to the company's founder, Robb Sagendorph, along with extensive correspondence, reports, memos, and other materials relating to Yankee Magazine, Old Farmer's Almanac, and other titles through 1999.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums873</setSpec><setName>Lawrence D. Yeomans Papers, 1895-1946 (bulk 1917-1919)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A native of Ontario, Lawrence D. Yeomans was working in New York when he volunteered for service in the U.S. Army Signal Corps during the First World War. For eighteen months, Yeomans served as a chauffeur with the Signal Corps in France, driving senior officers around Paris and to and from the front. This small collection documents Lawrence Yeomans' time as a chauffeur with the Signal Corps during the First World War. In addition to a handful of official documents relating to his service, Yeomans held onto a few pieces of ephemera as souvenirs, some postcards, and a set of photographs, including three depicting him in uniform and ten showing a display of German war materiel confiscated at war's end.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph006</setSpec><setName>Yoshiaki Yamashita Photograph Album, ca. 1904</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          From 1903 to 1960, Professor Yoshiaki Yamashita of Tokyo traveled the United States providing instruction in the new martial art of judo. In Washington, D.C., he provided instruction for the sons and daughters of the nation's political and business elite and was brought to the White House to teach President Theodore Roosevelt. In 1905-1906, Yamashita was employed by the U.S. Naval Academy to train midshipmen, but after his contract ended in the fall 1906, he returned to Japan and continued to teach judo until his death on October 26, 1935. He was posthumously awarded the 10th degree black belt, the first ever so honored. The Yamashita photograph album contains 53 silver developing out prints apparently taken to illustrate various judo throws and holds, along with Yamashita's calling card and four documents relating to his time teaching judo in Washington.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums855</setSpec><setName>Harold Ambellan Memoir</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph061</setSpec><setName>Alton H. Blackington Photograph Collection, ca. 1920-1963</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          A native of Rockland, Maine, Alton H. “Blackie” Blackington (1893-1963) was a writer, photojournalist, and radio personality associated with New England “lore and legend.” After returning from naval service in the First World War, Blackington joined the staff of the Boston Herald, covering a range of current events, but becoming well known for his human interest features on New England people and customs. He was successful enough by the mid-1920s to establish his own photo service, and although his work remained centered on New England and was based in Boston, he photographed and handled images from across the country. Capitalizing on the trove of New England stories he accumulated as a photojournalist, Blackington became a popular lecturer and from 1933-1953, a radio and later television host on the NBC network, Yankee Yarns, which yielded the books Yankee Yarns (1954) and More Yankee Yarns (1956). This collection of Blackington’s glass plate negatives was purchased by Robb Sagendorf of Yankee Publishing around the time of Blackington’s death. Reflecting Blackington’s photojournalistic interests, the collection covers a terrain stretching from news of public officials and civic events to local personalities, but the heart of the collection is the dozens of images of typically eccentric New England characters and human interest stories. Most of the images were taken by Blackington on 4×5″ dry plate negatives, however many of the later images are made on flexible acetate stock and the collection includes several images by other (unidentified) photographers distributed by the Blackington News Service.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums112</setSpec><setName>Bullard Family Scrapbook, 1898-1901</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The Bullard family were among the early settlers of New Salem, Massachusetts, a small, rural town incorporated in the western part of the state in 1753. Assembled by a member of the Bullard family at the turn of the twentieth century, this scrapbook contains an apparently complete set of clippings from a local newspaper column containing community news from the three villages of New Salem, North New Salem, and Millington. The entries cover the usual community news, such as the comings and goings of local residents and visitors to town, community events, and other local news, and a number of well-established New Salem families are represented, including the Ballards, Bullards, Cogswells, Haskells, Paiges, Pierces, and Stowells. The first three pages consist of announcements of births, deaths, and weddings. The original volume has been retained by the family.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums600</setSpec><setName>D. H. Coggeshall Papers, 1869-1912</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          D. H. Coggeshall (1847-1912) made his living as an apiculturist in Tompkins County, N.Y., on the southeast edge of the Finger Lakes. Beginning by 1870, he sold honey or extracted honey, and occasionally bees, to customers and commission merchants as far away as the Midwest.
          
          This small assemblage of business letters and accounts document an active apiculturist during the late nineteenth and early twentieth century. Of particular note are some scarce printed advertising broadsides and circulars from some of the best known apiculturists of the time, including L.L. Langstroth and Charles Dadant, as well as an early flier advertising the sale of newly arrived Italian bees. The sparse correspondence includes letters from clients and colleagues of Coggeshall, along with communications with commission merchants charged with selling his honey.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums461</setSpec><setName>Northeast Organic Farming Association Records, 1977-2007</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>The Northeast Organic Farming Association began as the vision of a New York City plumbing supplies salesman and has grown into a large association supporting information-sharing, education, collaboration, and certification. Increasingly influential non-profit organization with chapters in Connecticut, Massachusetts, New Hampshire, New Jersey, New York, Rhode Island, and Vermont, NOFA has “nearly 4,000 farmers, gardeners and consumers working to promote healthy food, organic farming practices and a cleaner environment.”
          
          The NOFA collection includes records, publications, ephemera, photographs, and other materials from NOFA chapters in Massachusetts, Connecticut, New Hampshire, New York, and Vermont, along with material from the Interstate Council. The collection includes information on NOFA’s conferences and programs, educational work, lobbying, and their initiatives in organic certification and organic land care.</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums347</setSpec><setName>William Wells Papers, 1796-1863</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>A prominent figure in the rural town of Shelburne, Mass., during the early nineteenth century, William Wells served for many years as a town selectman, representative in the state legislature, and captain of the militia. He died in Shelburne in July 1848, leaving behind his wife Prudence (May) and their nine children.
          
          This tightly focused body of documents from William Wells represents a cross-section of public life in the town of Shelburne during the early decades of the nineteenth century, touching on the town's finances, care for the church, school, highways, roads, and the local militia.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums871</setSpec><setName>Katya Sabaroff Taylor Papers, 1959-2015</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Earning a B.A. in Literature from Antioch College and an M.A. in Education from Columbia University, Katya Sabaroff Taylor has worked as a journalist and editor, health educator, women's studies instructor, massage therapist, yoga teacher and workshop facilitator. In 1980 she founded Creative Arts and Healing workshops, classes, and retreats to nurture the link between creativity and the healing process. 

The collection features a wide range of Taylor's work, reflecting her life-long love of writing and teaching. Her poetry, essays, and fiction are included along with her memoirs and personal accounts, the collected writings of several classes of prison inmates enrolled in Taylor's creative writing workshops, and the recollections of former members of the Liberation News Service.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums170</setSpec><setName>Le Van Khoa Collection, 1841-1876</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  The composer, photographer, and educator, Le Van Khoa arrived in the United States as a war refugee from Vietnam in May 1975. Largely self-taught as a photographer, he was co-founder of the Artistic Photography Association of Vietnam and has published three books of his work. He holds the distinction of being the first Vietnamese photographer to mount an exhibition at the U.S. Congress building.

The seven photographs in the Le Van Khoa collection are artistic reflections of life in Vietnam, including four taken in the imperial city, Hue.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums719</setSpec><setName>Miscellaneous Manuscripts Collection, 1717-2003</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	 Miscellaneous manuscripts is an artificial collection created to bring together various single items or small groups of related materials. This collection is truly miscellaneous in terms of the range of content and types of formats represented. It is not focused on a particular subject, time period, or region, although there is a heavy emphasis on Massachusetts history. Materials are added to the collection on a regular basis.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums765</setSpec><setName>Roxbury Action Program Collection, 1966-1974</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  The Roxbury Action Program and Black Panther Party of Boston were both founded in the Roxbury section of Boston following the riots of 1968. RAP pursued community revitalization through Black self-determination and enjoyed success in its housing initiatives and in providing social services ranging from support for Black businesses to Black draft counseling, health and legal referrals, a Black library, and community awareness program. 

Although the exact provenance of this small collection is uncertain, the materials appear to have been collected by an individual, possibly a woman, associated with the early days of the Roxbury Action Program and Boston branch of the Black Panther Party. Steeped in Black Power ideology, the collection includes publications of the Black Panther Party, the Nation of Islam, and other organizations, as well as an insightful series of transcripts of Roxbury Action Program meetings held during its first few months of operation.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums456</setSpec><setName>George F. Markham Papers, 1902-1929</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  The activist George Markham was born in Wisconsin on Aug. 15, 1909. A graduate of the University of Wisconsin, he began working with the Associated Press in 1936 where he became an ardent member of the American Newspaper Guild. During the Second World War, he served with distinction on the aircraft carriers Saratoga and Yorktown in the South Pacific, however after the war, his leftist politics and associations with Communists led to his dismissal with less than honorable discharge. Following the trial, Markham returned to college to earn a masters degree in social studies and began teaching middle school in Pelham, NY, but was released, probably for political reasons. He later taught in colleges in New York before he and his second wife, Arky, moved to Northampton in the 1960s. George and Arky remain active on behalf of peace and social justice.

The Markham Papers contain materials relating to George Markham’s McCarthy-era trial and dismissal from the Navy, along with documents relating to other aspects of his life and career and the Markham family in Wisconsin. Among these is a fine Civil War unit history of the 20th Indiana Regiment written by Markham’s grandfather, William Brown.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums859</setSpec><setName>Science for the People Records, ca. 1969-2014</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  At the height of the antiwar struggle in the late 1960s, a group of scientists and engineers based in Cambridge, Mass., began to turn a critical eye on the role of their fields in the larger political culture. Calling themselves Scientists and Engineers for Social and Political Action (SESPA), the group took the slogan "Science for the People," which in turn became the name of their organization. With a collective membership that spread nation-wide, Science for the People was a voice for racial science and an active presence framing several of the scientific debates of the day. Through its vigorous publications, SftP explored issues ranging from the impact of military and corporate control of research to scientific rationalziation of racism, sexism, and other forms of inequality; and they contributed to the discussions of recombinant DNA, sociobiology, IQ and biological determinism, women’s health care, nuclear power, and the rise of biotechnology. Many members were engaged in supporting anti-imperialist resistance in Central America and Asia during the 1980s. The organization gradually waned in the 1980s and published the last issue of its magazine in 1989.

Donated by several members of the organization, the Science for the People collection provides a window into the organization and operation of a collective devoted to radical science. In addition to meeting minutes and notes, and some correspondence, the collection includes a nearly complete run of the Science for the People magazine, and a substantial representation of the national and Nicaragua newsletters and topical publications.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs173</setSpec><setName>Walter Mason Dickinson Papers, 1858-1900</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  Originally a member of the Massachusetts Agricultural College Class of 1876, Walter Mason Dickinson left after his junior year to enter the U.S. Military Academy at West Point. During his military career, Dickinson saw service in the southwest and as a military instructor at MAC (1891-1896). As a Captain and Quartermaster in the 17th Infantry, he was called to active duty during the Spanish-American War and was killed in action at the Battle of El Caney. He was the first man associated with MAC to die in military service.

This small collection of photographs and letters centers on the death and family of Walter M. Dickinson, the first person associated with Massachusetts Agricultural College to die in combat. In addition to two of the last letters he wrote as he was heading off to war in Cuba, the collection contains three formal portraits of Dickinson at different points in his military career, images of his wife and family, and two images of the scene of his death at El Caney and one of his temporary grave.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums849</setSpec><setName>Africa America Institute Records, 1954-2011</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Founded in 1953 by a multi-racial collective of educators including Horace Mann Bond, then President of Lincoln University, and William Leo Hansberry, a professor of history at Howard University, the Africa American Institute has encouraged and supported African students in pursuit of higher education in the United States. From its early years, AAI provided financial and social support for African students studying in the U.S., but it has expanded its activities in scope with the goal of helping to building leadership for Africa within the academic, professional, business, and policy making classes. It has become a vibrant intellectual center for developing human capacity, drawing together thought leaders, researchers, and entrepreneurs interested in issues relating to the continent.

A massive body of material documenting the history of the AAI from its founding in the early 1950s to the present, the collection is a remarkable resource for study of American relations with Africa as the continent emerged from colonial domination. With a focus on the history of educational support and exchange between the continents, the collection contains a vibrant record of the growth of leadership in Africa.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums297</setSpec><setName>Norwegian Information Service Photograph Collection, ca. 1950</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
During the Second World War, the Nazi occupation and subsequent liberation of the arctic regions of northern Norway resulted in the near total devastation of the existing infrastructure and the displacement of most of the population, including the native Sami (Lapps). The end of the war did not signal an end to hardship: the challenges of post-war resettlement was accompanied by a sustained effort by the Norwegian government to modernize and assimilate the Sami, largely through the systematic suppression of Sami culture. The language was banned from use in schools until 1958 and other forms of suppression persisted longer, and it was decades more before the rights of the Sami as an indigenous people were codified into law.

The dozen photographs that comprise this collection document Sami life in northern Norway during the period just after the end of the Second World War when Sami people were returning home after years as refugees. Taken by the Norwegian Information Service and presumably associated with the Norwegian modernization program, the collection includes images of traditional Sami sod dwellings, men at work on construction of sled and boat, and portraits of women and children.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg186</setSpec><setName>University Films and Videos</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg008</setSpec><setName>University of Massachusetts Amherst Libraries Records</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums599</setSpec><setName>Joseph Obrebski Papers, 1923-1974</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  A student of Bronislaw Malinowski, the Polish ethnographer Jozef Obrebski was a keen observer of cultural change among eastern European peasantry in the years before the Second World War. After working with the resistance in Warsaw during the war, Obrebski went on to do additional ethnographic research in Jamaica (with his wife Tamara), taught at Brooklyn and Queens College and C.W. Post University, and from 1948-1959, he was senior social affairs officer with the United Nations. He died in 1967.

The Obrebski collection consists largely of ethnographic data collected by Obrebski in Macedonia (1931-1932), Polesia (1934-1936), and Jamaica (1947-1948), including field and interview notes, genealogies, government documents relating to research sites, and ca. 1000 photographs; together with correspondence (1946-1974), drafts of articles, analyses of collected data, and tapes and phonograph records, largely of folk music; and papers of Obrebski's wife, Tamara Obrebski (1908-1974), also an ethnologist and sociologist.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs006</setSpec><setName>Richard Jones Papers, ca. 1970-1991</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  Over the course of his esteemed dance career, Richard Jones performed with Eleo Pomare Company, the Miguel Godreau Dance Company, and the Xochipillian Dance Group. Jones was appointed to the staff of the University of Massachusetts on September 1, 1973, and remained with the department until his death in 1991. While at the University, Jones was the founding artistic director of the Amdans Theater, and was the artistic director of the University Dancers from 1979 to 1991.

The Jones Papers are a collection of photographs and reviews of Jones's choreography during the 1970s and 1980s. A copy of Jones’s original essay, "Costuming for Three Styles of Dance," (circa 1975) appears in the collection, as do photographs, playbills, posters, Amdans Theatre and University Dancers reviews. The Papers also contain letters to Jones from the Boston Ballet and the American College Dance Festival, as well as reviews of Jones’s choreography for professional companies outside the University.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg025_i58</setSpec><setName>University of Massachusetts Amherst. Interdisciplinary Studies Institute Records</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph016</setSpec><setName>Charles F. Clagg Photograph Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  The entomologist Charles F. Clagg was born in Barnstable, Mass., in 1904 and received his bachelor of science degree from the Massachusetts Agricultural College in 1927. Although never able to complete his graduate degree, Clagg enjoyed a long and productive career in entomology. Listed as a graduate student at MAC in 1929-1930, Clagg took part in an extensive collecting trip to the Philippines in 1930 and 1931. Beginning in June 1930 near Calian in Davao del Sur (Mindanao), Clagg spent several months collecting flies in and around the active Mount Apo volcano, in the Lawa and Calian river valleys, and in the Lalun mountains, traveling to the eastern peninsula of Davao early in 1931. He remained in the Pacific region later in his career, working as an entomologist for the U.S. Navy. 

The twenty photographs taken by Charles F. Clagg in 1930 document his entomological collecting trip to Davao, Mindanao, in the Philippines. Primarily personal in nature, rather than professional, they were taken on Clagg's visit to a coconut plantation run by American expatriates Henry and George Pahl and illustrate the local sights in Davao, including work in harvesting coconuts and the production of copra, the production of Manilla hemp, a horse fight at Calian, and Manobos who came to the plantation trade. Also included are three photographs of Clagg's quarters while collecting high in the Lalun Mountains. The captions provided by Clagg on the back of each photograph have been transcribed verbatim.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums881</setSpec><setName>Gifford H. and Marjorie B. Towle Papers, 1970-1987 (bulk: 1945-1980)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  As a student at Mount Hermon School in the late 1920s, Gifford Hoag Towle met Marjorie Ripley Blossom, a young woman at the Northfield School for Girls. When Giff went on to the Massachusetts Agricultural College (BS 1932) and Marjorie to a midwestern Bible College for a year (before being called home due to a family crisis), they remained connected and after Giff’s graduation in 1932, they married. By the time that Giff graduated from Hartford Seminary, he had left his Quaker upbringing to enter the Congregationalist ministry, and he and Marjorie filled three pulpits near Pelham, Mass. In 1939, however, they were called by the American Board of Commissioners for Foreign Missions to serve as missionaries in the American Marathi Mission in Maharashtra State, central India. Following two years of intensive study of the Marathi language in Ahmednagar, they settled in Vadala, a rural village on the semi-arid plains, where they worked for thirty-four years, counting furloughs. In 1946 on furlough in the U.S., Giff earned a master’s degree in agricultural engineering from Cornell while pastoring a small church in the suburbs of Ithaca. In his agricultural work in India, Giff used the mission farm to demonstrate crop diversity and farm animal improvement; created co-operatives to enable poor farmers to use appropriate modern tools and machinery for pennies; taught good irrigation and soil conservation; and later built a Mechanical Unit and trained local Indians as mechanics to repair machinery and drill wells. Giff also invented a pump for which he never filed a patent, wanting instead to make it as widely available as possible. He built networks with relatives, churches, and non-profits to fund these efforts and get supplies.

The Towle Collection contains a wealth of information for research in three distinct areas: missions and religious matters; agriculture in “developing” countries; and the cultural and socio-economic context of social change in rural India. The Towles’ voluminous correspondence and reports offer a particularly rich view into mission life in India, including American participation through churches, relations between Hindus and Christians or between Christians, and the viability of these efforts. Marjorie’s letters are particularly vivid, adding significantly to our understanding of mission lives and experiences. The collection is equally rich in revealing the impact of the Towles’ agricultural work and for study of the efficacy of government agencies and non-profits seeking to understand cross-cultural issues.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums123</setSpec><setName>Eloise A. Brière Franco-American Oral History Collection, 1980-1984</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
In 1982, Eloise A. Brière received a grant from the Massachusetts Foundation for Humanities to conduct a series of oral histories with French Americans in Massachusetts. A noted scholar of Francophone communities, Brière interviewed 44 first and second generation immigrants of varied background, ranging from parish priests and nuns to former textile workers, activists in language preservation, and the Mayor of Holyoke.

The interviews in this collection, conducted mostly in French between August 8, 1982 and Jan. 18, 1983, document the lives and experiences of forty-four Franco-American residents of Massachusetts, concentrated in the areas around Easthampton and Lowell.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg15_8</setSpec><setName>University of Massachusetts Amherst. Cooperative Extension Service Records</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums895</setSpec><setName>Herman B. Nash Papers, ca. 1935-2010</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
In 1944, eighteen-year old Herman B. "Keek" Nash enlisted in the Army, and after intensive Japanese language training, was assigned for duty as an intelligence officer in American-occupied Osaka, Japan. Settling in northern New Jersey after his discharge from the service in 1947, Nash held a succession of jobs, including brakeman on the Pennsylvania Railroad, before deciding to try his hand at teaching, earning a master’s degree in education at Columbia Teachers College. A solid leftist politically and a strong supporter of social justice causes and civil rights, he marched with Martin Luther King at Selma and Washington, though his ardor and political convictions came at a cost. Investigated by the FBI for alleged Communist sympathies in the late 1950s, Nash was fired from his position teaching high school science in Teaneck, N.J., in 1969, after leading a sit-in protest against school tracking. He subsequently returned to work on the railroad, where he was active with the union and took part in efforts to increase participation by African Americans and women. Yoneko Nash, Nash’s wife of 43 years, died in 2004, with Keek following in 2010.

A rich assemblage, the papers of Herman Nash offer a glimpse into the life experiences of a socially conscious veteran of the Second World War. Nearly a quarter of the collection stems from Nash’s time in the military service, including while he was learning Japanese at the University of Chicago (1944-1945) and while he was stationed in occupied Japan from spring 1946 through the following winter. Among other noteworthy items are a thick series of intelligence reports on the reaction of the local population to the occupation, noting episodes of civil unrest, crime, and other forms of social instability. The collection also contains a significant body of correspondence with family and friends, including serval whom he met in Japan. The balance of the collection relates to Nash’s interests in social justice causes, highlighted by a significant series of photographs taken during a massive civil rights demonstration in Montgomery, Ala.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums342</setSpec><setName>Louis Pictou Mi'kmaq Manuscript</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	  The Pictou family were prominent members of the Bear River Band of the Mi'kmaq nation in Nova Scotia during the nineteenth and early twentieth centuries. Notably, Chief Benjamin Pictou (1830-1931) lived for over a century, witnessing the evolution of the Mi'kmaq economy from hunting, fishing, and trapping to include guiding and attempts at agriculture, and was listed by the anthropologist Frank G. Speck in 1922 as having a hunting allocation near Sporting Lake, southwest of the Bear River. 

An extensive, unidentified manuscript written in Mi'kmaq (Micmac) language, using the "hieroglyphic" (pictographic) writing system. At one time, the manuscript was apparently in the possession of Louis Pictou, an "Indian guide" on the Bear River, who stating that the manuscript was written by his "ancestors."
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums906</setSpec><setName>Bernard Jaffe Papers, 1955-2016</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	A New York native with a deep commitment to social justice, Bernard Jaffe was an attorney, confidant, and longtime friend of W.E.B. Du Bois and Shirley Graham Du Bois. In 1951, Jaffe joined Du Bois's defense team at a time when the civil rights leader was under indictment for failing to register as a foreign agent. Forging a close relationship through that experience, he was retained as a personal attorney, representing the Du Bois family interests after they settled abroad. Jaffe was later instrumental in placing the papers of both W.E.B. Du Bois and Shirley Graham Du Bois and served on the executive board of the W.E.B. Du Bois Foundation, set up by Shirley's son, David Graham Du Bois.

This rich collection centers on the close relationship between attorney Bernard Jaffe and his friends and clients, Shirley Graham Du Bois and W.E.B. Du Bois. Although there is little correspondence from W.E.B. Du Bois himself, the collection contains an exceptional run of correspondence with Shirley, from the time of her emigration to Ghana in 1961 until her death in China in 1977 and excellent materials relating to David Graham Du Bois and the work of the W.E.B. Du Bois Foundation.
        </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums546</setSpec><setName>Liberation News Service Records, 1966-1977</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>In 1967, Marshall Bloom and Raymond Mungo, former editors of the student newspapers of Amherst College and Boston University, were fired from the United States Student Press Association for their radical views. In response they collaborated with colleagues and friends to found the Liberation News Service, an alternative news agency aimed at providing inexpensive images and text reflecting a countercultural outlook. From its office in Washington, D.C., LNS issued twice-weekly packets containing news articles, opinion pieces, and photographs reflecting a radical perspective on the war in Vietnam, national liberation struggles abroad, American politics, and the cultural revolution. At its height, the Service had hundreds of subscribers, spanning the gamut of college newspapers and the underground and alternative press. Its readership was estimated to be in the millions. Two months after moving to New York City in June 1968, the LNS split into two factions. The more traditional Marxist activists remained in New York, while Bloom and Mungo, espousing a broader cultural view, settled on farms in western Massachusetts and southern Vermont. The story of LNS, as well as of the split, is told in Mungo's 1970 classic book Famous Long Ago. By 1969 Bloom's LNS farm, though still holding the organization's original press, had begun its long life as a farm commune in Montague, Mass. Montague (whose own story is told in Steve Diamond's What the Trees Said) survived in its original form under a number of resident groups until its recent sale to another non-profit organization. Mungo's Packer Corners Farm, near Brattleboro, the model for his well-known book, Total Loss Farm, survives today under the guidance of some of its own original founders.
          
          The LNS Records include a relatively complete run of LNS packets 1-120 (1967-1968), along with business records, miscellaneous correspondence, some artwork, and printing artifacts.</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums902</setSpec><setName>New England Yearly Meeting of Friends Records, 1654-2016</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>In 1661, less than a decade after the first Friends arrived in British North America, the precursor to the New England Yearly Meeting was organized as the Rhode Island Yearly Meeting. As one of approximately two dozen yearly meetings in the United States, the NEYM currently comprises eight quarterly meetings and approximately 85 monthlies, which are the basic unit of organization for the Society. Like many Yearly meetings, the NEYM has been diverse in spiritual practice, reflected in a history of separations and reunions. Most famously, Orthodox Friends in New England divided in the 1840s into the increasingly evangelically-oriented Gurneyites, who went by the name Yearly Meeting of Friends for New England (joining Friends United Meeting in 1902), and the Wilburites, sometimes called Conservative Friends. In 1945, the disparate branches formally reunited.
          
          Consolidated beginning in the 1960s, the NEYM collection contains the official records of the New England Yearly Meeting from its founding in the seventeenth century to the present, along with records of most of its constituent Quarterly, Monthly, and Preparative Meetings and records of Quaker schools and trusts. As varied as the Quaker practice they document, these records include minutes of meetings for business; committee records; newsletters, financial records; some personal papers; printed books and serials; and an assortment of photographs, audiovisual materials, microfilm, and electronic records. Of particular note are the vital statistics recorded by the Monthly Meetings, including general information on births, deaths, marriages, membership, and obituaries, and specifically-Quaker information on removals (formal letters written as members moved from one meeting to another), denials, testimonies (beliefs and convictions), and sufferings (penalties Quakers suffered for following testimonies). The Archives Committee of the NEYM is a partner in records management and on-going documentation of the Meeting and its constituent bodies. The collection also includes several thousand Quaker books and pamphlets, including the libraries of Moses and Obadiah Brown and several individual monthly meetings. The records of most monthly meetings in Maine are held at the Maine Historical Society, while important bodies of records are held at the Newport Historical Society (some Nantucket and Rhode Island Meetings) or at individual Monthly Meetings.</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums421</setSpec><setName>Worthington (Mass.) Tavern Account Book, 1826-1854</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>By the turn of the nineteenth century, the Hampshire County town of Worthington, Massachusetts, was a significant crossroads on the Boston-Albany Turnpike, belying its small size. The population in Worthington peaked at barely over 1,000 in 1810, and declined slowly thereafter, although it remained an active stopover on the road for many years. 
          
          This standard double column account book provides a concentrated record of financial and other transactions in the antebellum period, probably associated with a tavern in Worthington, Mass. Although the ledger's keeper is unidentified, it records an assortment of odd jobs filing saws, smoking meat, lending horses, carting, pasturing cattle, and tending sheep, along with the sale of significant quantities of beer and cider and a regular stream of hard brandy and rum. There are records as well of providing meals and, in one instance, caring for prisoners and their keepers overnight (p. 21). Most of the clients who can be positively identified were residents of Worthington (e.g., Persis Knapp, Chauncy B. Rising, Nathan Searl, Shubal Parish, Elisha H. Brewster, Addison D. Perry, Merritt Hall, and Otis Boies), however others are noted as wayfarers, passing through from towns such as Whately or Hadley. Clients settled their accounts with a motley mixture of cash, goods, and labor.</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums911</setSpec><setName>Granville Airplane Company Oral History Collection, 1978-1980</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>Between 1929 and 1934, the Granville Airplane Company manufactured their distinctive Gee Bee aircraft at the airport in Springfield, Mass., using a hangar converted from a former dance hall as their plant. Originally from New Hampshire, the five brothers drew upon their self-taught mechanical ingenuity in the years after the First World War to transform an automobile and aircraft repair business into aircraft design and production. The brothers flew their first craft in Boston in May 1929, a biplane they advertised as "the fastest and most maneuverable licensed airplane for its horsepower in the United States," moving operations to Springfield later that year. Although only about two dozen Bee Gees were ever manufactured, the planes gained a wide reputation for their innovative aerodynamic designs, raw power, and extraordinary success on the air racing circuit. Gee Bees claimed speed records and numerous prizes, including the coveted Thompson Trophy in 1932 won by pilot Jimmy Doolitte, but their reputation for instability in the air (partly a function of their power) and the impact of the Great Depression caused the company to cease operations in 1934.
          
          Aviation historian Tom Nallen conducted a series of interviews with former employees of the Granville Airplane Co. beginning in the late 1970s, recording memories of the company and its workers, the Bee Gee planes, and their performance during the golden age of air racing.</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums914</setSpec><setName>Lake Pleasant (Mass.) Collection, 1841-1876</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>One of five villages comprising the western Massachusetts town of Montague, Lake Pleasant was founded by the New England Spiritualist Campmeeting Association in 1870 as a rustic summer resort. Formally incorporated in 1879 under the guidance of Henry A. Buddington and Joseph Beals, Lake Pleasant grew into a community of nearly 200 small cottages, hotels, train station, and a Spiritualist temple on the edge of a serene lake, with a high-season population approaching 2,000. The village began a slow decline in fortunes after a disastrous fire in 1907, but retains its small cottage feel to the present.
          
          The collection includes an assortment of materials relating to the history of Lake Pleasant, including over forty 8 x 10 glass plate negatives taken by local photographer George L. Scott (ca.1900-1907), other assorted photographs (ca.1885-1905), deeds to village properties, publications, and materials relating to the Lake Pleasant Water Commission. The collection also includes a handful of other images taken by Scott from elsewhere in Franklin County.</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums916</setSpec><setName>Clamshell Sun Quilt Collection, 1978</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>To raise funds for the restoration/occupation of the nuclear power plant at Seabrook, N.H., and to support the young Clamshell Alliance, antinuclear activists raffled off a hand-made quilt, a bicycle, totebag, and t-shirts at the 1978 Towards Tomorrow Fair at UMass Amherst. Designed by Carrie Dickerson in a multi-color sun pattern and sewn by the Oklahoma Citizens for Safe Energy, the patchwork quilt (74 x 82") was won by Winifred D. Sayer, who also took home a totebag.
          
          This small collections the Clamshell Sun Quilt, photographs of Dickerson with the quilt, of Sayer with the quilt (by Lionel Delevignge) and Sayer with her prize, a piece of ephemera announcing the raffle, and a copy of the Clamshell Alliance songbook, Songs to Stop Seabrook (1978).</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg050_6_d78</setSpec><setName>Jeffrey Drucker Photograph Collection, 1966-1969</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>Jeffrey Drucker was a student and photographer at the University of Massachusetts Amherst from 1966 to 1969, where he majored in production management and was the WMUA station engineer. As a student, Drucker was a photography enthusiast, taking snapshots of events across campus, thoroughly documenting his years as an undergraduate at UMass in the late-sixties.
          
          The Jeffrey Drucker Photograph Collection contains 387 photographs of a diverse array of campus events, including the Dow Chemical protest in 1968, parades, Roister Doisters productions, musicians like Stevie Wonder and Simon and Garfunkel performing at on-campus concerts, and iconic campus buildings. Many of Drucker’s photographs were printed in the Index yearbook as well as the University of Massachusetts Daily Collegian and give a clearly student perspective to life on campus.</dc:description>

        </oai_dc:dc></setDescription></set><set><setSpec>mums830</setSpec><setName>Blanchard-Means Family Papers</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description/>
        </oai_dc:dc></setDescription></set><set><setSpec>mums926</setSpec><setName>New England Yearly Meeting Quaker History Collection, 1691-1950</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>During the early twentieth century, the library at the Moses Brown School (formerly the Friends Boarding School) became an informal repository for Quaker manuscripts reflecting the history and work of the Society of Friends. Most of these materials were later transferred for custody to the school's governing body, the New England Yearly Meeting of Friends.
          
          This miscellaneous assortment of letters was apparently set aside by the staff at the Moses Brown School due to their historical content and preserved in the "vault." Many of the letters appear to have been retained as good examples of Quaker expression of family and friendly bonds or as documentation about significant periods in Quaker history, particularly the Gurneyite-Wilburite controversy of the 1840s, and several touch on Quaker involvement in the antislavery and peace movements. Of special note are four interesting letters from the Quaker minister and social reformer, Elizabeth Comstock, written during and just after the Civil War; a series of nine lengthy letters from a visiting English minister Isaac Stephenson, traveling through New England meetings; a substantial series of letters from prominent Friend Samuel Boyd Tobey; and three letters from Harriet Beecher Stowe to Sarah F. Tobey regarding attempts to connect Stowe with Alexander T. Stewart in hopes of raising funds for her plans for the education of women.</dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums934</setSpec><setName>Slade Family Papers, 1776-1892 (Bulk: 1838-1845)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          The children of a textile investor, Mary and David Slade were students at the Friends’ Boarding School in Providence, R.I., during the late 1830s. Both died tragically of consumption at a young age, David at 24 and Mary at 28.
          
          The Slade family papers consist largely of the personal correspondence of the ill-starred David and Mary Slade, dating from and just after their time as students at the Friends’ Boarding School in Providence, R.I. Written primarily by schoolmates and friends, with a few letters from David and Mary themselves, the letters include some fine examples of the intimacy of young people, with their sights set on their schooling or beginning to make their life.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums929</setSpec><setName>Willis H. White Papers, 1874-1966 (Bulk: 1919-1942)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            A convinced Friend who became an advocate for peace, Willis H. White was a member of the East Greenwich Monthly Meeting. A secretary in the Providence-based real estate firm William H. White &amp; Sons, White was active in several organizations promoting peace and spiritual renewal within the Society of Friends in the years after the First World War.
            
            The bulk of Willis H. White's papers are concentrated on his activities on behalf of peace, social justice, and the Society of Friends in the period 1919-1922. The collection includes materials documenting White's work with the American Friends Service Committee and on invigorating the Society through the London Conference of All Friends and the evangelical Forward Movement of Friends, and there is a relatively small, but interesting series of letters from the labor and peace activist, A. J. Muste.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums927</setSpec><setName>Mary Patricia Spaulding Scrapbook, 1956</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            In 1956, the graphic designer Pat Spaulding left for a tour of Europe. During her seven months abroad, she and her friend Maureen Jones traveled by motor scooter through France, Italy, Switzerland, Austria, and Germany, staying in hostels and taking in the sights. Perhaps most memorably, Spaulding tore her Achilles tendon while visiting in Siena, Italy, receiving generous care from her hosts during the four-week period of her recovery.
            
            A refreshing record of two young American women traveling alone in Europe during the mid-1950s, this scrapbook is populated with dozens of well laid-out photographs of sites seen, along with Spaulding's letters home and a raft of ephemera such as picture postcards, copies of ticket stubs and passport pages, an international driver's license, smallpox immunization certificate, maps, newsclippings, and beer coasters. Notably, the album also includes a number of beautiful, skillfully-rendered line drawings.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums930</setSpec><setName>Moses Brown Papers, 1713-1840</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            In the early Republic, Moses Brown emerged as an ardent abolitionist, a social reformer, and one of the best known philanthropists in his native Providence, R.I. A Baptist who converted to the Society of Friends in 1774, Brown had made a fortune as a merchant, partly in the triangular trade, but a crisis of conscience brought on by the ghastly results of an attempted slaving voyage in 1765 and the death of his wife in 1773 led him to reexamine his life. Withdrawing from most of his business affairs, Brown joined the Society of Friends and emancipated his slaves. He was a founder of the Providence Society for the Abolition of Slavery in 1786 and a strong voice for peace, temperance, and universal education.
            
            A small, but rich archive of the personal papers of Moses Brown, this collection centers on Brown's activities in antislavery, peace, and educational reform and his connections to the Society of Friends between the 1760s and 1830s. In addition to significant correspondence with major figures in early antislavery cause, including Anthony Benezet, George Benson, William Dillwyn, and Warner Mifflin, and some material relating to the Providence Society for the Abolition of Slavery, the collection includes outstanding content on peace activism. In addition to materials from Moses Brown, the collection includes letters to Moses' son Obadiah Brown and some fascinating letters and manuscripts relating to Moses' friend and fellow Friend, Job Scott.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums937</setSpec><setName>Samuel Austin Collection, 1718-1920</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            An historian and educator, Samuel Austin (1816-1897) was known for his long association with the Friends Boarding School in Providence, R.I. (later renamed the Moses Brown School). An alumnus who married an alumna, Elizabeth H. Osborn, Austin taught at the Boarding school for decades and was instrumental in gathering and preserving documents relating to the school. He wrote and lectured regularly on the history of Friends’ education and on the Boarding School, and its noted teachers and alumni.
            
            A product of the historical work of Samuel Austin, the collection contains both essays, notes, and talks on the Friends’ Boarding School in Providence and on Moses and Obadiah Brown, and some significant original documents used by Austin in his research. Noteworthy among the original materials are a fascinating series of records from monthly and quarterly meetings in and near Rhode Island, mostly in 1787-1793; a rich series of epistles received by Smithfield Monthly Meeting from other meetings in New England (1718-1767); some key printed epistles from Yearly Meetings, including those on war (London, New England, and Philadelphia Yearly) and slavery (London and Philadelphia). Of equal note are a series of letters from Elisha Thornton (a New Bedford merchant, educator, and antislavery advocate), a lengthy letter on doctrine from John Wilbur, and a 1765 sermon from Rachel Wilson.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murb003</setSpec><setName>Antislavery Pamphlet Collection, 1725-1911</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            The Antislavery Collection contains several hundred printed pamphlets and books pertaining to slavery and antislavery in New England, 1725-1911. The holdings include speeches, sermons, proceedings and other publications of organizations such as the American Anti-Slavery Society and the American Colonization Society, and a small number of pro-slavery tracts.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph012</setSpec><setName>Activism of the 1980s Photograph Collection, 1985-1987</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            During the academic year 1986-1987, UMass Amherst was awash in political turmoil, fueled in part by the US intervention in Central America. The arrival on campus of a CIA recruiting officer in November set off a string of demonstrations that attracted the support of activists Abbie Hoffman and Amy Carter, culminating in the occupation of the Whitmore Administration Building and later, Munson Hall. Among the many arrested, thirteen were brought to trial on charges of disorderly conduct, including Hoffman and Carter, all of whom were eventually acquitted.
            
            The Collection contains 64 mounted photographs of marches, demonstrations, and protests in Amherst and Northampton, Mass., taken by UMass Amherst students Charles F. Carroll, Byrne Guarnotta, and Libby Hubbard. The photographs are a vivid record of campus and community activism, and particularly the mobilization against the CIA and American intervention in Central America, as well as the arrest and trial of Abbie Hoffman and Amy Carter.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums939</setSpec><setName>Rocco and Barbara Verrilli Collection of Charles Lamb, 1741-1932 (Bulk: 1798-1834)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            A poet, critic, and essayist, and close friend of Coleridge and Wordsworth, Charles Lamb was a popular figure in literary circles in late Georgian Britain. Born in London in 1775, Lamb began working in the accounting office of the British East India Company at the age of seventeen. Despite struggling with mental illness in his family, he built a reputation as a writer. With an elegant, eccentric, and somewhat antiquated style, he became known first for his poetry, but soon gained notice for prose and criticism. Written with his sister Mary, Tales from Shakespeare (1808) achieved notable success, however Lamb's fame rests primarily on the essays he wrote during the 1820s under the pseudonym Elia. Lamb died from erysipelas on Dec. 29, 1833.
            
            From the 1960s through 2010s, Rocco and Barbara Verrilli built this extensive collection of first and early editions of Charles Lamb's writing. Among the volumes they acquired are Lamb's personal copy of his first publication, Poems on Various Subjects; a rare copy of his first book for children King and Queen of Hearts (1806); and a presentation copy of his best known work, Elia (1823). The twenty-five manuscript items in the collection are particularly noteworthy. Displaying a characteristic combination of charm, wit, and insight, these include a long letter to Robert Southey discussing poetry; humorous letters to his admirer John B. Dibdin; an acrostic by Lamb on the name of Sarah Thomas; and two particularly fine letters to the poet Edward Dyer, including an eye-witness account of the agricultural rebellion known as the Swing Riots.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph073</setSpec><setName>Tom Benedek Collection, 1967-1973</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            A screenwriter and visual artist, Tom Benedek majored in film as an undergraduate at UMass Amherst, earning the distinction of becoming the first graduate of the Bachelor’s Degree with Individual Concentration program in 1971. From early in his college career, Benedek worked as a photographer the newspaper, the Collegian, while studying with faculty such as Jerome Liebling (at Hampshire College) and Jerrold Maddox (at Amherst), and he spent his junior year in Paris studying at the Ecole du Louvre and l’Institut de Formation Cinematographique. In his career in Hollywood, he has written screenplays for the movies Cocoon, Zeus and Roxanne, and The Adventures of Pinocchio and worked with Robert Zemeckis, Lawrence Kasdan, Ron Howard, Martin Scorsese, Sydney Pollack, Richard Rush, and Harold Ramis, among many others. He is a member of the Writers Branch of the Academy of Motion Picture Arts and Sciences and teaches screenwriting at the University of Southern California and the University of Michigan.
            
            The hundreds of images in the Benedek Collection document the development of a talented photographer. While some of the images stem from his work for the Collegian, most were taken on his own around campus and beyond, including trips to Boston and New Orleans, and his year studying abroad in Paris following shortly after the events of 1968. The collection consists entirely of 35mm black and white negatives and color slides.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums190</setSpec><setName>Benjamin Smith Lyman Papers, 1831-1921 (Bulk: 1851-1915)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            The papers of Benjamin Smith Lyman (1835-1920), a native of Northampton, Massachusetts, and a geologist/mining engineer who worked in Japan at the request of the Meiji government to introduce modern geological surveying and mining techniques, illuminate aspects of late nineteenth century Japan, New England, and Pennsylvania, as well as the fields of geology and of mining exploration and engineering as they were practiced 1858-1911. From Lyman's earliest financial records--those he kept as a student at Phillips Exeter--through the journal notations of his later days in Philadelphia, Lyman's meticulous record-keeping provides much detail about his life and work. Correspondents include his classmate, Franklin B. Sanborn, a friend of the Concord Transcendentalists and an active social reformer, abolitionist, and editor. The papers, 1848-1911, have been organized into nine series: Correspondence, Financial records, Writings, Survey Notebooks, Survey Maps, Photographs, Student Notes and Notebooks, Collections, and Miscellaneous (total 25 linear feet). The collection includes, as well, over 2,000 books in Japanese and Chinese and in Western languages pertaining to Asia, acquired by Lyman in Japan and collected later. They reflect his Catholic interests and scholarly bent.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums943</setSpec><setName>Thomas W. Fels Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph009</setSpec><setName>Peter Simon Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Peter Simon’s life and work as a photojournalist follows the quintessential arc of the counterculture, baby boom generation. The son of Richard Simon, founder of Simon and Schuster, Peter grew up in the New York City suburb of Riverdale and attended Boston University, graduating in 1969. While a student at BU, he began documenting the political turmoil in the US when he became photo editor for the radical student newspaper, the BU News, and later as a press photographer for the Cambridge Phoenix. In 1970, Simon left Boston to form Tree Frog Farm, a back-to-the-land commune in Guilford, Vermont, and after leaving there in 1972, he immersed himself in the New Age, forming a close relationship with spiritual leader Ram Dass. Among the most constant threads connecting his work throughout these changes was music. Simon’s sisters, Carly, Lucy, and Joanna have all been involved in music, and through a partnership with longtime friend Stephen Davis and his association with Rolling Stone magazine, Simon enjoyed unique access to many of the most important musicians of his generation. He spent time on the road with the Grateful Dead; went backstage and at home with Led Zeppelin, Bob Dylan, Paul Simon, and many others. His early forays into the world of reggae with Bob Marley and other Jamaican recording artists resulted in one of his nine books, Reggae Bloodlines. Simon’s other photographic interests are as wide-ranging as his background. A visitor to Martha’s Vineyard since the 1950s and a resident since 1974, his work reflects the changes and cultural richness of that island; his family’s friendship with Jackie Robinson has drive his lifelong documentation of baseball, and he is in high demand for portraits, weddings, and other work for hire.
            
            The Peter Simon Collection houses the original negatives for Simon’s complete body of work as a photo journalist and also includes many photographs taken by his father Richard, an avid amateur photographer, which documents the Simon family and life in Riverdale and Stamford, Connecticut, where the family had a summer home.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums940</setSpec><setName>Amelia Earhart’s Underground Flying Society Records</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums947</setSpec><setName>Elizabeth Battey Papers, 1900-1914</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Elizabeth Battey served as a Housekeeper for aristocratic English families during the Victorian and Edwardian eras. At the turn of the century, she was employed by Frances Evelyn Greville the Countess of Warwick, and former mistress of the Price of Wales, to oversee the female staff at Warwick Castle, and from 1904 until at least 1914, she was Housekeeper under Richard George Penn Curzon, the 4th Earl Howe, at his estates Godshall and the Woodlands.
            
            The letters of Elizabeth Battey offer insight into the daily life of a member of the upper staff at an aristocratic Edwardian estate, revealing an acute class sensibility and attention to the duties of a woman of her station. The letters are filled with information about the estates on which Battey worked, her famous employers the Countess of Warwick and Earl Howe, and the social milieu she witnessed at a servant's distance. 
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg050_6</setSpec><setName>University of Massachusetts Amherst Classes by Year</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums949</setSpec><setName>Economic Research and Action Project (New Haven, Conn.) Records, 1965</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            The Economic Research and Action Project (ERAP) was a community organizing project sponsored by the Students for a Democratic Society (SDS). Begun in 1963, SDS activists began working in low-income urban neighborhoods to help residents come together to identify and agitate for shared needs. While practical goals included education and advocacy for welfare rights, youth programing such as free school lunches, and increasing minority participation in local politics, the program as a whole had grand aspirations of abolishing poverty and ending racial inequality through an interracial and community organized movement of the poor in America. The largest and longest lasting projects were located in Boston, Chicago, Cleveland, and Newark, but multiple cities had ERAP groups. While none achieved an ongoing interracial movement of the poor, all had lasting effects in bringing minority and urban resident voices to the SDS platform, in teaching the skills, obstacles, and possibilities of community organizing, and in encouraging individuals, both from SDS and local neighborhoods, to participate and engage with diverse people in seeking social change. 
            
            New Haven ERAP Records are a small but rich collection, mainly consisting of three summer of 1965 issues of the ERAP Newsletter from the New Haven Project. Additional materials include a clipping from the April 30, 1965 Life issue featuring photographs of New Haven ERAP members working in a "slum called The Hill;" two printed photographs from LIFE not used in the article; and a written report and supporting research interview on the failure of a New Haven corporation, Community Progress, Inc. to provide good services and comply with the requirements of the Economic Opportunity Act and the Community Action Program Guide.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums887</setSpec><setName>Kenneth G. Garside Papers, 1841-1876</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            A noted South Shore cranberry grower, Kenneth Greenwood Garside was graduate of Harvard (Chemistry, 1927) and MIT (MS, Gas and Chemical Engineering, 1929). After working for several years in the electric industry, he relocated to Duxbury, Mass., in 1937 to taking over operations of 406 acres of cranberry bog. Over the next twenty-five years as a grower, Garside served as Director of the New England Cranberry Sales Co. and as a board member of the National Cranberry Association, and after dissolving his partnership in the Duxbury Cranberry Company in 1956, he served as acting General Manager of Ocean Spray during the aminotriazole crisis of 1959-1960. Following his retirement from the bogs, Garside taught science in schools in Florida and Maine. He died at Blue Hill, Maine, in 1987.
            
            The Garside Papers contain nearly forty years of letters between the Massachusetts cranberry grower Kenneth G. Garside and his daughter Anne G. Cann. Rich and well-written, these letters reflect Garside's work and touch on his many interests, from cranberry culture to politics, family, and education. The collection also contains fascinating material on the operation of Garside's Duxbury Cranberry Co. between 1937 and 1956.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums793</setSpec><setName>Grace Gershuny Papers, 1976-2007</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            An organizer, consultant, and educator in the alternative agriculture movement, Grace Gershuny has been active in the field since the 1970s when she worked for the Northeast Organic Farming Association (NOFA), developing its first organic certification program. As a leader in the movement, Gershuny helped to establish both the Organic Trade Association and the Organic Farmer: The Digest of Sustainable Agriculture. Today she continues to write and teach on the subject, serving as a faculty member at a number of colleges, most recently Green Mountain College. 
            
            The collection consists chiefly of printed material from a run of the Organic Farmer to Appropriate Technology Transfer for Rural Areas (ATTRA) publications and organizational newsletters, such as the Rural Education Center. Amongst these publications are a few small but significant groups of materials including notes from Gershuny's role as the NOFA VT coordinator in 1979 and her drafts and notes for the second editions of The Soul of Soil.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums863</setSpec><setName>Frank Grace Papers, 1976-1985</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            A radical political organizer, Frank "Parky" Grace was a founding member of the New Bedford chapter of the Black Panther Party. Radicalized by a tour of duty in Vietnam in 1967, Grace became involved in the antiwar movement upon his return and organized the local branch of the Black Panthers shortly before the New Bedford Rebellion of 1970. In 1972, he and his brother Ross were charged with the murder of a young drug dealer, receiving life sentences. Parky contended all along that he had been framed by the police for his political activity and in 1982, Ross corroborated his brother's claim that he was not present at the scene and admitted his own responsibility for the murder. Parky Grace was released from prison in 1984 and lived subsequently in New Bedford and Boston. He died in Boston on October 2001.
            
            The Grace Papers consist of a powerful series of letters written to Gloria Xifaras Clark while Grace was confined in Walpole State Penitentiary. Informed by his revolutionary politics, the letters offer insight into the conditions of imprisonment, his treatment by guards, and his relations with fellow prisoners.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums468</setSpec><setName>Gray Panthers of the Pioneer Valley Records, 1979-1994</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Amherst, Massachusetts chapter of the national Gray Panther organization that sponsored the weekly Amherst Vigil for Peace and Justice, tackled such issues as fair and affordable housing for people of all ages, nursing home reform, Social Security policy, universal healthcare, safe-sex, and age discrimination, and also worked to improve the everyday life of senior citizens and the community at large, often collaborating with other local organizations to address world peace, environmental concerns, improved child care, educational opportunities, and handicapped accessibility. Records include charter, by-laws, histories and mission statements, meeting agendas and minutes, correspondence, financial reports, fundraising materials, membership lists, a membership questionnaire, newsletters, press releases, leaflets, clippings, a scrapbook, T-shirts, and program files, that document the founding and activities of the Gray Panthers of the Pioneer Valley.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums923</setSpec><setName>Howland Family Papers, 1727-1886 (bulk 1777-1844)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            The Howland family of East Greenwich, R.I., figured prominently in New England Quakerism during the late eighteenth and early nineteenth centuries and contributed to the state's public affairs. Brothers Daniel (1754-1834), an approved minister, and Thomas Howland (1764-1845), an educator, were active members of the Society during the tumultuous years between the 1780s and 1840s, caught up in the moral demands for a response to slavery and other social issues and in the divisions wrought by evangelical influences.
            
            Centered largely on the lives of Thomas Howland, his brother Daniel, and Daniel's son Daniel, the Howland collection is an important record of Quaker life in Rhode Island during trying times. As meeting elders, the Howlands monitored and contributed to the era's major controversies, and the collection is particularly rich in discussions of the impact of slavery and the passionate struggle between Friends influenced by the evangelically-inclined Joseph John Gurney and the orthodox John Wilbur. Thomas' complex response to his commitment to the antislavery cause and his fear of disrupting meeting unity is particularly revealing. Also of note is a series of responses from monthly meetings to queries on compliance with Quaker doctrine, obtained during the decade after the American Revolution.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums923</setSpec><setName>Howland Family Papers, 1727-1886 (bulk 1777-1844)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            The Howland family of East Greenwich, R.I., figured prominently in New England Quakerism during the late eighteenth and early nineteenth centuries and contributed to the state's public affairs. Brothers Daniel (1754-1834), an approved minister, and Thomas Howland (1764-1845), an educator, were active members of the Society during the tumultuous years between the 1780s and 1840s, caught up in the moral demands for a response to slavery and other social issues and in the divisions wrought by evangelical influences.
            
            Centered largely on the lives of Thomas Howland, his brother Daniel, and Daniel's son Daniel, the Howland collection is an important record of Quaker life in Rhode Island during trying times. As meeting elders, the Howlands monitored and contributed to the era's major controversies, and the collection is particularly rich in discussions of the impact of slavery and the passionate struggle between Friends influenced by the evangelically-inclined Joseph John Gurney and the orthodox John Wilbur. Thomas' complex response to his commitment to the antislavery cause and his fear of disrupting meeting unity is particularly revealing. Also of note is a series of responses from monthly meetings to queries on compliance with Quaker doctrine, obtained during the decade after the American Revolution.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums332</setSpec><setName>Hudson Family Papers</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums792</setSpec><setName>International Center for the Disabled Records, 1917-2012</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Founded in 1917, the International Center for the Disabled was the nation’s first outpatient rehabilitiation center. With the support of benefactor Jeremiah Millbank, the ICD was dedicated to helping disabled veterans reintegrate into all aspects of American life. Over the years, it has assumed a leading role in development of the profession of physical medicine, training physicians and nurses for the Veterans Administration, creating rehabilitation programs for the Army and VA, manufacturing prosthetics, and providing vocational rehabilitation for disabled veterans and others. The ICD remains a leading international advocate for the needs of people with disabilities and was instrumental in passage of the Americans with Disabilities Act in 1990, remaining true to their mission of training people with barriers to employment as they enter the workforce.
            
            The ICD collection includes a rich array of official minutes, correspondence, and publications documenting the development of rehabilitation services for persons with disabilities, and a remarkable record of the success of a philanthropic enterprise. Of particular note are are the large holdings of photographs documenting ICD’s work from its early days through the dawn of the 21st century.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums396</setSpec><setName>Randy Kehler Papers, 1978-1997</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            A veteran of the peace movement and founder of the Traprock Peace Center (1979), Randy Kehler was active in the National Nuclear Weapons Freeze Campaign, the Peace Development Fund, and the Working Group on Electoral Democracy. Beginning in 1977, he and his wife became war tax resisters, withholding federal income tax to protest U.S. military expenditures, donating it instead to charity. As a consequence, their home was seized by the IRS in 1989, setting up a protracted legal struggle that resulted in Kehler's arrest and imprisonment and the sale of the house. They remain tax resisters.
            
            The Kehler Papers document the five year struggle (1989-1994) against the seizure and sale of the Kehlers' home by the IRS. The collection includes meeting minutes, notes, correspondence, newspaper clippings; letters to the editor, essays, articles, plans and strategy documents for the vigil set outside the Kehler home; support committee information and actions; correspondence with government officials, the IRS, and the Justice Department; letters of support; documents from the legal proceedings; and political literature addressing the Kehlers' situation.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums330</setSpec><setName>Linguistic Atlas of New England Records, 1931-1972</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Chiefly papers and records generated during research and field work for the Linguistic Atlas of New England (1939-1943), including over 400 interview records (carbon copies) from fieldworkers' notebooks arranged by community, then by informant; audiotapes of follow-up interviews; phonological analyses of informants' speech; character sketches of informants by fieldworkers; fieldworkers' blank notebook; a published Handbook of the linguistic geography of New England (2nd edition); and word index to the atlas.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums730</setSpec><setName>Sidney Lipshires Papers, 1932-2012</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Born on April 15, 1919 in Baltimore, Maryland to David and Minnie Lipshires, Sidney was raised in Northampton, Massachusetts where his father owned two shoe stores, David Boot Shop and The Bootery. He attended the Massachusetts State College for one year before transferring to the University of Chicago and was awarded a BA in economics in 1940. His years at the University of Chicago were transformative, Lipshires became politically active there and joined the Communist Party in 1939. Following graduation in 1941, he married Shirley Dvorin, a student in early childhood education; together they had two sons, Ellis and Bernard. Lipshires returned to western Massachusetts with his young family in the early 1940s, working as a labor organizer. He served in the United States Army from 1943 to 1946 working as a clerk and interpreter with a medical battalion in France for over a year. Returning home, he ran for city alderman in Springfield on the Communist Party ticket in 1947. Lipshires married his second wife, Joann Breen Klein, in 1951 and on May 29, 1956, the same day his daughter Lisa was born, he was arrested under the Smith Act for his Communist Party activities. Before his case was brought to trial, the Smith Act was ruled unconstitutional by the U.S. Supreme Court. Disillusioned with the Communist Party, he severed his ties with it in 1957, but continued to remain active in organized labor for the rest of his life. Earning his masters in 1965 and Ph.D. in 1971, Lipshires taught history at Manchester Community College in Connecticut for thirty years. During that time he worked with other campus leaders to establish a statewide union for teachers and other community college professionals, an experience he wrote about in his book, Giving Them Hell: How a College Professor Organized and Led a Successful Statewide Union. Sidney Lipshires died on January 6, 2011 at the age of 91. 
            
            Ranging from an autobiographical account that outlines his development as an activist (prepared in anticipation of a trial for conspiracy charges under the Smith Act) to drafts and notes relating to his book Giving Them Hell, the Sidney Lipshires Papers offers an overview of his role in the Communist Party and as a labor organizer. The collection also contains his testimony in a 1955 public hearing before the Special Commission to Study and Investigate Communism and Subversive Activities, photographs, and biographical materials.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums685</setSpec><setName>Loomis Communities Records, 1909-2015 (bulk 1980-2000)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            In 1902, a group of residents of Holyoke, Mass., secured a charter for the Holyoke Home for Aged People, wishing to do “something of permanent good for their city” and provide a “blessing to the homeless.” Opened in March 1911 on two acres of land donated by William Loomis, the Holyoke Home provided long-term care of the elderly, and grew slowly for its first half century. After changing its name to Loomis House in 1969, in honor of the benefactor, Loomis began slowly to expand, moving to its present location in 1981 upon construction of the first continuing care retirement community in the Commonwealth. In 1988, the Board acquired a 27-acre campus in South Hadley on which it established Loomis Village; in 1999, it became affiliated with the Applewood community in Amherst; and in 2009, it acquired Reeds Landing in Springfield.
            
            The Loomis Communities Records offer more than a century perspective on elder care and the growth of retirement communities in western Massachusetts. The collection includes a nearly complete run of the minutes of the Board of Directors from 1909 to the present, an assortment administrative and financial records, and some documentation of the experience of the communities’ residents, with the bulk of materials dating from the 1980s to the present. An extensive series of oral histories with residents of Loomis Village was conducted in 2010.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs095</setSpec><setName>Maida Riggs Papers</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mump000</setSpec><setName>Map Collections</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums829</setSpec><setName>Robert Ellis Smith Collection, 1938-2014</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            An attorney, writer, publisher, and journalist, Robert Ellis Smith is a leading expert in privacy. A graduate of Harvard (1962) and Georgetown University Law Center (1975), Smith has published since 1974, a newsletter dedicated to the individual’s right to privacy, and several books, including Privacy: How to Protect What’s Left of It (1979), Workrights (1983), The Law of Privacy Explained (1993), and Our Vanishing Privacy (1993). An adjunct Professor at Roger Williams University School of Law, he is often called upon to speak on and testify concerning privacy rights. Smith’s other activism has included work in the Civil Rights movement and in environmental protection.
            
            The Smith collection consists of publications and research files relating to Robert Ellis Smith’s long interest in the law and culture of privacy. In addition to a complete run of Privacy Journal and Smith’s publications, the collection includes material on topics ranging from cyber security to privacy in employment, medical care, identity theft, electronic surveillance, and telecommunications, and a thick run of correspondence relating to Privacy Journal, including letters seeking advice on issues in privacy and privacy invasion. Also included is a small collection of material relating to Smith’s civil rights work in Alabama during the mid-1960s.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums729</setSpec><setName>Tom Weiner Oral History Collection, 2004-2008</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Growing up in Elmont, Long Island and Teaneck, New Jersey, Tom Weiner attended Trinity College before facing the draft in 1971. After failing the physical and mental examination, Weiner studied alternative education in England, Europe, and Israel on a Watson Fellowship. Upon his return in 1972, he began study at NYU law school, but soon left the city for Northampton, Massachusetts. A life-long social justice activist, Weiner has worked as a 6th grade teacher for the past twenty-five years. 
            
            With a lottery number of 117, Tom Weiner knew for certain that he would be drafted immediately upon graduation from Trinity College. Decades later, Weiner was inspired to collect the stories of the men and women who came of age during the Vietnam War era. This collection consists of the oral history interviews, recordings and transcripts, Weiner collected, thirty of which appear in his book Called to Serve: Stories of Men and Women Confronted by the Vietnam War Draft.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums872</setSpec><setName>Tour de Sol Records, 1989-2006</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            The first Tour de Sol was organized in Switzerland in 1985 to build awareness and support for innovation in solar vehicles, and the American offshoot began four years later under the aegis of the Northeast Sustainable Energy Association. Part solar car demonstration and part race championship, the first American tour followed a course from Montpelier, Vt. to Boston, Mass., and has subsequently been taken all over the northeast and mid-Atlantic region. A Monte Carlo-style rally, the tours has celebrated high mileage and environmentally-friendly vehicles.
            
            The Tour de Sol collection includes information for participants, rule books, reports, and ephemera, along with newsclippings and an extensive series of photographs and videotapes documenting the Tour and its participants throughout its years.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg1_207_1988</setSpec><setName>UMass Amherst Quasquicentennial Oral History Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph074</setSpec><setName>Nancy Palmieri Collection, 1976-2015</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The photojournalist Nancy Palmieri (1951-2016) received her BA in journalism at Utica College (1977) and studied at the New England School of Photography before launching a newspaper career. Several years working with the Springfield (Mass.) Union-News and Sunday Republican led to positions with the Daily Ledger (Antioch, Calif.), the Worcester Telegram and Gazette, the Ridgewood (N.J.) News, and the Providence Journal (1989-1991), however in the early 1990s, Palmieri shifted course, becoming a photo editor for the Associated Press in Los Angeles, and for a short time, teaching photography. Relocating to Northampton, Mass., in 1998, she became a successful freelancer, working for prominent clients in new and old media such as the Boston Globe, New York Times, and Los Angeles Times, as well as with local institutions such as Jacob's Pillow, UMass Amherst, and Smith College. Palmieri died of cancer in July 2016. 

The Palmieri collection consists of negatives (mostly 35mm), 35mm slides, compact disks of digital images, and selected prints representing a cross-section of a photojournalistic career. Arranged chronologically, the collection begins during the period when Palmieri was first emerging as a serious photographer, and includes content from each of her professional positions. In addition to standard news assignments, the content includes photo essays, human interest pieces, and wide-ranging free lance work.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph059</setSpec><setName>Patricia Lee Lewis Photograph Collection, 1977-1979</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A co-founder of the Valley Women’s Center and the Everywoman’s Center at UMass Amherst, Patricia Lee Lewis has been an important part of the vibrant activist culture in the Pioneer Valley since her graduation from Smith College in 1970, advocating for women, civil rights, peace, the environment, for small farms and rural communities, and for art. Her varied career has included service as Supervisor of Community Development for the Massachusetts Office for Children (1974-1976), as Rural Development Specialist for the Massachusetts Cooperative Extension Service, and as County Commissioner for Hampshire County (1984-1988). After receiving an MFA from Vermont College, she founded Patchwork Farm Writing Retreat in Westhampton in 1992, which offers workshops and retreats in creative writing and yoga.

As a member of a National Women’s Delegation, Lewis visited the People’s Republic of China in 1977. Having been invited by the All China Women’s Federation, Lewis and her colleagues toured the country, seeing the sights and examining the role of women, education, and agriculture, visiting Beijing, Shanghai, Nanjing, Tachai, and Guilin. The many hundreds of photographs she took during the tour are a powerful visual record of the country only a few months after the Gage of Four were arrested and the Cultural Revolution declared ended. The collection also includes approximately 100 photographs taken of agriculture and rural life in Louisiana and Texas in 1979.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums457</setSpec><setName>Social Change Collection, 1945-2007</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    The term social change is used in SCUA to refer to individuals and organizations who actively seek to better the world around them, as well as to individuals experiencing shifts in economic, cultural, and social life. Few movements for change exist in isolation. Following W.E.B. Du Bois, we recognize that seemingly disparate issues in social justice are often intrinsically and deeply interconnected, so that to create change in one area requires close attention to others. It is the flow of ideas, people, and organizations that constitutes the warp and weft of social change in the twentieth century.

Created to collocate small groups of manuscripts, documents, letters, and other unpublished materials relating to the history and experience of social change, the Social Change Collection is focused largely on movements of the 1960s and after. While entirely miscellaneous, the collection includes interesting material relating to the peace and antiwar movements during the 1960s, Students for a Democratic Society (SDS), the conflict in Vietnam, antiimperialist movements in Central and South America, and a small number of items relating to sexuality, gender, and feminism.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums538</setSpec><setName>Communist Party of Massachusetts Collection, 1932-1957</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A branch of the Communist Party of the United States of America, the Communist Party of Massachusetts enjoyed strong popularity during the 1930s and 1940s, organizing the textile and other manufacturing industries.

This small collection is comprised of a miscellaneous assemblage of fliers, broadsides, and ephemera issued by the Communist Party of Massachusetts and its affiliates from the mid-1930s through the repression of the McCarthy era. Originating mostly from Boston, the items in the collection center on significant themes in Communist thought, including opposition to Fascism and militarism, labor solidarity against capital, and elections. A small number of items relate to Party-approved cultural productions, including plays and gatherings to celebrate Lenin or the Russian Revolution. Many items are associated with Otis A. Hood, a perpetual candidate for public office on the Communist Party ticket who became a target for McCarthy-era repression in the mid-1950s.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums522</setSpec><setName>Mary L. Wentworth Papers, 1966-1968</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The activist Mary Wentworth has worked throughout New England on behalf of a variety of progressive causes, beginning with the antiwar and feminist movements in the 1960s and 1970s and working against racism and other forms of discrimination, militarism, patriarchy, corporate power, and U.S. imperialism. In 1984, she ran for U.S. Congress against long-term incumbent Silvio O. Conte, winning almost 30% of the vote in a district in which Conte had run unopposed.

The Wentworth Papers include records relating to her congressional campaign against Conte, material on U.S. involvement in Central America during the 1980s, and other issues of concern throughout her career.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph076</setSpec><setName>Carlos Heiligmann Collection, 2002-2017</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Since his youth in Mexico City, Carlos Heiligmann has traveled with a camera in hand. An industrial engineer by training and documentary photographer by nature, he has captured images throughout his world travels, and recently has concentrated on recording libraries in the small towns of western Massachusetts.

The digital photographs that comprise this collection document nearly four dozen public libraries in Berkshire, Franklin, and Hampshire counties in western Massachusetts.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums514</setSpec><setName>Carl Oglesby Papers, ca. 1965-2004</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Reflective, critical, and radical, Carl Oglesby was an eloquent voice of the New Left during the 1960s and 1970s. A native of Ohio, Oglesby was working in the defense industry in Ann Arbor, Michigan, in 1964 when he became radicalized by what he saw transpiring in Vietnam. Through his contacts with the Students for a Democratic Society, he was drawn into the nascent antiwar movement, and thanks to his formidable skills as a speaker and writer, rose rapidly to prominence. Elected president of the SDS in 1965, he spent several years traveling nationally and internationally advocating for a variety of political and social causes.

In 1972, Oglesby helped co-found the Assassination Information Bureau which ultimately helped prod the U.S. Congress to reopen the investigation of the assassination of John F. Kennedy. A prolific writer and editor, his major works include Containment and Change (1967), The New Left Reader (1969), The Yankee and Cowboy War (1976), and The JFK Assassination: The Facts and the Theories (1992). The Oglesby Papers include research files, correspondence, published and unpublished writing, with the weight of the collection falling largely on the period after 1975.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums198</setSpec><setName>Ephraim Snow Daybook, 1822-1878</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    The wheelwright Ephraim Snow was born in Rochester, Mass., on Sept. 9, 1821, the son of Samuel and Rhoda (Stewart) Snow. Apparently beginning as a general carpenter, he moved to neighboring Mattapoisett shortly after 1850, where he worked as a wheelwright for many years. He married Silvia A. Nickerson on July 1, 1858, who died after giving birth to their fourth child in 1874. Ephraim Snow appears to have died in Mattapoisett in either 1880 or 1881.

This unusual daybook offers an intimate glimpse into the lively shipbuilding and whaling village of Mattapoisett as these industries peaked and begin to decline. The earliest portions of the books include sparse accounts apparently kept by Samuel Snow, Ephraim’s father, with Ephraim’s day book covering the period 1842-1878. Most of his work involved repairing or manufacturing wagon wheels or shafts, but he applied his skills quite widely in repairing wheelbarrows, chairs, cradles, and boxes, hanging doors or doing general house carpentry, and taking boarders in his home. Interspersed in the volume are a large number of poems, a few nicely rendered pen and ink drawings, and a small handful of letters.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums393</setSpec><setName>Clarence Carroll Clark Papers, 1909-1981</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Ordained as an Episcopal priest in 1911, Dr. Clark accepted the position of director of the Chapel of the Comforter in Greenwich Village, New York, a mission that abandoned its traditional Christian practices in favor of the teachings of theosophy. A prolific writer and lecturer, Clark stressed in his work the similarities between Eastern and Western religions, and emphasized his belief that unity among religions would bring about a spiritual re-awakening throughout the world. After serving as director of the Chapel of the Comforter for more than forty years, Clark retired in 1950.

Clark's papers document his career as a professor of English, Episcopal priest, Theosophist, and Director of the Chapel of the Comforter in Greenwich Village, N.Y. Consisting of correspondence, lecture notes, and selected writings, the collection chronicles Clark's religious beliefs and his passion for the poetry of Emily Dickinson.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph015</setSpec><setName>Civilian Conservation Corps in Massachusetts Photograph Collection, ca.1930-1939</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The C.C.C. was a relief program established by President Franklin D. Roosevelt to assist unemployed men through the worst years of the Great Depression. In Massachusetts, the C.C.C. was largely engaged in tree planting, fire fighting, insect control, and tree and plant disease control. Contains photographs arranged alphabetically by forest name that depict road building, tree planting, and other developments in the state forests. Includes some images of workers.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums180</setSpec><setName>George Chigas Collection, 1987</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A Senior Lecturer in Asian Studies at the University of Massachusetts Lowell and formerly the Associate Director of the Cambodian Genocide Program at Yale University (1998-2001), George Chigas is a noted political commentator on the genocide perpetrated by the Khmer Rouge during the 1970s.

This small collection is comprised of photographs taken by George Chigas of Cambodian sites and ceremonies in Lowell, Mass. The images document the ordination of novice monks, the consecration of a Buddhist statue, a Cambodian festival kite, and a community money tree celebration.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums131</setSpec><setName>Lesinski-Rusin Family Papers, 1908-1925</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Polish immigrants Jan Lesinski and his wife Weronika (Rusin) settled in Easthampton, Massachusetts, in 1909 and worked in the textile mills there for decades. Married in 1922, the couple raised a son and daughter in their home on Franklin Street. Weronika Lesinski died in Northampton in 1961, her husband following twelve years later.

The Lesinski and Rusin family collection reflect the lives of an average working-class Polish family from Easthampton, Mass., during the early twentieth century. Numerous family photographs document important occasions for the families, such as baptisms, first communions, and weddings, and the photographic postcards and commercial postcards document their relationships, interests, and travel.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums309</setSpec><setName>UMass Peacemakers Records, 1965-1990 (Bulk: 1983-1990)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Although the precise origins of UMass Peacemakers are murky, by 1982, the group was an active presence on the UMass Amherst campus organizing opposition to militarism and the nuclear arms race and providing support for the nuclear freeze movement. Organizing vigils, demonstrations, informational workshops, and providing civil disobedience training, the Peacemakers were the most visible pacifist group on the UMass Amherst campus in the 1980s.

The UMass Peacemakers Records focus on the activities of the student group between 1983 and 1990, documenting their role in confronting the aggressive international expansionism of the Reagan administration and its “Star Wars” program, while also engaging at the local and national level by organizing rallies, lectures, poetry readings, and film screenings. At UMass, Peacemakers was part of the larger Progressive Student Network, and worked alongside other student organizations including the Radical Student Union.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums357</setSpec><setName>Lipski Family Collection, 1927-1990</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Antoni Lipski emigrated from Grodno, now Belarus, in 1907, and settled in the Oxbow neighborhood of Northampton, Mass. An employee of the Mount Tom Sulphite Pulp Company, he and his wife Marta had a family of twelve, ten of who survived to adulthood. Their oldest child Stanley Walter Lipski graduated from the US Naval Academy in 1935 and was killed in action aboard the USS Indianapolis in July 1945.

The slender record of two generations of a Polish immigrant family from Northampton, Mass., the Lipski collection includes two documents relating to Antoni Lipski and four photographs, two letters, and news clippings relating to his eldest son, Stanley Walter Lipski, a naval officer who was killed in action aboard the USS Indianapolis during the Second World War.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums359</setSpec><setName>Argentine Political Ephemera Collection, 1930-1974</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
In 1943 Col. Juan Peron took part in a successful military coup in Argentina, beginning over a decade in which he dominated the nation’s political life. After promoting populist policies as Minister of Labor under the military government, Peron built a deep well of support among the working classes that enabled him to win election to the presidency in 1946 and 1951, however political opposition to what was perceived as his Fascist sympathies, demagoguery, and authoritarianism increased. In 1955, Peron was ousted in a military coup and driven into exile in Spain.

Consisting of materials produced in Argentina just prior to and during the era of Juan Peron (1946-1974), this collection of pamphlets, fliers, broadsides, news clippings, and campaign literature provides a unique window onto political developments in the South American nation. The ephemera addresses a wide range of subject matter, from World War II to economics, political controversies, relations with the United States, the election of 1951, the Revolucion Libertadora coup of 1955, and Juan and Eva Peron. Both Peron’s Partido Justicialista and his opponents, including Communists and Socialists, are represented.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums984</setSpec><setName>White Light Communications Collection, 1989-1999</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A not-for-profit media company based in Burlington, Vermont, White Light Communications produced dozens of videos during the late 1980s and early 1990s reflecting the voices and experiences of psychiatric survivors. With initial funding from the National Institute of Mental Health, Executive Director Paul Engels and his colleagues, all psychiatric survivors themselves, built a fully-equipped television production studio and conducted nearly one hundred interviews with ex-patients and leaders in the antipsychiatry movement. Although most of the interviews were conducted in Burlington, they also produced documentaries, and covered national events such as the final two Alternatives conferences and “Self Help Live,” a broadcast that focused on highlighting consumer/survivor leaders.

The hundreds of video interviews and other productions that comprise the White Light Communications collection were produced by, for, and about psychiatric survivors. Paul Engels interviewed nearly a hundred ex-patients including important leaders in the movement such as Judi Chamberlin, Sally Zinman, Howie the Harp, and George Ebert, and several episodes focused on the mental health system and activism in Vermont. The subjects of the interviews range widely from homelessness to involuntary treatment, peer support, suicide, surviving the mental health system, and the history of the psychiatric survivors movement.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums985</setSpec><setName>Berkshire Community College Oral History Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums634</setSpec><setName>Lyman Family Papers, 1839-1942</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The descendants of Joseph Lyman (1767-1847) flourished in nineteenth century Northampton, Mass., achieving social prominence, financial success, and a degree of intellectual acclaim. Having settled in Northampton before 1654, just a generation removed from emigration, the Lymans featured prominently in the development of the Connecticut River Valley. A Yale-educated clerk of the Hampshire County courts, Joseph’s descendants included sons Joseph Lyman (an engineer and antislavery man) and Samuel Fowler Lyman (a jurist), and three Harvard-educated grandsons, Benjamin Smith Lyman (a geologist and traveler in Meiji-era Japan) and brothers Joseph and Frank Lyman (both trained in the natural sciences).

Consisting of the scattered correspondence and photographic record of three generations of an intellectually adventurous Northampton family, the Lyman collection explores the ebb and flow of family relations, collegiate education, and educational travel in Europe during the mid-nineteenth century, with important content on antislavery and the Free State movement in Kansas. Although the family’s tendency to reuse names (repeatedly) presents a challenge in distinguishing the various recipients, the focal points of the collection include the geologist Benjamin Smith Lyman, his uncle Joseph (1812-1871), cousins Joseph (1851-1883) and Frank, and Frank’s son Frank Lyman, Jr. Antislavery is a major theme in the letters of Samuel F. Lyman to his son Benjamin, and in the letterbook of the Kansas Land Trust, an affiliate of the New England Emigrant Aid Company, of which the elder Joseph was Treasurer.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murb015</setSpec><setName>Ella Dot Martin Blake Collection, 1892-1944</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A native of Waterloo, Quebec, Ella Dot Martin Blake emigrated to Worcester County, Mass., in about 1927. She and her husband Sydney farmed and raised two sons. Ella Blake died in 1987.

Assembled by Ella Dot Martin Blake, this collection consists of eighty pieces of sheet music, more than half with illustrated covers. Dating from the early 1900s, the collection covers both World Wars as well as the rise of Broadway and Hollywood's golden age. Selections include military sheet music, "Good-Bye, Little Girl, Good-Bye" (1904) and music from Hollywood films, such as "Daddy Long Legs" dedicated to Mary Pickford (1919), and "By a Waterfall" from Footlight Parade (1933).
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1000</setSpec><setName>George R. Coffin Diary, 1854-1857</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The son of a master mariner from Newburyport, Massachusetts, George Richards Coffin was born in Castine, Maine, on Feb. 12, 1832. Sent to Boston at the age of 19 to get his start in business as a clerk, Coffin became a wharfinger in 1854, just a year before he married Hannah Balch, the eldest daughter of a prominent Newburyport merchant. As his family grew to eight, Coffin thrived in his trade, becoming a long-time member of the Merchant’s Exchange in Boston and Inspector of Grain for the Commercial Exchange in the 1870s. By the 1880s, he relocated his family to the genteel western suburbs of the city and by the time of his death in 1894, he had earned a spot in the Boston Blue Book.

This beautifully written diary was kept by George Coffin as he was starting out in life. Kept regularly, though not daily, the entries are filled with details about his budding business and personal lives, providing a rich portrayal of an aspiring young man in antebellum Boston. Beginning during the last few months of his clerkship and courtship of Hannah Balch and continuing through their engagement and marriage to the birth of their first child, the diary is filled with descriptions of socializing at parties and lectures, religious attendance and recreational activities, and it includes his thoughts on marriage, family, and his career in business. Of particular note are Coffin’s accounts of a visit to the State Prison in Charlestown, his reactions to local resistance to the capture of Anthony Burns under the Fugitive Slave Act, and the steady growth of his relationship with Hannah.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums946</setSpec><setName>Florence Porter Lyman Papers, 1894-1931</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Florence Porter Lyman (1870-1960) was born into the Chapin Moodey family in the late 19th century. She married Charles Wendell Porter, a Northampton lawyer who spent his summers in Northern Maine, in 1894. After her first husband’s death in 1899 she continued to spend her summers in Maine. She then married Frank Lyman of the prominent Lyman family in 1903. They had three children together and lived in both Northampton and Brooklyn. During her summers in Northern Maine, Florence Porter Lyman stayed in touch with her many family and friends who lived in Massachusetts and New York.

This collection contains almost forty years of Florence Porter Lyman’s in-coming correspondence. Letters refer primarily to domestic matters including: her first husband’s train accident and death, her engagement and re-marriage to Frank Lyman, and the birth of her three children.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums534</setSpec><setName>Mary W. Lauman Papers, 1944-1945</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Mary W. Lauman, a 1937 graduate of Cornell University, served in the United States Marine Corps from March 1944 through December 1945. During her 10 months of active duty, Mary wrote numerous letters to her mother detailing her everyday life from boot camp in Lejeune, North Carolina, to her work with the United States Army Personnel Department.

The Lauman letters contain interesting insights into the life of a woman Marine during World War II, including behavior, dress, and social interactions.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums892</setSpec><setName>Brother David Steind-Rast Papers, 1928-2015</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Brother David Steindl-Rast was born Franz Kuno in Vienna, Austria, in 1926. He discovered The Rule of St. Benedict as a young man, which sent him on a search for an authentic version of Benedictine practice. This search brought him through the Second World War in Vienna, where he earned a Ph.D from the University of Vienna in 1952 and to the Mount Savior Monastery in Elmira, New York, where he became a monk in 1953. Along with his friend Thomas Merton, Brother David is one of the most important figures in the modern interfaith dialogue movement, leaving Mount Savior in the mid-1960s to study Zen Buddhism with Hakuun Yajutami, Shunayu Suzuki, and Soen Nakagawa. He was the first Benedictine to learn directly from Buddhist teachers and received Vatican support for his bridge-building work in 1967. Through Merton, Brother David met Thich Nhat Hanh, who introduced him to the peace movement and grounded Brother David’s spirituality in a tradition of activism. When not in seclusion, Brother David has served as a teacher of contemplative prayer, the intersection of Zen and Catholicism, and gratefulness as a spiritual practice. Through many books and articles, lectures, and residencies in spiritual centers like Tassajara and the Esalen Institute, Brother David has developed an influential philosophy and much of the current popularity of mindfulness and Zen-influenced living and activism owes a debt to his teachings.

The Brother David Steindl-Rast Papers include Brother David’s extensive published and unpublished writings, sermons, memoirs, personal journals, correspondence, photographs, recordings, and videos of his teachings. His papers extend back to his youth in Vienna, documenting his childhood and experience during the war, including a complete run of Die Goldene Wagen, the children’s magazine published by Brother David’s mother Elisabeth Rast.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums157</setSpec><setName>Samuel Chapin and William R. Sessions Civil War Diaries, 1862-1863</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Transcripts of Civil War diaries of Samuel Chapin and William R. Sessions both of South Wilbraham, Massachusetts. Chapin was twenty-one and Sessions twenty-seven when they enlisted in the Union Army with 25 other Wilbraham men on August 29, 1862. They were assigned to the 46th Regiment of the Massachusetts Volunteers for nine months service.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums537</setSpec><setName>Civilian Public Service Camp Newsletter Collection, 1941-1944</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Born out of a unique collaboration between the United States government and the historic peace churches, the first Civilian Public Service camps were established in 1941 to provide conscientious objectors the option of performing alternative service under civilian command. Nearly 12,000 COs served in the 152 CPS camps in projects ranging from soil conservation, agriculture, and forestry to psychiatric care. While the work was ostensibly of national importance, many COs complained that the labor was menial at best, and with their churches and families responsible for financing the camps, and no ability to earn wages, the families of many COs found themselves impoverished both during and after the war.

During their time off, many of the men in the CPS camps published newsletters that offer insight into the conditions of internment, the prisoners' religious motives, social life inside the camps, and news from home and the war. This collection consists of newsletters published in camps in Massachusetts, New Hampshire, Indiana, Maryland, and Colorado.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums982</setSpec><setName>George Emery Papers, 1875-1977</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
After graduating from Massachusetts Agricultural College in 1924, George Edward "Red" Emery taught high school briefly and held a handful of other jobs before deciding to fulfill a childhood dream. Born in Marlboro, Mass., in 1904, Emery turned his love for the circus into a life touring the country as a white-face circus clown. After marrying Virginia Link, a Smith College student, in 1932, he settled down to a stable job in the Alumni Office at his alma mater, later filling in as Veterans Coordinator and as a staff member in the Student Placement Office until his retirement in 1972. Emery never left the circus behind entirely. Throughout his years in Amherst he continued to talk and write about the history of the circus and his personal experiences, and from the late 1940s through early 1960s, he used his show business connections to book talent for the Three County Fair. Longtime residents of Leverett, Mass., he and his wife died within a year of one another, Virginia in 1974 and George in 1975.

With his passion for the circus, George Emery's papers contain material not only from his career as a circus clown in the 1920s but also from his later writings about the history of the circus, his work with the Three County Fair, and his long association with UMass Amherst. The collection includes correspondence with friends and family; circus toys and games; posters, photographs, and ephemera; and a library of books on circus history. Of special note are some exceptional photographs and a thick sheaf of material from the Three County Fair.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs181</setSpec><setName>Joseph Langland Papers, 1939-2007</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    The poet Joseph Langland was raised on the family farm in northeastern Iowa, and earned both a BA (1940) and MA (1941) from the famed writing program at the University of Iowa, before being inducted into the military service during the Second World War. While still in Germany serving with the Allied military government, Langland had printed for his family his first book of poetry, a chapbook titled For Harold (1945), for his younger brother who had been killed in action in the Philippines. Returning home, he taught part-time at Iowa, then joined the faculty at the University of Wyoming (1948-1959), and finally UMass Amherst. Part of a wave of energetic young writers and scholars to arrive on campus, Langland became active in the early years of the Massachusetts Review and founded the university's MFA Program for Poets and Writers. A prolific writer, he contributed regularly to literary magazines and was author of The Green Town (1956), The Wheel of Summer (1963), The Sacrifice Poems (1975), Any Body's Song (1980), and Selected Poems (1991). Langland was recipient of the National Council of the Arts Award, the Melville Cane Award, the Amy Lowell Traveling Poetry Fellowship, and a Ford Faculty Fellowship, among other honors. After his retirement from UMass in 1979, he served as emeritus until his death in 2007. 

The Langland Papers include a substantial number of original manuscripts of poetry, many unpublished, correspondence with major poets, and an extensive run of Langland's letters written home to his wife and family during the war. Other Langland Papers are housed at Luther College in Iowa.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums405</setSpec><setName>John J. Maginnis and Arthur Howard Military Government of Europe Collection, 1944-1946</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Papers of General John J. Maginnis and Colonel Arthur Howard, both of the MAC Class of 1918, from their experience as part of the American Military Government of Europe following World War II.

The Arthur Howard Papers (8 linear feet) deal with the restoration of food production in the war ravaged “breadbasket of South Germany,” Mannheim, Karlsruhe, Heidelberg, Stuttgart, and the Wurttemberg Baden area. Col. Howard (at that time a Major) was a specialist in food and food processing, and his charge extended to the rehabilitation of supporting industries; he also made repairs of the Karlsruhe and Mannheim harbors.

The John J. Maginnis papers (1.5 linear feet) deal with the processes of government of European areas just delivered from German occupation, and of German areas newly occupied by Allied troops. General Maginnis (at that time a Major and then a Colonel) was an administrator successively in Normandy and Ardennes in France; Hainaut, Belgium; and Berlin.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums912</setSpec><setName>Pearl Primus Collection, 1995-2006</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A pioneer of African dance in the United States and a vital scholarly voice, Pearl Primus burst onto the scene in the early 1940s as a choreographer, performer, composer, and teacher. Born in Trinidad in 1919 and raised in New York City, Primus was introduced to performance through the National Youth Administration and the New Dance Group. Her interest in the dance cultures of Africa and the African diaspora formed the conceptual center of her work throughout her career, drawing upon her deep scholarly research. In addition to her creative work, Primus earned a doctorate in anthropology from NYU and taught at a number of universities, including the Five Colleges. She died in New Rochelle, N.Y., in October 1994.

Conducted with Pearl Primus' fellow dancers, musicians, friends, and collaborators between 1995 and 2005, the interviews comprising this collection were recorded by Peggy and Murray Schwartz for use in their book, The Dance Claimed Me: A Biography of Pearl Primus (New Haven, 2011). The oral histories provide insights into Primus's sometimes controversial life career, her performances, teaching, and legacy.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1005</setSpec><setName>Thacher-Channing Family Papers, 1757-1930</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A graduate of Yale, failed schoolmaster, and politically-connected customs collector in eastern Maine during the antebellum period, Stephen Thacher raised a large family with grand intellectual ambitions. Thacher's sons made the most of their collegiate educations in their careers in law and the ministry, his eldest daughter Mary married Thomas Wentworth Higginson, while a granddaughter Alice Thacher married the Harvard historian Edward Channing, son of William Ellery Channing and nephew of Margaret Fuller.

These relics of a prominent New England family contain nearly 150 letters, dozens of photographs and other visual materials, and a large assortment of books from three generations of Thachers and Channings. The letters are a rich resource for understanding the life of Stephen Thacher from the uncertainty of youth in Connecticut to political and financial success in the ports of eastern Maine. Assembled by Stephen's son Peter, the collection includes a number of noteworthy items, including an excellent letter from Timothy Goodwin in July 1775, describing his experiences during the failed expedition on Quebec and the retreat to Crown Point, and a series of letters from Congressman Martin Kinsley on the major issues of the day, including the extension of slavery to the territories and formation of the state of Maine.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums597</setSpec><setName>Artwork Collection, 1654-2003</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Over the years, SCUA has become home to both two-dimensional and three-dimensional works of art pertaining to three of its key thematic collecting areas: the University of Massachusetts Amherst, New England, and social change.

The Artwork Collection is comprised of miscellaneous works visual art, realia, and decorative arts, relating primarily to figures in UMass or to leftist or proletarian artists. Among the artists represented are Michael Russo, Cook Glassgold, Lydia Gibson Minor, Laura Wheeler Waring, Daniel Chester French, and Laurence Bradshaw. For reference purposes, we have cross-listed paintings belonging to other SCUA collections.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg003_1_b35</setSpec><setName>Hugh Potter Baker Papers, 1919-1951</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    President of the Massachusetts State College (now UMass Amherst) from 1933-1947. Includes correspondence with college, state, and federal officials, college suppliers, and alumni; speeches and articles; reports and other papers on topics at issue during Baker's college presidency, 1933-1947, particularly the building program; biographical sketches and memorial tributes; clippings and other papers, relating to Baker's career as professor of forestry at several colleges, trade association executive, and college president.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums161</setSpec><setName>Brinley Family Papers, 1643-1950</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A prosperous family of merchants and landowners, the Brinleys were well ensconced among the social and political elite of colonial New England. Connected by marriage to other elite families in Rhode Island and Massachusetts — the Auchmutys, Craddocks, and Tyngs among them — the Brinleys were refined, highly educated, public spirited, and most often business-minded. Although many members of the family remained loyal to the British cause during the Revolution, the family retained their high social standing in the years following.

The Brinley collection includes business letters, legal and business records, wills, a fragment of a diary, documents relating to slaves, newspaper clippings, and a small number of paintings and artifacts. A descendent, Nancy Brinley, contributed a quantity of genealogical research notes and photocopies of Brinley family documents from other repositories. Of particular note in the collection is a fine nineteenth century copy of a John Smibert portrait of Deborah Brinley (1719), an elegant silver tray passed through the generations, and is a 1713 list of the library of Francis Brinley, which offers a foreshadowing of the remarkable book collection put together in the later nineteenth century by his descendant George Brinley.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums876</setSpec><setName>David Entin Papers, 1966-2015 (Bulk: 1966-1968)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A worker in the struggle against poverty and racism for five decades, David Entin was raised in New York City environs until his family moved to Jacksonville, Florida in 1953 when he was twelve years old. He began his anti-poverty work with the North Carolina volunteers, a pioneering early effort where he worked with low-come families in Durham, NC. David then joined the North Carolina Fund, a statewide Ford Foundation project where he helped develop and wrote the first rural anti-poverty program under the new Economic Opportunity Act for Craven County (New Bern), NC. From there he helped start the initial anti-poverty program in Jacksonville. His new career was interrupted by Vietnam War service with the United States Agency for International Development (USAID). Stationed in Quang Ngai Province, a Vietcong stronghold, and Da Nang between 1966 and 1968, Entin oversaw redevelopment projects and while not caught up in the fight itself, he was charged with assessing damage in Region One following the Tet Offensive. After returning home to Florida, Entin resumed his antipoverty work.

The collection centers around 51 detailed letters describing the two years that David Entin spent in Vietnam working with USAID; these letters serve as a diary recording Entin’s daily activities and observations and accompany several hundred slides and photographs. Also included in the collection are a series of short autobiographical essays that detail his childhood, early career, and service in Vietnam.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums563</setSpec><setName>Louise F. Shattuck Papers, 1881-2006</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A life-long resident of Lake Pleasant, Massachusetts, and a third-generation Spiritualist, Louise Shattuck was an artist, teacher, and noted breeder of English cocker spaniels.

Shattuck’s work as a teacher, writer, artist, and dog breeder are documented in this collection through decades of correspondence and diaries, artwork, publications, and newspaper clippings. Of particular note are the materials associated with the Spiritualist history of Lake Pleasant, including three turn of the century spirit slates, samples of Louise’s automatic writing, a ouija board and dowsing rods, and an excellent photograph album with associated realia for the Independent Order of Scalpers, a Lake Pleasant.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums555</setSpec><setName>Massachusetts Review Records, 1959-2013</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    The Massachusetts Review is an independent quarterly of literature, the arts, and public affairs. Co-founded by Jules Chametzky and Sidney Kaplan in 1959 to promote eclectic, nontraditional, and underrepresented literary and intellectual talent, the Review has been an important venue for African American, Native American, and feminist writers and poets, mixing new and established authors.

The records of the Massachusetts Review document the history and operations of the magazine from its founding to the present, including general correspondence and nearly complete editorial files for published works. The collection also includes a small number of audio recordings of MR2, a radio show hosted by Review editor David Lenson with interviews of writers, artists, and cultural critics.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums666</setSpec><setName>Pine Beach Association Collection, 1922-1980</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Founded in Athol, Mass., prior to1922, the Pine Beach Association operated a summer resort on the northern end of Lake Rohunta, a 383-acre reservoir owned largely by the Rodney Hunt Company. Recognizing the touristic and recreational opportunities, the Association built Pine Beach into a facility that included the Rohunta Inn (the former Elm Lodge Clubhouse), a restaurant, camping facilities, and a lifeguard-patrolled swimming area with water slides and other recreational facilities, all with the intent of becoming the "leading inland bathing beach of New England." Although the hurricane of 1938 washed away Rodney Hunt's dam and hydroelectric station, Pine Beach remained a popular destination, freely available to the company's employees. In the 1980s, the properties were sold to the not-for-profit Lake Rohunta Beach Association, an association of 15 residential properties.

This small collection contains postcards, photographs, and ephemeral material relating to the Pine Beach Association, concentrated in its early years.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg001</setSpec><setName>University of Massachussetts . University as a Whole</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg025_m5_g3</setSpec><setName>University of Massachusetts Amherst Center for Geometry, Analysis, Numerics and Graphics Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums490</setSpec><setName>Travel Brochures Collection, 1916-1949</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Long a favored destination for travelers due to its scenic coastline and rural landscapes, New England’s tourist industry evolved in parallel with transportation technologies. Rail lines opened summering opportunities in the interior of the region in the nineteenth century, and the expansion of roadways and the automobile after the First World War drove the industry further, leading to a proliferation of summer camps, inns, and tourist sites, even in remote locales, serving shorter-term vacationers from the working class through the moneyed elite.

This small collection of travel brochures gathered by Faith Brainard and her husband Homer W. Brainard in the 1920s and 1930s, documents camps, inns, hotels, and touristic sites throughout New England. Most of the brochures advertise accommodations or attractions in a natural setting, including room rentals at farms, hiking in the White Mountains, and the rivers and mountains of Vermont. The target audience for many of the brochures was women traveling alone, featuring the promise of clean accommodations and wholesome activities.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1014</setSpec><setName>Broadside (Mass.) Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums867</setSpec><setName>Ronald Wayne Schrum Papers, 1966-1968</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Born in Richmond, Va., in 1946, Ronald Wayne Schrum served as a corporal in the 9th Engineer Battalion, US Marine Corps, during the Vietnam War. Based in Chu Lai, on the coast 56 miles southeast of Da Nang, the 9th Engineers were responsible for the maintenance of bridges and roads, and perhaps most importantly mine sweeping. Schrum was wounded in action in August 1967, returning to duty after a short recuperation. While on leave in May 1968, Schrum married his fiancee Carolyn Ann Garrett, and the two settled in Virginia after the end of his time in service. Schrum died in Glen Allen, Va., on June 20, 1995.

A compact record of one marine’s service in Vietnam, this collection contains letters written by Ronald Schrum to his fiancee describing his duties as a combat engineer near Chu Lai. Covering only the months from Jan. 1967 to Nov. 1968, they include accounts of mine sweeping, fire fights with the Viet Cong (including one in which he was wounded in action), the Tet Offensive, and life on base, and increasingly as the couple approach their marriage, the letters are marked by a longing for his wife and home and a literal counting down of days remaining in service.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph007</setSpec><setName>Barr G. Ashcraft Photograph Collection, 1972-1975</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A graduate of the Northfield Mount Hermon School, Wake Forest University, and the University of Massachusetts Amherst (MA, 1966), Barr Gallop Ashcraft (1940-2005) lived what he called a “gypsy” life in the late 1960s, traveling through the Middle East, Africa, and Asia, and eventually settling on a career in photojournalism. As a stringer for news organizations and magazines, he covered the war in Vietnam, Cambodia, and Laos from 1972 to 1975, taking other assignments throughout Asia for magazines ranging from Life to National Geographic, Newsweek, and Time. For several years, he lived in Japan, working as a teacher, but returned to Amherst to join his father in the building trade. He remained in Amherst, lecturing occasionally on his experiences as a war correspondent, until his death at his home in Shutesbury in 2005.

The Ashcraft Photograph Collection represents a small fraction of the images he took as a freelance photographer in Southeast Asia during the early 1970s. In both black and white and color prints, the collection provides stark and often graphic evidence of the destruction of the war in Vietnam, emphasizing its latter years and the period of Vietnamization, but also includes documentary work on Cambodia. The remainder of Ashcraft’s 22,000 negatives and accompanying notes were destroyed in a house fire in 1995.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums635</setSpec><setName>Robert E. Dillon Papers, 1943-1946</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A working class native of Ware, Mass., Robert E. Dillon was a student at Massachusetts State College when he was drafted into the Army in 1943. After his induction at Fort Devens, Mass., and training for the Quartermaster Corps in Virginia and California, Dillon was assigned to duty as a mechanic and driver with the First Service Command. Stationed at Rest Camps number 5 and 6 in Khanspur, India (now Pakistan), Dillon’s company maintained the trucks and other vehicles used to carry supplies over the Himalayas to Chinese Nationalist forces. After he left the service in February 1946, having earned promotion to T/5, Dillon concluded his studies at UMass Amherst on the GI Bill and earned a doctorate in Marketing from Ohio State. He taught at the University of Cincinnati for many years until his death in 1985.

The Dillon Papers consist of 178 letters written by Dillon to his family during his service in World War II, along with several written to him and an assortment of documents and ephemera. Beginning with basic training, the letters provide an essentially comprehensive account of Dillon’s military experience and interesting insight into a relatively quiet, but sparsely documented theater of war.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums751</setSpec><setName>Lester Grinspoon Papers, 1962-2011</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Lester Grinspoon, the Harvard psychiatrist who became a celebrated advocate for reforming marijuana laws, was born June 24, 1928, in Newton, Massachusetts. A veteran of the Merchant Marines and a graduate of Tufts University and Harvard Medical School, he trained at the Boston Psychoanalytic Institute but later turned away from psychoanalysis. Senior psychiatrist for 40 years at the Massachusetts Mental Health Center, Grinspoon is associate professor emeritus of psychiatry at Harvard Medical School. In the mid-1960s, struck by the rising popularity of marijuana and its reputed dangers, Grinspoon began to examine the medical and scientific literature about marijuana usage. To his surprise, he found no evidence to support claims of marijuana’s harmful effects, and his resulting 1969 Scientific American article drew wide attention. His research ultimately convinced him of marijuana’s benefits, including enhanced creativity and medicinal uses. His own young son, undergoing chemotherapy for the leukemia that eventually took his life, found his severe nausea greatly eased by marijuana. By his 40s, Grinspoon had gained renown as an outspoken proponent of responsible adult use and legalization.

The Lester Grinspoon Papers comprehensively document Grinspoon’s advocacy and activism, including his role as a board member of NORML; his research and writing of the books Marihuana Reconsidered and Marihuana: The Forbidden Medicine, numerous articles, two web sites, and more; his position as an expert witness in criminal trials; and his relationships with friends, colleagues, and many others, such as Carl Sagan, John Lennon, Keith Stroup, and Melanie Dreher. The collection comprises correspondence, research material, drafts and publications, clinical accounts, clippings, ephemera, scrapbooks, and audiovisual materials: photographs, as well as videotapes and DVDs of Grinspoon’s appearances on television and in documentary films.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums403</setSpec><setName>Robert Francis Papers, 1891-1988</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The poet and essayist Robert Francis settled in Amherst, Mass., in 1926, three years after his graduation from Harvard, and created a literary life that stretched for the better part of half a century. An associate of Robert Frost and friend of many other writers, Francis occasionally worked as a teacher or lecturer, including a brief stint on the faculty at Mount Holyoke College, but he sustained himself largely through his writing, living simply in “Fort Juniper,” a cottage he built on Market Hill Road in North Amherst. A recipient of the Shelley Award (1939) and the Academy of American Poets award for distinguished poetic achievement (1984), Francis was a poet in residence at both Tufts (1955) and Harvard (1960) Universities. He died in Amherst in July 1987.

The Francis Papers contains both manuscript and printed materials, drafts and finished words, documenting the illustrious career of the poet. Of particular note is Francis’s correspondence with other writers, publishing houses, and readers, notably Paul Theroux. Also contains personal photographs and Francis family records and a small number of audio recordings of Francis reading his poetry. Letters from Francis to Regina Codey, 1936-1978, can be found in MS 314 along with two typescript poems by Francis.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums344</setSpec><setName>Edward Gordon Craig Collection, 1951-1956</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A noted figure in modernist theater, Edward Gordon Craig was born in Stevenage, Hertfordshire, on Jan. 16, 1872, the illegitimate son of the renowned actress Ellen Terry and the architect Edward William Craig. Although the most productive portion of his career was brief, he exerted a strong influence on the field of set design and lighting, and was fairly prolific as a writer on theatre.

The six audio recordings that comprise the Craig collection originated from a series of BBC radio talks in the early 1950s. The reel to reel tapes include Craig’s reminiscences of Ellen Terry, Isadora Duncan, the old school of acting, celebrities, masks, and how he played Hamlet in Salford, Lancashire, but are more generally his thoughts on acting, the theater, and art.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums897</setSpec><setName>Irma McClaurin Papers</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1017</setSpec><setName>Folk New England Ephemera Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums748</setSpec><setName>John W. Olver Papers, ca. 1990-2012</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
John Olver served as representive from the 1st Congressional District in Massachusetts for over two decades. Born in Honesdale, Pa., on Sept. 3, 1936, Olver began an academic career at UMass Amherst shortly after earning his doctorate in chemistry at MIT in 1961. In 1969, however, he resigned his position to pursue a career in politics. Winning election to the Massachusetts House in 1969 as a Democratic representative from Hampshire County, Olver went on to the state Senate in 1973, and finally to the U.S. House of Representatives in 1991, where he followed 17-term Republican Congessman Silvio O. Conte. Olver was a progressive voice for a district stretching from the Berkshire Hills through northern Worcester and Middlesex Counties, enjoying consistently strong support from his constituents for his support for issues ranging from national health care to immigration reform, regional economic development, human rights, and opposition to the wars in Iraq. A member of the Congressional Progressive Caucus, he held seats on the Appropriations Committee and subcommittees on Transportation and Housing and Urban Development, Energy and Water Development, and Homeland Security. With the redistricting process in Massachusetts in 2011, Olver announced that he would not seek reelection in 2012.

The Olver papers contain thorough documentation of the congressman’s career in Washington, including records of his policy positions, committee work, communications with the public, and the initiatives he supported in transportation, economic development, the environment, energy policy, and human rights. Material in the collection was drawn from each of Olver’s three district offices (Holyoke, Pittsfield, and Fitchburg), as well his central office in Washington.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums878</setSpec><setName>Donald Levy Papers</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The co-owner with Alan Peterson of Krackerjacks, a psychedelic clothing store in Boston, Donald “Jack” Levy grew the boutique he started in 1966 into a staple of the counterculture in the Boston area and eventually a franchise. Levy was at the center of a controversy in Cambridge when the city tried to ban “obscene” buttons. Though several stores removed the buttons, Levy refused and with community support, fought the city’s ban. Levy also opened several clothing stores in the Boston-area: Garbo, a women’s clothing store; Dazzle in 1973, a vintage clothing store; Goods in 1976, a natural fiber and novelty store; and purchased and refurbished the Blue Diner in 1986 (now the South Street Diner). He currently owns diners in Newton, Framingham, and Watertown Mass.

The Donald Levy Papers contain ephemera, photographs, and clippings primarily documenting Krackerjacks as well as Levy’s other clothing stores and the opening of Blue Diner. Of particular interest is a petition circulated by Levy during the city’s attempt to ban “obscene” buttons. Included among the signatures is a 15-year-old Jonathan Richman, who called the button ban, “an example of lingering Victorianism.”
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums722</setSpec><setName>Phillip N. Pike Papers, 1917-1919</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A 21-year-old carpenter, Phillip N. Pike left his home in North Adams, Massachusetts, in August of 1917 to enlist in the Signal Corps. Ordered first to Fort Sam Houston in San Antonio, Texas for training, and then to France in December of 1917, Pike was assigned to the 78th Aero Squadron of the American Expeditionary Forces, doing construction work on bases where the squadron was stationed. In recognition of his skills, he earned promotion to corporal and then sergeant before the war's end. The squadron served primarily in Romorantin (Loir-et-Cher) and was redesignated the 490th Aero Squadron before demobilizing in late 1918.

The Pike letters are a relatively voluminous and interesting set of soldier’s letters from the First World War, written from the perspective of a worker on an air base. Although he was not an aviator, Pike’s letters contain many details about life on active duty with the AEF, from the time of his entry into the service in August 1917 through the last days of the war.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph080</setSpec><setName>Kenneth G. Skinner Collection, 1908-1928</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Granted in 1737 and incorporated in 1754, Greenwich, Mass., was the first town in the Swift River Valley settled by Europeans. Sitting astride the East and Middle branches of the Swift River and forming the eastern boundary of Hampshire County, Greenwich was primarily an agricultural town with light manufacturing and, beginning in the later nineteenth century, an active tourist trade. The town's population peaked at over 1,100 early in the nineteenth century, declining slowly thereafter.

The photographic postcards in this collection all relate to the Quabbin town of Greenwich and were originally housed in an album of uncertain provenance. Primarily "real photo" postcards and dating between approximately 1908 and 1928, they were labeled by a knowledgeable, but unknown person at a later date to identify the houses, roads, stores, and views. Unlike many of the commercial postcards of the day, they present a very down-to-earth view of the town, its rocky fields, mills, houses and stores, and its summer hotels.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums581</setSpec><setName>Nash-Scott Family Papers, 1781-1987</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Long-time residents of Hadley, Massachusetts, the Nash and Scott families were united in 1881 when John Nash, a farmer, married Lizzie Scott. Of their seven children, Herman B. Nash, graduated from the Massachusetts Agricultural College in 1917, and immediately enlisted in the army, serving in France at the close of World War I. His youngest sister, Helen, kept the family connected during these years by writing and distributing a family newsletter, the Plainville News.

The Nash-Scott Family Papers contain a number of photographs, including an album capturing a trip to the west coast in 1915 and a canoe trip to Labrador in 1920. Herman B. Nash’s scrapbook documents not only his time as a student at M.A.C., but also his service in France, featuring candid photographs taken by Nash during and after the war as well as identification cards, company rosters, and a German propaganda leaflet picked up near the front. Pamphlets, genealogical notes and postcards complete the collection.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums594</setSpec><setName>Clinton T. Brann Papers, 1891-1963</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    In 1918, Clinton Melville Tilman Brann, a dentist by training, served with in the 17th Field Artillery of the American Expeditionary Forces in France, a unit cited for gallantry in five critical engagements of the First World War. During his time overseas, Brann maintained an intense correspondence with Rhea Oppenheimer, despite fears that their different religious (he Presbyterian, she Jewish) and family backgrounds would prove an obstacle. After demobilization, Brann returned home and on Sept. 17, 1919, married Rhea. He went on to build a successful practice in dentistry in Iowa, raising a son and daughter. Clinton Brann passed away on Sept 8, 1961, in Orlando, Fla., with Rhea following on December 29, 1987 in Winter Park, Fla.

In two regards, the Brann collection presents an unusual glimpse into families affected by the First World War. First, Brann's letters home offer a sense of his unusual role in the service, as a junior officer and dentist, and second, his letters are marked by his unusual relationship with Rhea Oppenheimer and their concerns over the future prospects for a mixed marriage. The collection also includes a wealth of photographs of the Branns' life together, a family scrapbook, and a handful of mementoes and miscellaneous documents.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums733</setSpec><setName>Brainerd Taylor Family Papers, 1871-1964</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A member of a distinguished family of New England educators and clergymen, Brainerd Taylor played an key role assisting the U.S. Army in taking its first steps into modern mechanized warfare. Born in Newtonville, Massachusetts, in 1877, Taylor entered Harvard with the class of 1899, but during the rush of enthusiasm accompanying the start of the Spanish American War, he left before completing his degree to join the military. Serving with the Coast Artillery for several years, he became the Chief Motor Transport Officer for the Advance Section of the Service of Supply for the American Expeditionary Force during the First World War, earning promotion to Colonel, a Distinguished Service Medal, and the Legion of Honor from France for his efforts. Taylor married twice, first to Vesta Richardson, who died in 1919, and then to Helen Cady. Taylor died in 1955. The Taylor family collection contains more than 1,000 letters documenting the military career and personal life of Brainerd Taylor, with particularly thick coverage of the period of the First World War when he was stationed in France, building the Motor Transport Corps virtually from scratch. These letters are exceptionally well written and rich in description, both about his duties and his travels in France and Germany. The collection also includes Taylor’s extensive correspondence to his father, James Brainerd Taylor (1845-1929), and correspondence relating to Taylor’s wives, children, and grandchildren. 
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums541</setSpec><setName>Lloyd E. Walsh Papers, 1917-1936</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    In June 1917, Lloyd Walsh volunteered for duty in the American Field Service, and for three months he served as an ambulance driver for Service Section 68 (S.S.U. 68), a unit that included a number of Amherst College students. When the United States entered the war later in the year, however, most AFS units were transferred to the American Expeditionary Forces or disbanded, and Walsh transferred to ambulance duty with the American Red Cross. He continued to serve with the Red Cross after the war, stationed in Vienna, eventually rising to the rank of Captain. The collection includes a thorough paper trail of Walsh’s work as a volunteer with the AFS and Red Cross during and after the First World War, along with a capsule service record, correspondence, and news clippings that flesh out his experiences. Adding to the picture is Walsh’s decorated Red Cross footlocker, three German helmets (including a Pickelhaube), his own helmet, an American Model 1917 trench knife, and two Hungarian posters.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph069</setSpec><setName>Mary F. Healy Photograph Album, 1919</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Mary Frances Healy, a young schoolteacher from Springfield, Mass., volunteered to serve with the National Catholic War Council in the waning days of the First World War. Stationed for sixth months at the Etoile Club in Paris in 1919, Healy helped provide meals, entertainment, and support for Catholic American serviceman awaiting demobilization. After returning home to Springfield, she resumed her teaching career at the Chestnut Street Junior High School. This slender photograph album contains 53 photographs from Mary Healy’s time working with at the National Catholic War Council’s Etoile Club in Paris in 1919. Healy included a handful of images of the Club’s interior taken by a professional photographer, but also includes her own images depicting the staff and the area around the Club along with side trips to the scene of American military action at Belleau Wood and Chateau Thierry, the American military cemetery there and the devastation inflicted on the nearby town of Bouresches, and scenes in the streets of Paris, Rheims, and in the Haute Pyrenees.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1012</setSpec><setName>Frank F. Newth Papers, 1914-1979 (bulk 1914-1919)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Frank “Nick” Newth was born in Lynn, Mass., on Oct. 9, 1895, the son of shoe cutter Charles H. Newth and his wife Mary Hobart Brackett. A talented baseball player in high school, Newth used his sport connections to become a manager, and eventually owner, of a billiard parlor. On October 5, 1917, however, he was drafted for service in the First World War an deployed to France with the Quartermaster Corps in January 1918. Unusually, for most of his service, Newth was posted in northwestern France (Abbeville, Amiens, Rouen) as a disbursement officer for American troops serving with the British Expeditionary Force an then disbursing to the wounded in base hospitals. He was promoted to Corporal in May 1918, and ended his overseas service in May 1919 as a Sergeant working with the Quartermaster’s financial unit. After returning home, Newth married his longtime sweetheart Letitia “Letty” Crane, with whom he raised a family of four. He worked as proprietor of the New Buick Billiard Hall until 1928, when he opened a successful business selling rubber tires in southern New England. Newth died on May 29, 1979, and is buried in the Forest Chapel Cemetery in Barrington, R.I. The Newth collection consists of many dozens of letters written between Frank Newth and his fiancee Letty and other members of his family back home in Lynn, Mass., while hs served with the Quartermaster Corps in the First World War. Although his letters are subject to the censorship typical of that war, Newth was an excellent and observant writer and because often served near the front, but in a support role, he had time and energy to write. His affection for Letty (and hers for him) come through in every letter, but Newth also discusses his duties in the service, recreation and travel, and the sights and people of France. The collection also includes a fine letter describing the relief after the Armistice went into effect; a brief, but outstanding typed diary kept during the early months of his overseas service; and a small handful of pamphlets, keepsakes, and official papers.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums749</setSpec><setName>Carl and Edith Entratter Henry Papers, ca.1935-2001</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Born into an affluent Reform Jewish family in Cincinnati in 1913, Carl Henry Levy studied philosophy under Alfred North Whitehead at Harvard during the height of the Great Depression. A brilliant student during his time at Harvard, a member of Phi Beta Kappa and magna cum laude in the class of 1934, Henry emerged as a radical voice against social inequality and the rise of fascism, and for a brief time, he was a member of the Communist Party. Two days before the attack in Pearl Harbor in December 1941, Henry met Edith Entratter, the daughter of Polish immigrants from the Lower East Side of New York, and barely three weeks later, married her. Shortly thereafter, however, he dropped his last name and enlisted in the military, earning a coveted spot in officer’s candidate school. Although he excelled in school, Henry was singled out for his radical politics and not allowed to graduate, assigned instead to the 89th Infantry Division, where he saw action during the Battle of the Bulge and liberation of the Ohrdruf concentration camp, and was awarded a Bronze Star. After the war, the Henrys started Lucky Strike Shoes in Maysville, Ky., an enormously successful manufacturer of women’s footwear, and both he and Edith worked as executives until their retirement in 1960. Thereafter, the Henrys enjoyed European travel and Carl took part in international monetary policy conferences and wrote under the name “Cass Sander.” He served as a Board member of AIPAC, the American Institute for Economic Research, the Foundation for the Study of Cycles, among other organizations. His last 17 years of life were enlivened by a deepening engagement with and study of traditional Judaism and he continued to express a passion for and to inform others about world affairs and politics through a weekly column he started to write at age 85 for the Algemeiner Journal. Edith Henry died in Sept. 1984, with Carl following in August 2001.

The centerpiece of the Henry collection is an extraordinary series of letters written during the Second World War while Carl was serving in Europe with the 89th Infantry. Long, observant, and exceptionally well written, the letters offer a unique perspective on the life of a soldier rejected for a commission due to his political beliefs, with a surprisingly detailed record of his experiences overseas.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg006_1_m33</setSpec><setName>William L. Machmer Papers, 1899-1955 (bulk 1924-1953)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Enjoying one of the longest tenures of any administrator in the history of the University of Massachusetts, William Lawson Machmer served under five presidents across 42 years, helping to guide the university through an economic depression, two world wars, and three name changes. During his years as Dean, Machmer witnessed the growth of the university from fewer than 500 students to almost 3,800, and helped guide its transformation from a small agricultural college into Massachusetts State College (1931) and finally into the University of Massachusetts (1947). 

Machmer's papers chronicle the fitful development of the University of Massachusetts from the days of Kenyon Butterfield's innovations of the 1920s through the time of the GI Bill. The collection is particularly strong in documenting the academic experience of students and the changes affecting the various departments and programs at the University, with particular depth for the period during and after the Second World War.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums985</setSpec><setName>Housatonic Heritage Oral History Center (Berkshire Community College) Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1013</setSpec><setName>Caleb Foote Papers, 1851-1995 (bulk 1939-1995)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A legal scholar and pacifist, Caleb Foote was born in Cambridge, Mass., on March 26, 1917, the son of a Unitarian minister and Quaker mother. Earning degrees in history from Harvard (AB 1939) and economics from Columbia (MA 1941), Foote was hired by the Fellowship of Reconciliation to organize their northern California office as the U.S. entered the Second World War. A committed conscientious objector, he refused assignment to a Civilian Public Service camp, arguing that the draft was undemocratic and "an integral part of the war effort," thus earning a sentence of six months in prison. When released, Foote resumed his work with the Fellowship, opposing the internment of Japanese Americans, but ran afoul of the Selective Service a second time in 1945, earning an additional eighteen months. After a presidential pardon in 1948, Foote became Executive Director of the Central Committee for Conscientious Objection, but left after two years to return to school, hoping a law degree might aid him in the cause of addressing racial and economic injustice. He held academic positions in law schools at the University of Nebraska (1954-1956), Penn (1956-1965), and Berkeley (1965-1987), becoming well known for his opposition to a bail system that unfairly burdened the poor and falsely accused, among other causes. Foote died in Santa Rosa, Calif., in 2006, shortly before his 89th birthday.

An extraordinary archive of principled resistance to war, the Foote collection contains a thorough record of one man's experience as a conscientious objector during the Second World War. Accompanying some of the legal proceedings associated with Foote's refusal of assignment to Civilian Public Service is an extensive correspondence with family while imprisoned and other associated content. Foote also retained important material from his wartime work with the Fellowship of Reconciliation and later work with the CCCO. His later correspondence provides an important perspective on his developing legal career, particularly the earlier years, and an extensive series of essays and autobiographical writings provides critical personal and intellectual context for Foote's pacifism and legal practice. The collection also includes some correspondence and writings by and about Foote's education, his father, Henry Wilder Foote, and mother.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums886</setSpec><setName>Charles E. and M. Sybil Hartley Eshbach Papers, 1913-1990</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Charles Edgar Eshbach, Jr., a 1937 graduate of Massachusetts State College, and Maude Sybil Hartley met in late 1939, while she was a student at Simmons College and he was working for the New England Radio News Service, part of the USDA's Agricultural Marketing Service. They soon began dating and in February 1941 were engaged. After graduating in 1942, Sybil lived at home in Rochester, Mass., and taught school. Charles was drafted and enlisted in the army December 30, 1942. Trained as a radio operator, he was assigned to the Army Air Force Technical Training Command's 326th Signal Co. Wing. Charles and Sybil married in September of 1943, and by November, Charles was in England, part of the 67th Fighter Wing stationed at Walcot Hall in Lincolnshire. Although not in combat, Charles rose to the rank of Technical Sergeant. He returned to the U.S. in December 1945. He and Sybil moved to Weymouth and had four children. Charles was appointed professor of Agricultural Economics at UMass in 1959. The family moved to Amherst in 1964, as Charles' department was transforming into the Hotel, Restaurant and Travel Administration Department. He taught at UMass until 1986, when he retired. He died in 1997. Sybil worked at the University store for thirty years and died in 2009. 

Consisting chiefly of their letters to each other, the Eshbach Papers vividly document the courtship and early married life of Charles and Sybil, particularly during their long separation, against a wartime backdrop. The collection also contains diaries, photograph albums, loose photographs, histories and rosters from Charles' army unit, and a variety of ephemera and memorabilia such as ration tickets, receipts, programs, and Charles' army badges and dog tags.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums499</setSpec><setName>John G. Clark Papers, 1960-1969</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
With a life long interest in politics, John G. Clark of Easthampton, Massachusetts worked on a number of campaigns before running for office himself. He ran for state senator in 1958, but lost in the Democratic primary. Two years later he ran again, this time for state representative of the 3rd Hampshire District, and won. Clark served in the State House of Representative for eight years until he was appointed clerk of the district court in Northampton and chose not to run for reelection.

While this collection is small, it is packed with campaign materials, letters, position statements, speeches, and press releases that together offer a good sense of the political climate in Massachusetts during the 1960s, especially issues of local concern for Hampshire County. Four letters from a young neighbor written while serving in Vietnam provide a personal account of the war.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1029</setSpec><setName>Ed and Libby Klekowski World War I Postcard Collection, 1917-1919</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A professor of Biology at UMass Amherst with and interest in the mangrove ecosystems of the Caribbean and the deep water environments of the Connecticut River, Ed Klekowski has become well known as a videographer and writer. He has produced documentary for PBS station WGBY on the Quabbin reservoir and the great flood on the Connecticut River in 1936, and on the Yankee Division during the First World War. He and his wife Libby have co-written two books on the First World War, Eyewitness to the Great War (McFarland Press, 2012) and Americans in Occupied Belgium (McFarland Press, 2014).

This small collection of postcards consists primarily of images of American military involvement during the First World War. The scenes depicted range from the first contingent of American soldiers to arrive in 1917 to gas attacks, tanks, and American soldiers and Marines in the trenches and combat during the summer and fall 1918. Among the more unusual form postcards are two cartoon images intended for use by soldiers on their return home, one each from the Knights of Columbus and the Jewish Welfare Board. The postcards were collected by the Klekowskis during preparations for their documentary on the Yankee Division.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1021</setSpec><setName>Theodore W. Allen Papers, 1946-2005</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
An anti-white supremacist, working class intellectual and activist, Theodore W. “Ted” Allen was one of the most important thinkers on race and class in the twentieth century. He developed his pioneering class struggle-based analysis of “white skin privilege” beginning in the mid-1960s; authored the seminal two-volume The Invention of the White Race in the 1990s; and consistently maintained that the struggle against white supremacy was central to efforts at radical social change in the United States. Born in Indianapolis, Indiana, Allen was raised in Kentucky and West Virginia, where he was “proletarianized” by the Great Depression. A member of the American Federation of Musicians and the United Mine Workers, and a member of the Communist Party, Allen moved to Brooklyn after injuring his back in the mines, and spent the last fifty years of his life at various jobs including factory work, teaching, the post office, and the Brooklyn Public Library. In the 1960s, having broken from the Communist Party, Allen set out on his own independent research course. Inspired by the work of W. E. B. Du Bois he wrote on the “white blindspot” and “white skin privilege” and began what became forty years of work focused on white supremacy as the principal retardant of class consciousness among European-American workers. Over his last thirty years, Allen wrote hundreds of published and unpublished articles and letters challenging white supremacy, capitalist rule, sexism, and U.S. Imperialism, as well as numerous poems.

The Theodore W. Allen Papers are a comprehensive assemblage of correspondence, published and unpublished writings, audio and video materials, and research by one of the major theorists on race and class of the twentieth century. The Papers offer important insights on the Old and New Left and their relation to the labor and Civil Rights/Black Liberation Movements and have much to offer students, scholars, researchers, and activists.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murb034</setSpec><setName>Broadside and Poster Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Printers and bibliographers use a bevy of terms to refer to works printed on one side (or sometimes both sides) of a single sheet, classified primarily by size. From large to small, posters, broadsides, and fliers refer to works used to convey a more or less focused message to an audience, often using illustrations or inventive typography to grab the attention.

Posters from Communist world, with an emphasis on the political and cultural transformations of the late 1980s through mid-1990s. The majority of posters originated in the Soviet Union, although there are examples from East Germany, China, and elsewhere.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums360</setSpec><setName>Charles L. Whipple Papers, 1925-1991</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Charles Lewis Whipple was a noted journalist, editor, and the first ombudsperson for the Boston Globe. As a student at Harvard in the 1930s, Whipple joined the Young Communist League, carrying his radical politics with him when he joined the Globe staff in 1936 and became an active member of the American Newspaper Guild. Although classified as unfit for military duty due to the loss of vision in one eye, Whipple joined the Red Cross during the Second World War, and served with distinction with over thirty months of overseas service. After returning to civilian life and severing ties with the Communist Party, he resumed his position at the Globe, rising steadily to become editor of the opinion page in 1962 and ombudsperson in 1975. An editorial he wrote in 1967 is considered the first editorial in a major American newspaper to oppose the war in Vietnam. Although he formally retired from the Globe in 1979. Whipple worked an additional three years with the Xinhua News Agency in Beijing as editor of the Beijing Review and the China Daily, China's first English-language daily. Whipple died in Northampton, Mass., in 1991, following complications from surgery. 

A mixture of personal and professional correspondence, writing, and subject and clipping files, the Charles Whipple Papers document a long and exceptional career in journalism. The diverse roles that Whipple filled at the Boston Globe from the 1930s through 1970s resulted in rich documentation of his work as an organizer for the American Newspaper Guild on the eve of the Second World War; his writing and editorial work during the Vietnam War and as the Globe's Ombudsman in the 1970s; and the three years he spent in China setting up an English-language newspaper during the late 1970s and early 1980s.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg050_6_1896_s58</setSpec><setName>Newton Shultis Papers, ca.1880-1938 (bulk 1893-1896)</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Born on New Year's Day 1876 to Mark and Katie Shultis, Newton Shultis became a member of the Massachusetts Agricultural College Class of 1896. A resident of Medford, Mass., at the start of his college career, Shultis was described by his classmates in the yearbook as "the only man in the class who has not an enemy in college." An avid fan of the baseball and football teams, the former of which he was manger, Shultis was also a member of the Washington Irving Literary Society, DGK fraternity, and the YMCA, and he was known to have brought a Hawkeye camera with him to campus. After graduation, Shultis joined his father in the family grain shipping business in Boston where for many years he was a member of the Chamber of Commerce. Shultis died in Hopkinton, N.H. in 1956.

The Shultis papers include a selection of correspondence from Shultis to his parents during his college years, along with a remarkable array of ephemera, including his cadet's uniform with hat, belt, and bayonet scabbard; his graduation robes; a three-volume herbarium; three volumes of class notes and essays; 16 dry plate glass negatives; a Class of 1896 photograph album; and miscellaneous photographs, school books, and ephemera.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murb035</setSpec><setName>Northampton State Hospital Annual Reports, 1856-1939</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The Northampton State Hospital was opened in 1858 to provide moral therapy to the "insane," and under the superintendency of Pliny Earle, became one of the best known asylums in New England. Before the turn of the century, however, the Hospital declined, facing the problems of overcrowding, poor sanitation, and inadequate funding. The push for psychiatric deinstitutionalization in the 1960s and 1970s resulted in a steady reduction of the patient population, the last eleven of whom left Northampton State in 1993.

With the Government Documents staff, SCUA has digitized the annual reports of the Northampton State Hospital from the beginning until the last published report in 1939. The reports appeared annually from 1856 until 1924 and irregularly from then until 1939.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1037</setSpec><setName>Bill Keith Collection, 1960-2013</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A stylistic innovator and influential perfomer on the five string banjo, Bill Keith is credited with transforming the instrument from a largely percussive role into a one where it carried the melody. A native of Boston and 1961 graduate of Amherst College, Keith cut his teeth as a performer in New England clubs during the hey day of the folk revival, often partnering with his college roomate Jim Rooney, and he spent the better part of the decade as a member of two high profile acts: Bill Monroe's Bluegrass Boys, with whom he played for eight critical month in 1963, and the Jim Kweskin Jug Band. Adding the pedal steel guitar to his repertoire, Keith performed on stage and in studio with a stylistically and generationally diverse range of acts including Ian and Sylvia, Judy Collins, Richie Havens, Loudon Wainwright, and the Bee Gees. Keith continued performing nearly to the time of his death by cancer in October 2015.

Collection of photographs and ephemera from Keith's musical career, including early images playing the Boston coffee houses and at Newport Folk Festival. Keith's popularity in Japan resulted in fliers, ephemera, and photographs from his 50th anniversary Jug Band Reunion tour of 2013.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1033</setSpec><setName>New Salem Academy Records</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph083</setSpec><setName>Kathy Borchers Photojournalism Collection, 1977-2018</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
An award-winning photojournalist, Kathy Borchers began a thirty year career with the Providence Journal in the mid-1980s. A native of Dayton, Ohio, she and her twin sister Karen (also a photojournalist) took up photography in high school and refined their technique as undergraduates at Bowling Green State University. After receiving her master's degree at the Indiana University School of Journalism in 1981, Borchers worked for three years with the Topeka Capital-Journal before landing in Providence. In addition to covering general news and sports, she took on a number of special assignments and longer-form photoessays over the years in southern New England. She retired in 2015.

A rich sampling from a long career in photojournalism, the collection includes photographic negatives and prints along with associated published materials. Centered primarily on her time with the Providence Journal, the collection reflects the breadth of Borchers' assignments, including general news, sports coverage, and longer-form photoessays, in both black and white and color The collection also includes five self-made books: three on long-term photographic projects for the Journal and two career retrospectives.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1082</setSpec><setName>Harvey Wasserman Papers, 1965-2017</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A journalist, writer, and historian, Harvey Wasserman has been an activist for radical democracy and alternative energy for over five decades. Influenced by civil rights activism as a child, Wasserman became seriously involved in journalism while on the staff of the Michigan Daily at the University of Michigan. After graduating in 1967, he joined the Liberation News Service supplying news to underground and alternative media outlets, remaining with the LNS branch that eventually settled on the Montague Farm Commune in Montague, Mass. During more than a decade at the Farm, Wasserman and his fellow communards helped ignite the modern movement opposing nuclear power. Helping to found two vital antinuclear groups, the Alternative Energy Coalition and the Clamshell Alliance, he became a key strategist and organizer of the mass protests at the Seabrook Nuclear Power Plant and was a motive force behind the Musicians United for Safe Energy concerts in 1979. His activism has since expanded into a broad range of environmental issues, alternative energy, election protection, and politics. A prolific writer, he is author of Harvey Wasserman's History of the United States(1972) and Solartopia. (2007), among other books, and his articles have appeared in both the mainstream and alternative press.

The Wasserman Papers document the career of a key figure in antinuclear and alternative energy activism. The collection includes a nearly comprehensive set of Wasserman's writings, materials on the antinculear movement, solar power, the Montague Farm Commune, and materials relating to his efforts to protect the American electoral system.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1010</setSpec><setName>Libraries and Archives in the Anthropocene Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
In May 2017, a group of archivists and librarians convened at the Moving Image Archiving and Preservation Program at NYU's Tisch School of the Arts for a two-day colloquium on the impact of environmental change on historical memory institutions. The speakers in the Libraries and Archives in the Anthropocene colloquium explored the profound implications of cataclysmic climate change on the missions and practices of cultural heritage institutions, the challenges confronting them, and the opportunities for future efforts and investigations.

This digital collection consists of video recordings of each of the sessions held at the Libraries and Archives in the Anthropocene colloquium. Following the keynote address by Roy Scranton, each day of the colloquium consisted of two or three panels of twenty-minute talks, a round of five-minute lightning talks, and a concluding plenary and discussion.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph081</setSpec><setName>Charles Frizzell Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    Raised in suburban Boston, Charlie Frizzell became a well-known photographer of the music scene during the height of the folk revival of the early 1960s. At the age of 14, Frizzell took up photography after landing his first job at a camera shop, and he developed his talents under the mentorship of a local commerical photographer, Bob O’Shaughnessy. As a regular at Club 47 in Cambridge, Frizzell photographed the most popular performers of the era, from Bob Dylan and Joan Baez to Geoff and Maria Muldaur and Jim Kweskin. He left Massachusetts in the late 1960s for Berkeley, Calif., and according to folklorist Millie Rahn, created a sort of conduit between the music scenes in Berkeley and Cambridge. Frizzell died in Berkeley on May 29, 2004, following complications from a liver transplant.

Dating primarily from the mid-1960s, the collection includes approximately 50 prints and some negatives from Charlie Frizzell, including images of Jim Kweskin, Maria Muldaur, Bob Siggins, and Bonnie Dobson, along with images of performances at Newport Folk Festival.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1050</setSpec><setName>James Tibensky Collection, 1973-1974</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
After working for a year on the Standing Rock Indian Reservation in the Volunteers in Service to America (VISTA) program, James Tibensky returned to college, declared a major in anthropology, and soon began to focus on gravestones. For his masters degree at the University of Illinois at Chicago, Tibensky took up an ambitious project, systematically documenting every pre-1800 grave marker in western Connecticut, photographing each stone, and noting the name, date of death, orientation, style, and material. Painstakingly entering and analyzing the data on the computer using Hollerith cards, he completed his thesis, "The colonial gravestones of western Connecticut," in 1977. During the latter stages of his research, he became a charter member of the new Association for Gravestone Studies.

The Tibensky collection contains the complete product of James Tibensky's remarkably thorough study of western Connecticut colonial-era gravestones, including approximately 350 rolls of negative film with the accompanying original field nates, printounts, and statistical data, all meticulously maintained.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums902-w553-d378</setSpec><setName>Dartmouth Monthly Meeting of Friends Records, 1698-2005</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Located in South Dartmouth, Mass., the Dartmouth Monthly Meeting is one of the oldest Friends meetings in the United States, having been founded by Quakers seeking a haven from religious persecution in nearby Massachusetts Bay and Plymouth Colonies. Private worship may have begun in area homes as early as the 1660s, with the Dartmouth Monthly Meeting formally established in 1699. Today, the Meeting has two distinct meetings: the pastoral Smith Neck Meetinghouse and the Apponegansett Meetinghouse.

The records of Dartmouth Monthly Meeting are divided into two centers of gravity. First, the collection contains nineteenth century copies of the meeting’s early minutes (1698-1792) and vital records covering most of that period. Secondly, the collection contains to the meeting since the late 1960s, including minutes (1968-1989) and newsletter (1999-2005). The remaining records of the meeting — the bulk of them — were maintained by the Old Dartmouth Historical Society into at least the 1990s, although their present location is unknown.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mufs190</setSpec><setName>William P. MacConnell Aerial Photograph Collection, ca. 1950-2000</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
In the 1950s, William P. MacConnell (Class of 1943), and his photogrammetry students in the Dept. of Forestry began using aerial photography to map forests, agricultural fields, wetlands, and other land cover in Massachusetts. Their work was eventually expanded to include the mapping of all land use for Massachusetts, making this state the first in the nation to be completely mapped in this fashion, and laying the foundation for the U.S. Fish and Wildlife Service’s National Wetlands Inventory.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums973</setSpec><setName>Mark Sommer Papers, 1966-2017</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Mark Sommer is an explorer, storyteller, and award-winning public radio and print journalist focused on advocacy and narratives of social, political, and environmental change and positive action. In Washington, D.C., Sommer found himself on hand for some of the 1960s pivotal moments, where he was involved with the Liberation News Service and the New Left think tank, the Institute for Policy Studies. Sommer moved to California in 1969 to explore the counterculture, spending several years journeying – spiritually, psychedelically, and physically between communes, farms, and wilderness homesteads along the western coast – before he and his wife built a self-reliant organic homestead in the deep woods of northern CA, where they lived from the 1970s to the 1990s. The resilience of nature deeply impacted Sommer's outlook and work as a writer and journalist, driving his interest in the human capacity for overcoming adversity. Sommer founded and directed the Mainstream Media Project, a nonprofit media placement service scheduling leading edge thinkers and social innovators for extensive radio interviews, and Sommer served as host and executive producer of the internationally syndicated and award winning, one-hour weekly radio program, A World of Possibilities. Sommer is the author of three books (Beyond the Bomb, The Conquest of War, and Living in Freedom), and hundreds of op-eds in major newspapers worldwide. Current projects include short and movie length videos crafted from his photographs, films, interviews, and experiences. 

Chronicling over five decades of creative and journalistic output of a life-long explorer and progressive advocate, the Mark Sommer Papers are an extensive collection, covering Sommer's entire career and personal life from the late 1960s to the present. Writings include personal and multiple travel journals (including a unique trip to North Vietnam in 1968), correspondence, student essays, op-eds, articles, project and grant plans, memoirs, and book manuscripts. Additional journals exist in audio format, along with radio interviews where Sommer served as a guest. Slides, photographs, and movies cover Sommer's family and home life to his wide-ranging travels and interests. Some main topics of coverage include foreign policy and international politics, progressivism, peace and conflict studies, the anti-nuclear and disarmament movements, wilderness and back-to-the-land experiences, and later in life fatherhood. Materials from Mainstream Media Project have been separated into the Mainstream Media Project Records.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph084</setSpec><setName>Rowland Scherman</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>	    
	    One of the most frequently published photographers in Life Magazine during the late 1960s, Rowland Scherman is noted for an iconic portfolio that documents the worlds of politics, culture, and the rock music scene. Born in New York in 1937, Scherman graduated from Oberlin College and began his career in the darkroom at Life before winning an assignment as the first official photographer for the Peace Corps in 1961. His work blossomed after becoming a free-lancer two years later, with assignments that included the civil rights March on Washington and the presidential campaign of Lyndon Baines Johnson. He covered the Newport Folk Festival when Bob Dylan broke on the national scene, the Beatles' first concert in the U.S., Robert Kennedy's campaign for the presidency, and Woodstock, and he went along on a memorable tour with Judy Collins. His work has appeared in dozens of magazines and books, including Life, Look, Time, National Geographic, Playboy, and Paris Match, earning wide acclaim, including a Grammy Award in 1968 for the portrait that appears on the cover of Dylan's greatest hits album. Scherman relocated to London in 1970, then to Birmingham, Ala., in the 1980s, and finally to Cape Cod on 2000. He continues to shoot portraits, photo essays, and abstract work.

This rich collection consists of nearly the entire body of work from Rowland Scherman's long career in photography, including negatives and transparencies with a small selection of prints. Negatives from the March on Washington and the Peace Corps are in the collections of the Library of Congress.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1002</setSpec><setName>Ozer Family Papers, ca. 1935-2015</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>	    
	    Ruth and Abe Ozer celebrating their 90th birthdays in 2010.
Ruth and Abe Ozer celebrating their 90th birthdays in 2010.
Born five days apart in June 1920 in Manhattan, Abraham Jay Ozer (born Abraham Ozersky) and Ruth Sydell Ozer (born Ruth Sydell Newman) married in 1947 after Abe returned from his army service in Australia, New Guinea, and the Philippines. Abe received the Purple Heart after being wounded by shrapnel from a kamikaze attack on his ship after the Battle of Leyte Gulf in 1944. Returning to New York, Abe and Ruth began their romance, after being friends earlier as part of a Workmen Circle teen group, and lived almost the entirety of the rest of their lives in the Amalgamated Housing Cooperative in the Bronx, the country’s oldest nonprofit housing cooperative. The Ozers were involved in the social, cultural, and financial community of the cooperative, originally founded by Amalgamated Clothing Workers Union members, and decidedly Jewish and progressive in its early decades. Working for RKO Pictures Inc. and as a substitute teacher, Ruth also volunteered at the local Amalgamated nursery school, which her daughters Alison and Stephanie attended as children. Self-employed in the insurance business, Abe served on several of the community’s boards and societies, and later volunteered as a dispatcher for ambulances in the Amalgamated, and as a tour guide at the Bronx Zoo. The two were also able to pursue their passion for travel, beginning their adventures in 1969 with a trip to the United Kingdom. Over the next thirty-five years they would take more than fifty international and national trips.

The Ozer Family Papers primarily document the lives of Abe and Ruth Ozer, including their high school and college years, their correspondence and other records from Abe’s military service in the 311th and then 168th Ordnance Depot Company, additional war correspondence between Ruth and other parties, and extensive documentation of the couple’s many years of travel, including selected slides, photographs, travel planning documents, and Ruth’s detailed travel journals for each trip from 1969 through 2005. Additional materials cover the Amalgamated Housing Cooperative, RKO Pictures Inc., and other aspects of the Ozer’s lives, including numerous oral history interviews and home movies on formats ranging from 8mm film to digital. The greater Ozer family is also represented, from a family tree back to Abe’s grandparents from Belorussia, to content and interviews with his mother, Sadie Uretsky, and several folders of clippings about Abe’s brother, Bernard Ozer, an important figure in fashion, and former vice-president of Associated Merchandising Corporation. Additional content on the Ozer’s children, grandchildren, and extended family rounds out the collection.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg050_9</setSpec><setName>University of Massachusetts Amherst. Black Pioneers Project Records, 2018</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>	    
            Moved to action after a successful and illuminating 2016 reunion of Black alumni of the University of Massachusetts Amherst, alumna Dr. Cheryl L. Evans (1968) decided to take on the critical project identified by the group, collecting and documenting the stories of the Black alumni who attended the University between 1960 and 1970. Dubbing these students "Black Pioneers," given the dearth, and then growth, of Black students on campus during the decade, Evans used her connections with alumni and her history as a Black student leader to reach out about recording experiences for preservation and research purposes. In collaboration with Special Collections and University Archives, Evans began the "UMass Black Pioneers Project," and sent an online questionnaire to around 85 alumni in September 2018. The survey addresses alumni’s backgrounds, academic and social experiences and support systems on campus, and racial discrimination and activism, as well as current perceptions of the University and advice for students. Participation was voluntary, and is ongoing. 
            
            The UMass Black Pioneers Project Records contain some planning materials and correspondence for the project, and primarily consist of written answers made in response to the “UMass Black Pioneers Survey.” In addition to the questionnaire, participants were able to send in physical materials, or upload digital content, such as resumes, or videos of their responses, and the collection contains a few of these. Several participants willing to be interviewed were also connected with UMass Public History graduate students for oral histories in the Fall 2018 semester. These videos are a part of the record group, and there are plans to conduct additional interviews.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1063</setSpec><setName>Nathaniel Maynard Exercise and Account Book, 1801-1862</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            The farmer Nathaniel Maynard was born in Marlborough (Worcester County), Mass., on Feb. 27, 1780, the eldest of four children of Joseph Maynard and Lovina Barnes. By 1804, when he married Rachel (Hill) of North Brookfield, Nathaniel was already a resident of Leverett, where he had apparently moved with his brother William. Nathaniel and Rachel had four children: Ira B. Maynard (1810-1896), Alvin (1813-1818), Emeline Dudley (1815-1901), and Joseph Bartlett Maynard (1817-1881).
            
            This small volume is a hybrid production. Roughly the first half of the volume consists of relatively standard exercises for learning arithmetic and business activities, including calculating weights, measures, currencies, finances, and interest rates. The remainder consists of accounts, recording a variety of work performed by Maynard, ranging from farm labor (sale of potatoes, plowing and planting, working with oxen, slaughtering, and chopping wood) to weaving ("sheeting") and especially mending or making shoes.
            
           </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1060</setSpec><setName>Ordo ad consecrandum virginum [Order for the consecration of nuns], ca. 1370</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Founded in 1067, the Benedictine convent of San Pier Maggiore was an ecclesiastical center of medieval Florence, and socially one the city's most prestigious religious houses for women. A Gothic church was completed at the convent in 1352, featuring an elaborate multi-paneled altarpiece by Jacopo di Cione. The convent remained active until its razing in 1784.
            
            A utilitarian, but ritually significant work, this manuscript contains the text and music used in celebrating the consecration of nuns at the Benedictine convent of San Pier Maggiore. The acanthus border on the first folio suggests a mid-fourteenth century date of origin, though likely prior to the commissioning of Cione's Coronation of the Virgin altarpiece.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murb037</setSpec><setName>Cesare Pavese Collection, 1931-2006</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Simultaneously prolific and tragic, Cesare Pavese was a major figure in 20th century Italian letters. Born in the Piedmont region in 1908 and educated in Turin, Pavese was drawn to English-language literature as a student, writing his thesis on Walt Whitman (1930). Nearly overnight, he became well known as a translator of modern American and British fiction, from Melville, Faulkner, and Steinbeck to James Joyce and Gertrude Stein, and at the same time, he began to publish his own creative work beginning with Lavorare stanca, a book of poetry, in 1936. Although sentenced to three years of internal exile for his anti-fascist sympathies (1938-1941), he continued to write, capped by the appearance of his first two novels in 1941 and 1942. The war’s end saw Pavese blossom into an exceptionally creative period, however even as his renown grew, the effects of depression and a failed love affair with the American actress Constance Dowling led him to suicide in August 1950. Two months before he had been awarded the prestigious Strega Prize.
            
            This collection of first and early editions by Cesare Pavese includes five signed volumes: three inscribed to Constance Dowling, one to his friends Leone Ginzburg and later to Dowling, and the fifth to Doris and Harry. Dozens of other volumes by and about Pavese were donated to the Library’s general collections.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums472</setSpec><setName>Common Reader Bookshop Collection, 1977-1997</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Co-owned by Dorothy Johnson and Doris Abramson, the Common Reader Bookshop in New Salem, Massachusetts, specialized in women's studies materials, or in their words, "books by, for, and about women." A couple for almost 40 years and married in 2004, Johnson and Abramson opened the store in 1977 and as they grew, relocated to the town's old Center School building across the street in 1983. The shop closed for business in 2000. 
            
            Comprised of two scrapbooks and folder of ephemera, the collection highlights the Common Reader Bookshop not only as a place for buying antiquarian books, but also for the community it fostered.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums971</setSpec><setName>Raymond Luc Levasseur Papers, 1966-2017</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Raymond Luc Levasseur went underground with a revolutionary Marxist organization in 1974 and spent a decade in armed resistance against the American state. Radicalized by his experiences in Vietnam and by a stint in a Tennessee prison for the sale of marijuana, Levasseur became convinced that revolutionary action was a “necessary step in defeating the enemy — monopoly Capitalism and its Imperialism expression.” As a leader of the Sam Melville/Jonathan Jackson Unit, later called the United Freedom Front, he took part in a string of bombings and bank robberies targeting symbols of the state including government and military buildings and corporate offices. All active members of the UFF were arrested in 1984 and 1985 and sentenced to long prison terms, although the government’s effort to prosecute them (the Ohio 7) on separate charges of seditious conspiracy ultimately failed. Levasseur served twenty years of a 45-year prison sentence, approximately thirteen years of them in solitary confinement, before being released on parole in 2004. He continues to write and speak out for prisoners’ rights.
            
            The Levasseur papers are an important record of a committed revolutionary and political prisoner. Beginning with his work in the early 1970s with the Statewide Correctional Alliance for Reform (SCAR), a prisoners’ rights organization, the collection includes communiques and other materials from revolutionary groups including the UFF, the Armed Resistance Unit, and the Black Liberation Army; Levasseur’s political and autobiographical writings; numerous interviews; selected correspondence; and a range of material on political prisoners and mass incarceration. Consisting in part of material seized by the FBI following Levasseur’s arrest or recovered through the Freedom of Information Act, and supplemented by newsclippings and video from media coverage, the collection has particularly rich content for the criminal and seditious conspiracy trials of UFF members (also known as the “Ohio 7”) in Brooklyn, NY and Springfield, MA, as well as Levasseur’s years in prison and his work on behalf of political prisoners.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1061</setSpec><setName>D. Monty Neill Collection, 1985 Dec.-1986 Apr.</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            An educator and scholar of educational assessment, Monty Neil is the Executive Director of the National Center for Fair and Open Testing (FairTest). For his doctorate at Harvard in the mid-1980s, Neill examined the impact of the 1974 desegregation order affecting Boston's public schools and the ongoing search within the city's African American community for quality and equity in education. He completed his dissertation, The Struggle of Boston's Black Community for Quality and Equality in Education: 1960-1985, in 1987.
            
            The 33 audiocassettes in this collection include interviews with 29 activists and educational and political leaders in Boston, predominantly from the city's African American community, include in-depth discussions about the busing crisis in Boston during the late 1970s and early 1980s, its aftermath, and the ongoing search for educational equity and quality. The tapes were recorded between January and April 1986 as part of Neill's dissertation research.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1072</setSpec><setName>Mary Ann Moore Richardson Collection, 1842-1854</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            The Quaboag Seminary was founded in Warren, Mass., in 1842 by two of Amherst College's early graduates, and was incorporated eight years later. During its relatively brief period of operation, its best-known student may have bene the abolitionist and feminist Lucy Stone, who enrolled in 1841 to prepare for entrance examinations at Oberlin College. In 1856, the school was purchased by the town to serve as the local high school.
            
            This small collection consists primarily of printed materials associated with the short-lived Quaboag Seminary of Warren, Mass. In addition to a school catalogue for 1847, the collection includes two issues -- apparently all that were printed -- of the student literary periodical, the Quaboag Quarterly Offering (1845); eight programs for school exhibitions (1842-1854); a flier announcing the spring term 1848; and two writing exercise books kept by Mary Ann Moore (later Richardson) while a student at the Seminary.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums822</setSpec><setName>Lucy Gwin Papers, 1968-2009</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
            Born in Indiana, the writer Lucy Gwin (1943-2014) lived "a lot of lives," in her own words, working in advertising, as a dairy farmer, civil rights activist, and deckhand on ships servicing oil rigs, all before the age of 40. While living in Rochester, N.Y., in 1989, however, her life took a sudden turn. After a head-on collision with a drunk driver left her with traumatic brain injury, Gwin was remanded for care to the New Medico Brain Rehabilitation Center, where she witnessed a world of isolation, patient abuse, and powerlessness. Never one to shrink from a challenge, she escaped from the Center and used her skills as an organizer and writer to expose conditions at New Medico and shut the facility down. Through her experiences, Gwin emerged as a powerful, often acerbic voice in all-disability rights advocacy, becoming the founder, designer, and editor of the influential Mouth Magazine in 1990.
            
            Lucy Gwin's papers document the advocacy of an important figure in the disability rights movement. The rich documentation for Mouth Magazine includes comprehensive editorial files arranged issue by issue, some correspondence with authors and supporters, and copies of the published issue. The balance of the collection contains Gwin's other work as a writer, personal correspondence, and materials relating to her experiences with and campaign against New Medico.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph089</setSpec><setName>Econosmith Collection, 1969-2019</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    A wife and husband team of photographers based in Provincetown, Mass., Maxine Smith and John Economos, known collectively as Econosmith, are photographers of the folk music scene, social action, and the landscape and people of outer Cape Cod. Social activists themselves, the Econosmiths were photographers for Pete Seeger during the last decade of his life and headed up the photography team at the Clearwater Festival, giving them unusual access to dozens of performers. 

With compelling images of musicians in performance, the Economsmith collection is a rich visual record of the contemporary folk scene, with a special focus on Pete Seeger and the Clearwater Festival (also known as the Great Hudson River Revival). Over 90% of the images were born digital, with the remainder split between color negatives and 35mm. slides. The collection also includes photographs of antiwar demonstrations sparked by the Iraq War and images of the scenery and people of Provincetown and outer Cape Cod.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums818</setSpec><setName>Rae Unzicker Papers, 1979-1997</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Rae Unzicker’s exposure to the psychiatric system began at a young age. Growing up in an abusive home, her parents sent her to psychiatrists off and on for years before she was involuntarily committed. While there, she was quickly introduced to the chaotic and damaging atmosphere of a psychiatric institution, exposing her to mandatory drugs, seclusion rooms, forced feeding, and work “therapy” that required her to wash dishes six hours a day. Once she was release, Unzicker’s road to recovery was long, but after several suicide attempts and stays at other treatment facilities, she ultimately counted herself–along with her friend Judi Chamberlin, an early leader in the movement–a psychiatric survivor. Like Chamberlin, Unzicker embraced her role as an advocate of patient’s rights and for the radical transformation of the mental-health system. In 1995, President Clinton appointed her to the National Council on Disability; two years later she was elected president of the National Association for Rights Protection and Advocacy (NARPA). Unzicker was widely known for her public appearances, conferences and speeches, and her writings, including numerous articles and contributions to the book Beyond Bedlam: Contemporary Women Psychiatric Survivors Speak Out. A survivor of cancer of the jaw and breast, Rae Unzicker died at her home in Sioux Falls, South Dakota on March 22, 2001 at the age of 52.

Although a small collection, Rae Unzicker’s papers document her activities as a leading advocate for the rights of mental health patients, including transcripts of speeches and videotaped appearances, correspondence and feedback related to workshops and conferences, press kits, and newspaper clippings. The most important materials, however, are her writings. It is through her poems and her full-length memoir, You Never Gave Me M &amp; M’s, that Unzicker’s story and voice are preserved.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1077</setSpec><setName>Book of Hours (Use of Bourges), ca. 1460</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Guillaume Claude Robinet, an avocat du roi from Issoudun (Indre), France, married Catherine Tabouet on Jan. 15, 1591.

A medieval book of hours of the use of Bourges, this manuscript is illuminated with six miniature paintings, each above a four-line initial and accompanied by an originally four-sided floral border (now trimmed at the top). The association of the manuscript with Robinet and Tabouet is based on the use of their names on the front and rear boards of the binding, which may have been commissioned at around the time of their wedding in 1591.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums786</setSpec><setName>Paul S. Kahn Papers, 1964-2009</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
An artist, writer, and activist for the disabled, Paul S. Kahn was born on Nov. 6, 1945, into a second-generation family of Jewish immigrants in Auburndale, Mass. Early in life, Kahn rebelled against the perceived “powerlessness” of the neuromuscular disorder with which he was born, pursuing an artistic, academic, and activist life. While studying drawing, painting, and sculpture at Boston University and earning a MA in counseling at Northeastern (1982), Kahn became an activist in the independent living movement and a pioneer in advocating for personal care assistance. Living independently from 1979, he worked as staff therapist at the Beth Israel-Deaconess Medical Center, as leader of a support group for the Muscular Dystrophy Association, and as a member of the Massachusetts Governor’s Advisory Commission on Disability Policy. In 1980, Kahn met Ruth Stern, who would become his frequent collaborator and wife of 21 years. As Kahn’s physical condition weakened after 1987 and he became dependent upon a ventilator, his creative focus shifted increasingly from art to writing and editing. The last two decades of his life were remarkably productive, resulting in over twenty plays and dozens of published essays and poems, and he was the long-time editor of the newsletter Disability Issues. Kahn died on Jan. 1, 2010.

Paul Kahn’s papers are a reflection of the intensely creative life of a committed activist. The collection centers on Kahn’s literary work, including manuscripts of his plays, essays, and poetry, but it includes numerous examples of his artwork and a number of home movies and tape recordings from his childhood.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums869</setSpec><setName>Cynthia Miller Papers, 1973-1995</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Known in the psychiatric survivors’ movement as Kalisa, Cynthia Miller was a radical activist on behalf of the mentally ill. An ex-patient based in New York, she became a member of Project Release in the early 1970s, one of the first wave of organizations fighting for the civil rights of mental patients and combatting forced institutionalization, and was a contributor to Madness Network News and other publications. A poet, writer, and a committed feminist and out lesbian, she took part in civil disobedience to oppose electroconvulsive therapy, working with Judi Chamberlin, George Ebert, Leonard Roy Frank, and others.

Though varied and fragmentary, Cynthia Miller’s collection is a rich resource for study of the early history of the psychiatric survivors movement and the work of one activist in resisting psychiatric oppression. The collection contains some of Kalisa’s writings and correspondence along with ephemera and a varied collection of newspapers, newsletters, and other publications relating to Project Release and several other organizations that Kalisa supported, including the Mental Patients Liberation Front and the Alliance for the Liberation of Mental Patients.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1086</setSpec><setName>Roswell A. Calin Collection, 1907-1930</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Shortly before his twentieth birthday in 1918, Roswell “Ross” Calin joined the 44th Coast Artillery Corps and was sent overseas for service. Arriving in France in August 1918, Calin took part in the St. Mihiel offensive and was wounded in action. He returned to his home in Providence, R.I., early in 1919 and was active in veterans’ organizations for years, including serving as Rhode Island State Adjutant of the Disabled American Veterans in the mid-1920s.

The Calin collection consists of two scrapbook “volumes,” now disbound, assembled by Ross Calin to document his experience in the First World War. Labeled a “memoir,” the volumes consist primarily of photographs and postcards (including many real photo postcards) depicting American troops in the field, war damage, and sites visited by Calin in France. Also included are a selection of medals received by Calin, including a Victory Medal with St. Mihiel clasp, and some newspaper clippings, primarily from the post-war years.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums768</setSpec><setName>Judi Chamberlin Papers, ca.1970-2010</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A pioneer in the psychiatric survivors’ movement, Judi Chamberlin spent four decades as an activist for the civil rights of mental patients. After several voluntary hospitalizations for depression as a young woman, Chamberlin was involuntarily committed for the only time in 1971, having been diagnosed with schizophrenia. Her experiences in the mental health system galvanized her to take action on patients’ rights, and after attending a meeting of the newly formed Mental Patients’ Liberation Project in New York, she helped found the Mental Patients’ Liberation Front in Cambridge, Mass. Explicitly modeled on civil rights organizations of the time, she became a tireless advocate for the patient’s perspective and for choice in treatment. Her book, On Our Own: Patient Controlled Alternatives to the Mental Health System (1978), is considered a key text in the intellectual development of the movement. Working internationally, she became an important figure in several other organizations, including the Center for Psychiatric Rehabilition at Boston University, the Ruby Rogers Advocacy Center, the National Disability Rights Network, and the National Empowerment Center. In recognition of her advocacy, she was awarded the Distinguished Service Award by the President’s Committee on Employment of People with Disabilities in 1992, the David J. Vail National Advocacy Award, and the 1995 Pike Prize, which honors those who have given outstanding service to people with disabilities. Chamberlin died of pulmonary disease at home in Arlington, Mass., in January 2010.

An important record of the development of the psychiatric survivors’ movement from its earliest days, the Chamberlin Papers include rich correspondence between Chamberlin, fellow activists, survivors, and medical professionals; records of her work with the MPLF and other rights organizations, conferences and meetings, and her efforts to build the movement internationally.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums768</setSpec><setName>Jim Kweskin Papers, 1907-2018</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The Jug Band visionary Jim Kweskin was one of the major lights of the 1960s folk revival, and an influential figure in Americana music since. A native New Englander, Kweskin was born in Stamford, Conn., in 1940. As a student at Boston University, he was drawn into the Boston-Cambridge folk scene and inspired to learn the guitar, developing a ragtime-blues fingerpicking technique that he inflected with jazz and blues that became a bedrock style of the folk revival. Following a sojourn in California, he returned to Boston in 1963 and formed the Jug Band with Fritz Richmond, Geoff Muldaur, Bob Siggins, and Bruno Wolfe, later joined by Maria Muldaur, Mel Lyman, Bill Keith, and Richard Greene. The Jug Band developed a national following performing pre-World War II American music, laced with a sense of humor and 1960s sensibility. At the height of their popularity, the Jug Band dissolved in 1968. For several years in the 1980s and 1990s, Kweskin was relatively removed from recording, but he resumed work as a soloist, as a member of the U &amp; I Band, the Texas Sheiks, the Jug Band; and as fellow performer with a long list of artists.

A rich record of eclectic musical tastes and a passion for American music, the Kweskin collection offers important documentation of a major figure on the folk scene. The collection includes scrapbooks, newsclippings, concert posters and fliers, and ephemera from throughout Kweskin’s career, along with hundreds of personal and prozfessional photographs of Kweskin, the Jug Band, U and I, and later collaborations. As an historian of American music, Kweskin also assembled discographies of major arists and labels and built a library of works on blues, country, and other forms of popular music, along with hundreds of 78 rpm records, 45s, LPs, and compact disc recordings. Finally, there are hundreds of reel to reel, cassette, CD, and DVD recordings of Kweskin from throughout his career.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums328</setSpec><setName>Labor, Work, and Industry Collection, 1869-1989</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Chance and geography conspired early in the history of New England to lay a foundation for both industrialization and the rise of organized labor.

This miscellaneous collection contains materials relating to work, business, and organized labor with an emphasis on New England. Among other materials, there are sets of by-laws, reports, and agreements pertaining to Masschusetts locals of IUE, IBEW, Cigarmakers International, Bricklayers, and Retail Clerks.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums742</setSpec><setName>Clarke School for the Deaf Records</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
With a $50,000 grant from the philanthropist John Clarke, Gardiner Green Hubbard founded the Clarke Institution for Deaf Mutes in 1867, a school predicated on the importance of acquiring oral skills for children with hearing loss. Opened in Northampton, Mass., under the direction of Harriet B. Rogers, Clarke differed philosophically from schools such as the American School for the Deaf where sign language was used for instruction, stressing speech-reading and speech as the primary methods of communication. With notable supporters such as Alexander Graham Bell, Clarence W. Barron, and Calvin Coolidge and his wife Grace (a former teacher), the school became a pioneer in training teachers in auditory and oral methods and in recognizing the importance of early intervention and mainstreaming children into neighborhood schools. Working in partnership with Smith College, Clarke began offering a master’s degree in Education of the Deaf in 1962. Known as the Clarke Schools for Hearing and Speech since 2010, the school has opened additional campuses in Boston (1995), Jacksonville (1996), New York (1999), and Philadelphia (2001).

The records of the Clarke School offer rich documentation of the history of oral deaf education in the United States and insight into the experience of deafness in America. The collection includes extensive correspondence of school administrators and teachers, organizational materials, records of the school’s programs, and an essentially complete run of the school’s annual reports and other publications.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1095</setSpec><setName>Quakers of Color International Archive, 2019</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Launched by Harold D. Weaver in 2019, the Quakers of Color International Archive is part of a global initiative to document the beliefs, experiences, and contributions of people of color within the Society of Friends. Supported collaboratively by the New England Yearly Meeting of Friends and the archives at UMass Amherst and Haverford College, the archive uses oral history and other approaches to document as fully as possible, the range of ideas and practices from all faith traditions within the Society.

An on-going project, the oral histories comprising the archive were conducted by Weaver and associates beginning in 2019. Representing Friends from several Yearly Meetings, the interviews include discussions of faith background and spiritual growth, theological orientation, Quaker identity, relations with monthly and yearly meetings, and the conduct of Quaker “business.”
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums999</setSpec><setName>Wayne Jaquith Papers</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>

          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph075</setSpec><setName>Clif Garboden Collection, ca. 1965-2011</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A noted figure in the alternative press and a former president of the Association of Alternative Newsweeklies, Clif Garboden was a long-time editor and writer for the Boston Phoenix. Arriving as a student at Boston University in 1966, Garboden was drawn into a close-knit, creative community on the BU News staff that included Raymond Mungo, Peter Simon, and Joe Pilati, filling a versatile role that entailed work as writer, editor, and photographer. After graduating in 1970, Garboden moved immediately to the Phoenix where he applied his signature wit and occasional snark to a wide range of topics. Apart from a six year period when he worked for the Boston Globe, Garboden was an indispensable part of the Phoenix editorial team until he was laid off in cost cutting moves in 2009. After a lengthy struggle with cancer, Garboden died of pneumonia on Feb. 10, 2011. He is survived by his wife, Susannah (Price), and children Molly and Phil.

The Garbdoen collection consists of hundreds of photographic prints, including work for both the Boston University News and the Phoenix and many personal images of family and friends.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph045</setSpec><setName>Thomas W. and Margaret Tenney Photograph Collection</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Long-time residents of Berkeley, California, Thomas W. Tenney and his wife Margaret took up photography in a serious way in the early 1960s. Photographing the Bay Area scene and publishing in the New York Times and elsewhere, Thomas Tenney became a full-time photographer by about 1960. His photographic interests ranged from urban landscapes and advertising signs to the popular culture of the 1960s and 1970s. Margaret Tenney, also a photographer, was a visual artist who worked in collage and monoprint. For over a decade, the couple took summer trips to New England to photograph colonial and early national gravestones, culminating in a public exhibition of their work in 1972 at the Bolles Gallery in San Francisco.

A vast array of the Tenneys’ photography, artwork, and collection of historic photographs, including thousands of photographs and negatives ranging from the mid-19th century to the early 2000s.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph062</setSpec><setName>Bernie Moss Collection, ca. 1960-1978</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A fixture of the Boston Jazz scene, Bernie Moss began taking photographs in the early 1960s, capturing musicians on stage and after hours in the clubs he frequented. Musicians that Moss would meet at Connelly’s, the Savoy Cafe, Lennie’s on the Turnpike, and later the Jazz Workshop, would often come to Moss’s apartment at 11 Queensberry Street where he would give them a place to stay and a meal. His generosity and love of the music and musicians was renown among the top artists of the era; inspiring Dexter Gordon to compose the song “Boston” Bernie Moss in his honor. Moss was born on Christmas day in 1908 and grew up in a Jewish household. He played trombone as a member of the Massachusetts National Guard 241st Coast Artillery Regiment from 1929 to approximately 1939 but spent the remainder of his life looking after the Boston apartment buildings he inherited from his father, known as the Moss Realty Co. According to Nat Hentoff in his memoir Boston Boy, “he took care that none of his tenants ever knew him as a landlord. His brother collected the rent, and the janitor received all the complaints about services. Bernie just showed up to talk about jazz.” Moss died on February 13th, 1988.

The Bernie Moss Photograph Collection primarily consists of Moss’s color photographs taken at Boston Jazz clubs in the 1960s and early 1970s. The photographs include musicians Alan Dawson, Roy Haynes, John Coltrane, Ben Webster, Dizzy Gillespie, Yusef Lateef, Herbie Hancock, Art Blakey, and many more. Moss’s amateur style brings life to some of the most important years of modern Jazz, showing Jazz greats at the height of their powers, often in informal settings. Many photographs were mounted and catalogued as part of a traveling exhibit curated by the Boston Jazz Society.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums817</setSpec><setName>Elmer C. Bartels Papers, 1961-2014</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
As the Commissioner of the Massachusetts Rehabilitation Commission for thirty years, Elmer C. Bartels became a national leader on issues related to vocational rehabilitation and independent living for people with disabilities. While studying physics at Colby College in 1960, Bartels broke his neck in an inter-fraternity hockey game, but returned to complete his degree and then to earn an MS at Tufts. While working as a computer programmer at the Laboratory for Nuclear Science at MIT and later at Honeywell, he became involved in coordinating services and access that members of the community needed to survive. To address the range of issues relating to employment, housing, and architectural barriers for people with disabilities, he helped found three significant organizations: the Massachusetts Association of Paraplegiacs (1964), the Massachusetts Council of Organizations of the Handicapped (a cross-disability organization created in the late 1960s with Harold Remmes) and the Boston Center for Independent Living (1972). Bartels was a key figure in securing passage of the Rehabilitation Act of 1973, considered the first civil-rights statute for persons with disabilities. In 1977, Bartels was appointed to the Massachusetts Rehabilitation Commission by Gov. Michael Dukakis, serving under seven successive administrations, leaving an important mark on public policy. Since leaving the MRC, Bartels has remained active as a teacher and advocate for disability issues.

The Bartels Papers are an important resource for study of the early history of disability advocacy and public policy in Massachusetts. The collection includes a wealth of material on the formation and activity of the Massachusetts Association of Paraplegiacs, the National Paraplegia Foundation, and the Mass Rehabilitation Commission; correspondence with other leading figures in the disability rights movement; and publications relating to legislation on disability issues, vocational rehabilitation, and independent living.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1100</setSpec><setName>Mount Pleasant Cemetery (Taunton, Mass.) Records, 1835-1885</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Situated on ten acres, Mount Pleasant Cemtery in Taunton, Mass., was designed by Joseph Wilbar and consecrated on July, 1836, just the third rural- or garden-style cemetery in the United States. After a long period of decline in the mid-twentieth century, it was taken over by the city in 1985.

The records of Mount Pleasant Cemetery include an account book with detailed records of expenditures, work performed, and compensation received at the cemetery, and a small selection of ephemera, including two surveys at the time of its establisment.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph092</setSpec><setName>Frances Crowe Photograph Collection, ca. 1969-1987</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A founder of the Western Massachusetts branch of the American Friends Service Committee and the Traprock Peace Center, Frances Crowe was a legendary peace activist. Born in Missouri in March 1919, Crowe became a committed pacifist in 1945 after learning of the devastation of the bombings in Dresden, Hiroshima, and Nagasaki. Moving to Northampton in 1951 with her husband Thomas, a physician, she began organizing for peace and against nuclear weapons, increasing her peacework during the Vietnam War, she she worked as a draft counselor in Northampton. A member of the Society of Friends, she joined the War Resisters League, SANE, and the Women’s International League for Peace and Freedom, among many other organizations, and was arrested dozens of times for civil disobedience during protests opposing war and militarism, nuclear energy, American imperialism in Central America, and apartheid, and she became a war tax resister after the first Iraq War. An activist to the very end, she died on Aug. 27, 2019, at the age of 100.

This small collection of photographs was kept by Frances Crowe in her role as contributor to Peace Work, the newsletter of the American Friends Service Committee, or for inclusion in the AFSC files. Concentrated in the early 1980s, they depict a range of peace and antinuclear protests in western Massachusetts. The majority of the images were taken by Crowe’s associate, Miriam Leader.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums1034</setSpec><setName>Elder Share the Arts Records, ca. 1975-2018</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
A community arts organization founded by Susan Perlstein in 1979, Elders Share the Arts was a pioneer and national leader in the field of creative aging. Beginning as a single living-history theater workshop in the South Bronx, ESTA grew into a citywide organization with national impact that engaged older adults in participatory arts programing. The performing groups that emerged from ESTA typically drew upon the experiences of its members, with the programs running from storytelling and theater to writing, dance, and the visual arts. With the rapid growth of the field, ESTA ceased operations in June 2018, transferring their programs to other organizations.

The records of Elders Share the Arts offer vital documentation of the origins and development of the field of creative aging and the growth of one of the innovators. The collection includes a full set of board minutes, action plans, and by-laws, marketing materials, photographs and media, and a relatively complete record of grants sought and won. Of particular importance are files for ESTA’s senior programs and intergenerational programs, and a thick series of matierlas relating to the National Center for Creative Aging and the history of creative aging as a field.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>murg050_6_c66</setSpec><setName>Maurice E. Cook Papers, 1893-1921</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Born in Marlborough in 1876, Maurice Elmer Cook moved to Shrewsbury at the age of two, when his father, Herbert, purchased property on Floral Street for his market gardening and greenhouse flower and vegetable business. Maurice Cook stayed in the family business, and joined the Massachusetts Agricultural College class of 1897 to further his education in agriculture and market gardening. He worked at the plant house while attending MAC, and often took trips with classmates to hike local fields and ranges in the Pioneer Valley area to collect specimens. Cook was a member of the College Shakespeare Club, the YMCA, the Natural History Society, the Washington Irving Literary Society, and Sergeant in Battalion Org, Company A on campus. He roomed with Harry T. Edwards, of Chesterfield, in South College his first year, and in North College with Charles Adams Peters, from Greendale, for his second and third years. Cook left college early, in November 1895, on account of rheumatism, and did not return. After a trip to Pasadena, CA for his health, Cook returned to Shrewsbury, where he would live and work for the rest of his life. He built a new property and greenhouses there after his 1906 marriage to Carrie Harrington. Both died in Shrewsbury in 1931, leaving behind their three daughters, Gertrude, Elizabeth (class of 1934), and Florence.

The Cook Papers present a detailed view into the daily life and activities of an early MAC student, as well as a look into the infrastructure and organization of the MAC campus. Cook wrote home regularly, and the over 80 letters from his two and half years at the college offer significant coverage of his classes and studies, his living arrangements and financial needs, activities on campus and in Amherst, natural and agricultural locales, travel logistics for students, and updates on MAC buildings. In addition to the rich set of correspondence, the collection includes a small but unique set of photographs of MAC grounds and students, additional photographs taken by Cook, several MAC produced postcards, and Cook’s 1894 College Shakespearean Club certificate.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>muph095</setSpec><setName>McLean Asylum for the Insane Stereographs, ca. 1870</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
The McLean Asylum for the Insane was founded in 1811 though a charter granted by the Massachusetts Legislature. The original campus was built around a Charles Bullfinch-designed mansion in what’s now Somerville, Mass. and was fully completed by 1818, when it was officially opened. It became the first hospital in New England dedicated to the treatment of the mentally ill. The Asylum outgrew its original campus in the 1890s and moved to Belmont, Massachusetts in 1895, where it was renamed McLean Hospital. The Hospital is still active today as a division of Massachusetts General Hospital and is a teaching hospital for Harvard Medical School.

The eleven stereographs of what was then known as the McLean Asylum for the Insane were taken by Edwin N. Peabody of Salem, Mass. as part of a larger series called “American Views.” They depict the original Somerville campus of McLean Hospital, including the buildings and grounds and the “Ladies’ Park and Billiard Room,” with women patients on the grounds outside.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums371</setSpec><setName>Silvio O. Conte Papers, 1950-1991</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
Massachusetts State Senator for the Berkshire District, 1950-1958, and representative for Massachusetts's First District in the United States Congress for 17 terms, 1959-1991, where he made significant contributions in the areas of health and human services, the environment, education, energy, transportation, and small business. Spanning four decades and eight presidents, the papers offer an extraordinary perspective on the major social, economic, and cultural changes experienced by the American people. Includes correspondence, speeches, press releases, bill files, his voting record, committee files, scrapbooks, travel files, audio-visual materials and over 5,000 photographs and slides.
          </dc:description>
        </oai_dc:dc></setDescription></set><set><setSpec>mums825</setSpec><setName>Madge McQueen Papers, 1935-2023</setName><setDescription><oai_dc:dc xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/aust http://www.openarchives.org/OAI/2.0/oai_dc.xsd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><dc:description>
	    I was born in Washington, D.C., in an unwed mother’s home. I spent my earliest months living with my maternal grandmother and two teenage aunts–one of whom was abusive. My mother married my step-father in 1960; I was eleven years old when I discovered he was not my biological father. My mother suffered from psychotic schizophrenia; my step-father was frequently violent in our home; my younger, half-brother struggled with a severe learning disability, early drug addiction, and later untreated paranoid schizophrenia. After years of physical and sexual abuse, I escaped my destructive, troubled family when I was fourteen–having previously run away twice. I became a ward of the state of Maryland (my family had moved into Prince George’s County when I was much younger). I lived with three foster families until I was nineteen. I was determined to use education as a way out of poverty and violence. I attended Prince George’s Community College, then the University of Maryland in College Park where I earned a BA in Hearing and Speech Sciences in 1982. I worked at the radical Maryland Food Collective from 1981 to 1984 which profoundly impacted my life: politically, socially, and sexually. In 1985, I moved to Plainfield, Vermont, where I attended graduate school at Goddard College, receiving an MFA in Writing and Women’s Literature in 1987. After teaching for five years in Boston, at Fayerweather Street School and at the Jamaica Plain Community Centers–Adult Learning Program, I went to Massachusetts College of Art, earning a BFA in Three Dimensional Fibers in 1997. I lived for a year in Germany, 1980-1981, and in Honduras, 1997-1998, where I taught cognitively disabled adults and 8th graders, respectively. In 2002, after living in Boston for four more years, I moved to Twin Oaks Community in Louisa, Virginia. During my long membership, I left twice for extended periods. In 2006-2007, I traveled for eight months in the U.S. and in New Zealand. In 2014, I spent seven months in Amherst and in Boston working on my papers, followed by four months of travel across country and back visiting loved ones as I wrote my autobiography. In the beginning of 2015, I again made Twin Oaks my home.

My collection consists of nearly 300 journals (which include copies of my letters sent), all correspondence received since 1972, many of my artist books, as well as some of my other art work. My bequest is also comprised of my educational documents, my personal health records, my photographs, some family papers, Twin Oaks ephemera, a family tree, a friendship web, a few favorite books, two interviews, etc. What I have written and saved since I was twelve years old fills 84 linear feet: it is my life’s work. I have given, and will continue to give, my papers to UMass Amherst for safekeeping and so that my life–as an incest and battering survivor, as someone raised working class, as a daughter of a mentally-ill mother, as a radical feminist, as a diarist, as an avid letter writer, as an artist, as a bisexual, as a woman who chose neither to be a wife nor a mother, as an attentive niece, as a communitarian, as a traveler, and as a devoted friend–will not be erased.
          </dc:description>
        </oai_dc:dc></setDescription></set></ListSets></OAI-PMH>